Deathtrap · 1982 — 第 10 / 30 章 · 3'01" · B2

Clifford Is Handcuffed, Explained:untypical of me

Clifford sits handcuffed while Sidney hunts for the key and questions how he got their unlisted number. The polite talk hides suspicion: "I don't remember notifying old Southampton College." A missing key becomes an excuse to test whether Clifford's story holds up.

あらすじ

At the Bruhl house, Clifford Anderson is handcuffed and cannot find the key. He explains that a friend, Marietta Klenofski, may call soon to arrange his train home. Sidney Bruhl grows suspicious about how Clifford got their unlisted number, while Myra panics — until the key turns up and everyone laughs in relief.

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注目の表現

get injust about enoughuntypical of mego on looking

00:00 / 03:01
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  1. ❝ 独白Clifford's phone call8 行練習ページ ↗
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このシーンの表現

untypical of me

not like me at all

Sidney blames his own forgetfulness and calls it untypical of him, half joking and half covering.

Forgetting your name is untypical of me.

このシーンの他の表現

  • get in

    enter a place

  • just about enough

    barely sufficient

  • go on looking

    keep on searching

  • envision possibilities

    imagine what could happen

  • tender marital relations

    a warm marriage

このシーンのメモ一覧

49 行のセリフに 21 件のメモ

表現 · A2any minute now

very soon

I forgot to mention that I should be getting a phone call any minute now.
発音getting a

The t in getting flaps between vowels, like gedding-a.

I forgot to mention that I should be getting a phone call any minute now.
表現 · B1reach someone

get in touch with someone

You see, I couldn't reach her before I took off...
表現 · B1leave someone a note

leave a written message

So I just left her a note in the hall mirror...
文法 · B2what train I'll be taking back

object clause: The what-clause is the object of find out and keeps statement word order.

So she can call and find out what train I'll be taking back...
表現 · B2just about enough

barely sufficient

Clifford explains that one two-hour walk a day is already his limit.

I mean, one two-hour walk a day is just about enough for me.
発音just about

Blend just and about, with the t almost silent.

I mean, one two-hour walk a day is just about enough for me.
表現 · A2pretty soon

before long

So I hope you find the key pretty soon...
表現 · B2be not listed

unlisted

How did you get this number? It's not listed.
表現 · A2get something from someone

obtained from someone

See, I got it from Mrs. Beecham at the university.
発音got it from

Got it from collapses into one blurred chunk.

See, I got it from Mrs. Beecham at the university.
文法 · B1because we changed it

cause clause: The because-clause gives the reason the number may be wrong now.

I hope she gave you the right number because we changed it a few weeks ago.
表現 · B2obscene caller

a harasser on the phone

An obscene caller was boring us...
スラング · B2obscene

indecent — Descriptive and blunt; never use it to tease someone.

An obscene caller was boring us...
表現 · A2forget about something

clean forgot it

I must have notified the university and completely forgot about it.
表現 · A2find something somewhere

locate something

You must know that I 'II find the key here somewhere.
文法 · B2must know that

modal verb: Here must marks strong assumption rather than obligation.

You must know that I 'II find the key here somewhere.
スラング · C1Egads

an old-fashioned exclamation — Old-fashioned and playful; rarely heard today.

Egads, I do believe that you two thought...
表現 · C1do a [name]

imitate someone

I was going to take that mace and do a Vincent Price, didn't you?
表現 · B2be paranoid about something

suspicious of everything

True, very true. I'm paranoid myself.
表現 · B2there's a lesson in there

something to learn here

There's a lesson in there somewhere, isn't there?

「Clifford Is Handcuffed」を読み解く

What's really going on

This looks like a comic mishap — a guest locked into handcuffs with the key missing — but the talk around it is a test. Sidney keeps pressing Clifford about the unlisted number, and Clifford's claim that he got it from Mrs. Beecham leaves a gap Sidney pokes at: "How strange and how untypical of me." The handcuffs put Clifford physically at the Bruhls' mercy while the questions put his honesty on trial. When the key finally rattles, the relief is real, yet Sidney immediately turns the moment into a joke about the mace and a Vincent Price. Under the laughter, he is already measuring the young man in front of him.

Theme

TrustSidney uses a missing key and a phone-number question to test whether Clifford's story can be trusted.
Dark humorA panic over handcuffs and a lost key ends in laughter, with Sidney joking about grabbing a mace like a horror villain.

