Deathtrap · 1982 — 第 28 / 30 章 · 3'06" · C1

Clifford Turns the Gun on Sidney, Explained:send someone packing

Sidney boasts that he has come out of it all with about a million dollars and the house, sure he has won. Then he fires and the gun only clicks: "Sorry the click is so anticlimactic, but I needed the bullets from that gun..." Clifford is standing there with a loaded one, and the reversal is complete.

あらすじ

Clifford reveals he is alive and in control, and Sidney finally admits the money: with the insurance and what Myra left, he will have around a million dollars and the house. He explains his cover story, then fires at Clifford — and the gun only clicks.

ArgumentsThreatsConfessingThreateningRivalsC1slowamerican
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注目の表現

any other waya grip on unrealitywritten outhit play

00:00 / 03:06
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  1. ❝ 独白Sidney's calm confession11 行練習ページ ↗
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このシーンの表現

send someone packing

make someone leave for good

Sidney hides behind his lawyer Porter, who supposedly urges him to get rid of Clifford as soon as possible.

They send troublemakers packing at the door.

このシーンの他の表現

  • any other way

    another option

  • a grip on unreality

    clinging to delusion

  • written out

    out of ideas

  • hit play

    a successful play

  • you shit

    a crude insult

このシーンのメモ一覧

45 行のセリフに 22 件のメモ

スラング · C1hookers

prostitutes, crudely — Slangy and crude; use sex worker in formal talk.

And former CIA assassins and happy hookers...
表現 · B1it's just not me

not my style

It's just not me, is it, love?
文法 · B2It's not going to be you either

negative future: Going to plus not predicts what will not happen, and either adds you to the same fate.

It's not going to be you either, love...
表現 · B2slave away at something

work like a slave

Spending the next 25 years slaving away at crappy jobs for no money.
発音grip on

Link grip on so the p runs into on.

You have got a very firm grip on unreality, Sid.
表現 · B2practically broke

almost penniless

46 years old, you're written out, you're practically broke.
発音written out

The t in written out flaps between vowels.

46 years old, you're written out, you're practically broke.
表現 · B2tell a little fib

a small lie

I'm afraid I told you a little fib.
表現 · A2a few days ago

several days back

Between the insurance which arrived a few days ago...
表現 · B1valuable property

a pricey piece of property

Plus, of course, this quite valuable property.
表現 · B2get away with something

escape punishment

-You shit! You'll never get away with this. -Why not?
スラング · C1You shit

a crude insult — A furious curse; never in polite speech.

-You shit! You'll never get away with this. -Why not?
表現 · C1extenuating circumstances

facts that lessen blame

Such wildly extenuating circumstances.
表現 · B2check someone out

look into someone

I asked Porter to have you checked out in Riverhead...
文法 · B2the sooner I send you packing, the better

the comparative: The sooner X, the better means the earlier the action, the better the result.

Porter insists that the sooner I send you packing, the better.
発音send you

In send you the word you weakens to yuh.

Porter insists that the sooner I send you packing, the better.
表現 · B2give someone their notice

give someone notice

So I come home and I give you your notice.
表現 · B2open up doors for someone

create chances for someone

You opened up certain doors for me...
表現 · B1harder than I expected

tougher than expected

This is going to be even harder than I expected.
表現 · C1be anticlimactic

a letdown

Sorry the click is so anticlimactic, but I needed the bullets from that gun...
文法 · B2the click is so anticlimactic

omitted that: The that after sorry is dropped and a full clause follows, common in speech.

Sorry the click is so anticlimactic, but I needed the bullets from that gun...
スラング · C1dum-dum

a silly fool — Mocking and familiar; risky with strangers.

Now sit down, dum-dum.

「Clifford Turns the Gun on Sidney」を読み解く

What's really going on

The scene pays off the whole film's machinery. Sidney believes he has staged everything, and the money speech is his victory lap: insurance, the house, a future hit. Clifford's answer is blunt, 'You'll never get away with this,' and Sidney's 'Why not?' is the sound of a man who thinks his own plot is airtight. Then the gun clicks. The claim that he needed the bullets for another gun turns the earlier murder scene into a rehearsal for this one, and the line 'Reversal, Sidney. Remember?' names what the audience has just watched. Two writers, each sure he is the one holding the pen.

