an ominous sign here: an ominous reading
Miss Ten Dorp says it's a bad one. She needs some candles. Do we have any?Deathtrap · 1982 — 第 26 / 30 章 · 2'32" · B2
Helga returns through a storm to repeat her warning: "This is the man I warn you of. Man in boots who attacks you." She tells Sidney to send the man away, then solves her own puzzle when she sees the typewriter: "Corona, not Colonna." Sidney agrees to act at once.
On a stormy night, Helga Ten Dorp comes back to warn Sidney that the man in boots will attack him, and urges him to send the man away. When she sees the typewriter, she realizes her earlier confusion: it is Corona, not Colonna. Sidney pretends he was already going to dismiss Clifford.
注目の表現
warn someone ofsend someone awayput something offold bat
このシーンの表現
tired of, annoyed by
As thunder cracks, Sidney snaps that he has had enough of the weather, letting his irritation show.
I'm fed up with these endless meetings.
tell someone to beware
make someone leave
delay something
an insult for an old woman
small stage actions
47 行のセリフに 23 件のメモ
an ominous sign here: an ominous reading
Miss Ten Dorp says it's a bad one. She needs some candles. Do we have any?fire him
Do you know, I decided just tonight to dismiss him?anxious about
Now, I felt uneasy about him last week...look into someone
And I asked my lawyer to check on him.immediately
-You must send away this man at once. -I was going to.The d links into away as one sound.
-You must send away this man at once. -I was going to.flare up, get violent
It's really blowing up out there.be correct
Ja, sometimes they get it right, these weathermen.nonstandard question: You want I should is a casual, nonstandard way to ask if someone wants you to do something.
-You want I should stay? -No, there's no need.Link want I so it sounds like one word.
-You want I should stay? -No, there's no need.right before
She noticed them just before you came in.everywhere, messy
And we were attacking each other all over the place.past continuous: The past continuous shows an action in progress while the two rehearsed.
And we were attacking each other all over the place.the comparative: The more X, the more Y builds a proportional rule from two comparatives.
The closer you stick to the truth, the better.Run stick to together and weaken the to.
The closer you stick to the truth, the better.nasty name for an old woman — A rude jab, only said behind someone's back.
Old bat.break it off with
I've ended it with Julian on the phone.old-fashioned and corny — Used to call writing dated and sugary.
The dialogue's a bit Tin Pan Alley but your timing's good.all set to start
I've got Act Two ready to go. CLIFFORD: Terrific.small stage actions
Rehearsing the script, Sidney says two bits of business might not work, using theatre jargon.
There are two bits of business I'm not sure will work.one scene at a time
We'll try them, and if they do, we'll go through the whole thing scene by scene.tired of, annoyed by
As thunder cracks, Sidney snaps that he has had enough of the weather, letting his irritation show.
Thunder clapping: Shit, I'm fed up with this weather.a swear of frustration — Blurted in frustration; never in polite company.
Thunder clapping: Shit, I'm fed up with this weather.The psychic thread closes here and opens again. Helga's warning is specific enough to be unsettling, 'This is the man I warn you of,' and her advice is plain: get rid of him. But the name she once half-heard is cleared up by a typewriter, 'Corona, not Colonna,' which shows how her gift works and how it still needs a lucky detail. Sidney turns all of it to his advantage, claiming he meant to dismiss Clifford all along. When Clifford returns, they dress the truth up as karate practice, and Sidney lays down the rule he lives by, 'The closer you stick to the truth, the better.' The scene shows how quickly a warning becomes cover.
The closer you stick to the truth, the better.Sidney's rule for a convincing lie: keep the story as close to what really happened as possible.
But again tonight, I feel danger here in this room.Helga repeats the reading she gave before, insisting the danger in the room has not gone away.
This is the man I warn you of. Man in boots who attacks you.She identifies Clifford by the boots, turning her earlier vision into a specific accusation.
Candles are not why I come. I have many candles.A dry deflation of the candle errand, making clear her real reason for returning is the warning.
She says the feeling is stronger than before and that Sidney should not keep the man in the house. The candles are just an excuse for the visit.
Helga earlier gave the name Colonna. Seeing the typewriter brand Smith Corona shows she misheard it, which explains part of her confusing vision.
It gives him a reason to act against Clifford and makes Helga's warning seem to confirm a decision he had already made, instead of a reaction to her.
Sidney tells Helga that Clifford's boots and the attacking vision were just the two of them practicing karate, a cover for what really happened.
次のチャプター · 第 27 章spill the beansThe Rehearsal Turns Deadly
第 1 章truth in advertisingSidney's Play Flops on Opening Night
第 2 章add insult to injurySidney Rants About Being Written Out
第 3 章top billingSidney Plots to Steal a Play
第 4 章a god-sent opportunityMyra Urges Sidney to Call Anderson
第 5 章all the makingsSidney Calls Clifford About His Play
第 6 章got hooked onClifford Anderson Visits the Bruhls
第 7 章feet on the groundMyra Pushes Sidney to Collaborate
第 8 章go out of your wayClifford Asks for a Second Opinion
第 9 章hit a snagSidney Handcuffs Clifford
第 10 章untypical of meClifford Is Handcuffed
第 11 章the envy ofSidney Kills Clifford
第 12 章night and dayMyra Finally Tells Sidney to Leave
第 13 章guilt-riddenHelga Ten Dorp Arrives
第 14 章keep uncloudedHelga Foresees the Knife
第 15 章skeptical aboutHelga Predicts the Deathtrap
第 16 章once and for allMyra Hears Something Downstairs
第 17 章be my doingSidney Promises Nothing Will Go Wrong
第 18 章for future referenceThe Fake Murder Kills Myra
第 19 章lay an eggPorter Milgrim Meets the Secretary
第 20 章on the agendaPorter Reviews Sidney's Will
第 21 章a death wishSidney Pitches Deathtrap
第 22 章knock offClifford Wants a Shortcut
第 23 章be in on itClifford Talks Sidney Into Deathtrap
第 24 章kid a kidderBruhl and Anderson Team Up
第 25 章psychicHelga Meets the Man in Boots
再生中 · 第 26 章fed up withHelga Warns Sidney Again
第 27 章spill the beansThe Rehearsal Turns Deadly
第 28 章send someone packingClifford Turns the Gun on Sidney
第 29 章a snapClifford Turns the Tables on Sidney
第 30 章a can of wormsClifford Spares Sidney