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Deathtrap · 1982 — 第 14 / 30 章 · 3'03" · B2

Helga Foresees the Knife, Explained：keep unclouded

A neighbor's psychic visit turns into a quiet threat. Helga senses pain in the house, refuses a drink to stay sharp, then traces a stage knife's future: "Because of play, another woman uses this knife." Myra is unsettled; Sidney shrugs the warning off.

あらすじ

Helga Ten Dorp, a psychic, drops by the Bruhls' home. She greets them with cries of "Pain," insisting that Myra is suffering and that something frightening lurks in the house. She turns down a drink to keep her head clear, then examines Sidney's stage props and says another woman will use a certain knife. Sidney insists he will sell the collection.

Small talkWarningExplainingStrangersB2slowamericanClean
IMDb ↗

注目の表現

about tomake a note offed up withput away

00:00 / 03:03
Space 再生 · ← → セリフ移動 · R リピート
いま
  19. ❝ 独白Helga's call to information5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

keep unclouded

keep clear and sharp

Helga refuses a drink to keep her head clear, sounding like she keeps a strict rule and sees more than others.

He tries to keep unclouded judgment in a crisis.

このシーンの他の表現

  • about to

    on the point of

  • make a note of

    write something down

  • fed up with

    tired of

  • put away

    tidy something into its place

  • souvenirs from

    keepsakes from a place

このシーンのメモ一覧

42 行のセリフに 26 件のメモ

表現 · C1pain-covered + noun

objects soaked in pain

Neither of us-- Why keep you such pain-covered things?
表現 · B1souvenirs from somewhere

keepsakes from a place

Asked about the knives and props, Sidney calls them antiques and souvenirs from his plays, playing it down.

Those? They're antiques and souvenirs from my plays.
スラング · A2Ja

yes in German — Helga's German yes; it colors her accent.

-I'm a playwright. -Ja, Sidney Bruhl.
発音wanted to

Wanted to often blurs into wanna in fast speech.

-Yes, he told us. I wanted to talk to-- -I always know I feels the pain from here.
表現 · B2more than + noun

beyond just pain

And more than pain.
文法 · C1when begins The Merv Griffin Show

inversion: The verb comes before the subject: normally when the show begins.

Since 8:30, when begins The Merv Griffin Show.
表現 · B1make a note of something

write something down

Helga mentions her TV appearance and tells Myra to write it down, as if instructing an assistant.

Will you make a note of that, Myra?
表現 · A2get worse

becomes more serious

Because the pain gets worse.
表現 · A2something else

a different thing

Ja, something else here.
文法 · B1Something frightening

postposed adjective: Adjectives follow pronouns like something: something frightening.

Something frightening.
表現 · B1be about to do something

on the point of

Sidney is on the point of offering a drink when Helga names it first, certain she saw it coming.

The drink you were about to offer me.
文法 · B2you were about to offer me

relative clause: A relative clause with the pronoun dropped describes which drink she means.

The drink you were about to offer me.
発音about to

Link about and to so the t almost disappears.

The drink you were about to offer me.
表現 · B2keep something + adjective

keep clear and sharp

Helga refuses a drink to keep her head clear, sounding like she keeps a strict rule and sees more than others.

Must keep unclouded, the head. Never drink.
スラング · A1Yeah

yes — Casual agreement; use yes in formal settings.

-Were you going to offer her a drink? -Yeah.
表現 · B1used many times

used again and again

Was used many times by beautiful woman, but only pretending.
スラング · A2fantastic

amazing — Casual praise; in writing use remarkable instead.

That's fantastic.
表現 · A2beautiful actress

a lovely actress

By Tallulah, a beautiful actress.
文法 · B1Will be used again

passive voice: The passive will be used keeps the focus on the knife, not the user.

Will be used again by another woman...
表現 · A2because of something

due to the play

Because of play, another woman uses this knife.
表現 · A2put something away

tidy something into its place

Staring at the knife, Helga firmly tells Sidney to put the things away, half command, half warning.

-You must put away these things. -Yes, I will.
表現 · B1the whole collection

the entire set

In a month or so, I'm going to sell the whole collection.
文法 · A2I'm going to sell

future with going to: Going to marks a planned future action, here selling the collection.

In a month or so, I'm going to sell the whole collection.
表現 · B1be fed up with something

tired of

Sidney claims he is tired of the collection, but Helga's 'maybe too late' undercuts his shrug.

-I'm fed up with them anyway. -Maybe too late.
表現 · A2it's too late

past the right moment

-I'm fed up with them anyway. -Maybe too late.
発音fed up with

Link fed, up and with so they run together.

-I'm fed up with them anyway. -Maybe too late.