Theme

DeceptionSidney's whole cover is a performance, and the reversal shows the story belonged to Clifford all along.
BetrayalEach man used the other and then planned to discard him, and the scene settles who was actually in control.

このチャプターで学べること

  • A confession can sound calm and still be a death sentence.
  • The reversal works because the gun clicks instead of firing.
  • Money explains the motive before the violence does.
  • One cool question can take the power back.

発音のポイント

  • grip on — Link grip on so the p runs into on.
  • written out — The t in written out flaps between vowels.
  • send you — In send you the word you weakens to yuh.
You have got a very firm grip on unreality, Sid.

Clifford's diagnosis of Sidney's confidence: he is holding tightly to a version of events that is not true.

46 years old, you're written out, you're practically broke.

Clifford sums up Sidney's real position, taking apart the fantasy of success and money.

-You shit! You'll never get away with this. -Why not?

The angry exchange that sets up the twist, with Sidney's calm 'Why not?' showing how sure he is.

Sorry the click is so anticlimactic, but I needed the bullets from that gun...

Clifford's cool explanation for the empty gun, revealing that he emptied it in advance for his own weapon.

このシーンについての質問

How much money does Sidney end up with?

Around a million dollars, counting the insurance and what Myra left him, plus the valuable house. He says he hopes to add another hit play to that.

Why does Sidney's gun only click?

Because Clifford had already taken the bullets out of it, to load his own gun. The kill Sidney planned was reversed before it could happen.

What does Clifford mean by 'Reversal, Sidney'?

He means the roles have flipped: the man who thought he was in control is now the one being held at gunpoint.

Was Myra part of Sidney's plan all along?

Sidney's talk of the insurance and what Myra left, together with the money figure, shows he was counting on her death, which reframes the whole scheme.

デストラップ・死の罠 · 全 30 章

すべて見る →
次のチャプター · 第 29 章a snapClifford Turns the Tables on Sidney
第 1 章truth in advertisingSidney's Play Flops on Opening Night第 2 章add insult to injurySidney Rants About Being Written Out第 3 章top billingSidney Plots to Steal a Play第 4 章a god-sent opportunityMyra Urges Sidney to Call Anderson第 5 章all the makingsSidney Calls Clifford About His Play第 6 章got hooked onClifford Anderson Visits the Bruhls第 7 章feet on the groundMyra Pushes Sidney to Collaborate第 8 章go out of your wayClifford Asks for a Second Opinion第 9 章hit a snagSidney Handcuffs Clifford第 10 章untypical of meClifford Is Handcuffed第 11 章the envy ofSidney Kills Clifford第 12 章night and dayMyra Finally Tells Sidney to Leave第 13 章guilt-riddenHelga Ten Dorp Arrives第 14 章keep uncloudedHelga Foresees the Knife第 15 章skeptical aboutHelga Predicts the Deathtrap第 16 章once and for allMyra Hears Something Downstairs第 17 章be my doingSidney Promises Nothing Will Go Wrong第 18 章for future referenceThe Fake Murder Kills Myra第 19 章lay an eggPorter Milgrim Meets the Secretary第 20 章on the agendaPorter Reviews Sidney's Will第 21 章a death wishSidney Pitches Deathtrap第 22 章knock offClifford Wants a Shortcut第 23 章be in on itClifford Talks Sidney Into Deathtrap第 24 章kid a kidderBruhl and Anderson Team Up第 25 章psychicHelga Meets the Man in Boots第 26 章fed up withHelga Warns Sidney Again第 27 章spill the beansThe Rehearsal Turns Deadly再生中 · 第 28 章send someone packingClifford Turns the Gun on Sidney第 29 章a snapClifford Turns the Tables on Sidney第 30 章a can of wormsClifford Spares Sidney
第 28 / 30 章 · 残り約 5 分