このチャプターで学べること

  • The missing key turns a friendly visit into a test.
  • An unlisted number is small evidence, but it changes the mood.
  • Sidney covers his questions with perfect politeness.
  • Laughter arrives only after the tension has done its work.

発音のポイント

  • getting a — The t in getting flaps between vowels, like gedding-a.
  • just about — Blend just and about, with the t almost silent.
  • got it from — Got it from collapses into one blurred chunk.
You can't write a play like that and not have a mind that envisions possibilities.

A defense of suspicion: anyone who could imagine a murder plot that vividly must see dark possibilities everywhere. It excuses the fear the others felt, or admits Sidney thinks like a killer.

There's a lesson in there somewhere, isn't there?

Sidney's wry closing thought: the near-disaster and everyone's panic should teach them something about fear and trust, even if no one says exactly what.

I mean, one two-hour walk a day is just about enough for me.

Clifford's practical complaint: he can manage one long walk a day, no more. It is why he needs the phone call arranged so someone can meet him at the station.

I was going to take that mace and do a Vincent Price, didn't you?

Sidney turns the scare into a joke, asking the pair whether they thought he was about to attack them with a mace, horror-movie style.

What's your excuse, O loyal and loving wife?

Addressed to Myra, it is mock-gallant sarcasm: if everyone else has an excuse for suspecting him, what is his devoted wife's?

このシーンについての質問

Why does Sidney suspect Clifford?

Clifford says he got their unlisted number from Mrs. Beecham at the university, but Sidney does not remember giving the school the new number. That small gap makes Clifford's smooth story sound rehearsed.

Who is Marietta Klenofski?

A friend Clifford expects to call. She has a key to his place and will read the note he left, then call the Bruhls' number so he can tell her which train to meet.

Why does Myra get so anxious?

Watching a guest trapped in handcuffs while the key cannot be found is more than she can take. She says her heart won't take it, and Sidney asks whether she has taken her pill.

What does "do a Vincent Price" mean?

Vincent Price was a famous horror-film actor, so to do a Vincent Price is to imitate his sinister, theatrical menace. Sidney uses it to joke that everyone expected him to attack with a mace.

Why does Sidney say there's a lesson in it?

After the panic settles, he notes that the whole scare taught them something about fear and suspicion — that even people close to you imagine the worst. He says it lightly, but it lands on Myra.

デストラップ・死の罠 · 全 30 章

すべて見る →
次のチャプター · 第 11 章the envy ofSidney Kills Clifford
第 1 章truth in advertisingSidney's Play Flops on Opening Night第 2 章add insult to injurySidney Rants About Being Written Out第 3 章top billingSidney Plots to Steal a Play第 4 章a god-sent opportunityMyra Urges Sidney to Call Anderson第 5 章all the makingsSidney Calls Clifford About His Play第 6 章got hooked onClifford Anderson Visits the Bruhls第 7 章feet on the groundMyra Pushes Sidney to Collaborate第 8 章go out of your wayClifford Asks for a Second Opinion第 9 章hit a snagSidney Handcuffs Clifford再生中 · 第 10 章untypical of meClifford Is Handcuffed第 11 章the envy ofSidney Kills Clifford第 12 章night and dayMyra Finally Tells Sidney to Leave第 13 章guilt-riddenHelga Ten Dorp Arrives第 14 章keep uncloudedHelga Foresees the Knife第 15 章skeptical aboutHelga Predicts the Deathtrap第 16 章once and for allMyra Hears Something Downstairs第 17 章be my doingSidney Promises Nothing Will Go Wrong第 18 章for future referenceThe Fake Murder Kills Myra第 19 章lay an eggPorter Milgrim Meets the Secretary第 20 章on the agendaPorter Reviews Sidney's Will第 21 章a death wishSidney Pitches Deathtrap第 22 章knock offClifford Wants a Shortcut第 23 章be in on itClifford Talks Sidney Into Deathtrap第 24 章kid a kidderBruhl and Anderson Team Up第 25 章psychicHelga Meets the Man in Boots第 26 章fed up withHelga Warns Sidney Again第 27 章spill the beansThe Rehearsal Turns Deadly第 28 章send someone packingClifford Turns the Gun on Sidney第 29 章a snapClifford Turns the Tables on Sidney第 30 章a can of wormsClifford Spares Sidney
第 10 / 30 章 · 残り約 59 分