「Helga Foresees the Knife」を読み解く

What's really going on

The whole visit is a warning dressed up as a social call. Helga doesn't just chat; she reads the room and says out loud what everyone is avoiding. "Must keep unclouded, the head. Never drink." is her way of saying she refuses to be fooled, and she keeps circling the collection of stage weapons - the props that once belonged to plays about murder. The line that lands hardest is "Because of play, another woman uses this knife." It sounds like fortune-telling, but it also describes exactly the kind of plot Sidney writes. Myra hears a threat; Sidney answers with plans to sell the props. One set of words lands two very different ways.

Theme

SecretsThe psychic senses something frightening the hosts won't name, turning a social call into an unwanted reading of their home.
Dark humorA cheerful psychic cheerfully describes a future stabbing, and the hosts keep pouring drinks and making notes.

このチャプターで学べること

  • Helga's prophecy works by naming small, specific details.
  • Sidney's jokes are a way to dodge the warning.
  • The prop knife turns a stage object into a threat.

発音のポイント

  • wanted to — Wanted to often blurs into wanna in fast speech.
  • about to — Link about and to so the t almost disappears.
  • fed up with — Link fed, up and with so they run together.
Because of play, another woman uses this knife.

Helga predicts that this stage knife will be used again - not in a play, but because of one. It's the film's clearest hint of the violence to come.

Must keep unclouded, the head. Never drink.

Helga refuses alcohol so her mind stays clear. She trusts her visions too much to dull them.

-I'm fed up with them anyway. -Maybe too late.

Sidney says he's tired of the props anyway, and Helga answers that selling them may already be too late.

In a month or so, I'm going to sell the whole collection.

Sidney plans to sell his collection of theatrical props soon, dismissing them as things he's done with.

I try, but I see only the 324, which is everybody.

Helga tried to guess the Bruhls' number but only saw the local exchange "324," which everyone shares.

このシーンについての質問

Why does Helga keep saying "Pain"?

She claims to feel other people's suffering, and in this house she senses it strongly in Myra. To Helga it proves her powers are real; to the Bruhls it is the first sign her visit won't be casual.

Is Helga right about the knife?

She insists the knife will be used again, by another woman, because of a play. Given how the story develops, the warning is less a guess than a prediction the audience should remember.

Why won't Helga have a drink?

She says alcohol would cloud her head and spoil her readings. Refusing it also marks her as the one person in the room who won't play along with the polite mood.

What is Helga's connection to the Bruhls?

She knows them through Paul Wyman, who sells Sidney's books, and turns up unannounced. Sidney wants to talk to her, but she is far more interested in what she senses in the house.

Why is Sidney talking about selling his collection?

He tells Helga he's fed up with the props and plans to sell them. Coming right after her warning, it reads as either a genuine decision or an attempt to wave her off.

デストラップ・死の罠 · 全 30 章

すべて見る →
次のチャプター · 第 15 章skeptical aboutHelga Predicts the Deathtrap
第 1 章truth in advertisingSidney's Play Flops on Opening Night第 2 章add insult to injurySidney Rants About Being Written Out第 3 章top billingSidney Plots to Steal a Play第 4 章a god-sent opportunityMyra Urges Sidney to Call Anderson第 5 章all the makingsSidney Calls Clifford About His Play第 6 章got hooked onClifford Anderson Visits the Bruhls第 7 章feet on the groundMyra Pushes Sidney to Collaborate第 8 章go out of your wayClifford Asks for a Second Opinion第 9 章hit a snagSidney Handcuffs Clifford第 10 章untypical of meClifford Is Handcuffed第 11 章the envy ofSidney Kills Clifford第 12 章night and dayMyra Finally Tells Sidney to Leave第 13 章guilt-riddenHelga Ten Dorp Arrives再生中 · 第 14 章keep uncloudedHelga Foresees the Knife第 15 章skeptical aboutHelga Predicts the Deathtrap第 16 章once and for allMyra Hears Something Downstairs第 17 章be my doingSidney Promises Nothing Will Go Wrong第 18 章for future referenceThe Fake Murder Kills Myra第 19 章lay an eggPorter Milgrim Meets the Secretary第 20 章on the agendaPorter Reviews Sidney's Will第 21 章a death wishSidney Pitches Deathtrap第 22 章knock offClifford Wants a Shortcut第 23 章be in on itClifford Talks Sidney Into Deathtrap第 24 章kid a kidderBruhl and Anderson Team Up第 25 章psychicHelga Meets the Man in Boots第 26 章fed up withHelga Warns Sidney Again第 27 章spill the beansThe Rehearsal Turns Deadly第 28 章send someone packingClifford Turns the Gun on Sidney第 29 章a snapClifford Turns the Tables on Sidney第 30 章a can of wormsClifford Spares Sidney
第 14 / 30 章 · 残り約 47 分