They were able to straighten it out, keep it under wraps, but this is serious.Barbie · 2023 — 第 10 / 26 章 · 3'50" · B2
Mattel Panics Over Barbie in LA, Explained：with all due respect
The Mattel executives are mid-meeting when Aaron Dinkins bursts in with news: a life-size Barbie is loose in the real world. He is told it is old news, and the room turns when he corrects them: "We've got a definite situation on our hands." Meanwhile Barbie, out on the street, is discovering feelings nothing in Barbie Land prepared her for.
あらすじ
At Mattel, executives are in a brainstorming session when Aaron Dinkins interrupts with alarming news: a life-size Barbie has left Barbie Land for Los Angeles. The room panics, and the executives insist no one rests until the doll is back in a box. In the Real World, Barbie has begun to feel things Barbie Land never explained, and she calls them weirdo feelings.
注目の表現
with all due respecttop brasstake it out onsesh
00:00 / 03:50Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
with all due respect
a polite formula before disagreeing
Aaron cushions his pushback to the bosses with a polite with all due respect.
With all due respect, the data tells a different story.
このシーンの他の表現
- top brass
the senior leaders of an organization
- take it out on
to vent your anger on someone uninvolved
- sesh
a session or get-together (casual)
このシーンのメモ一覧
81 行のセリフに 25 件のメモ
They were able to straighten it out, keep it under wraps, but this is serious.- I’m going all the way up. - No one goes all the way up.no one
- I’m going all the way up. - No one goes all the way up.Okay. Listen, I have to speak to the top brass.Aaron, they’re in a big corporate idea sesh. No one is to be admitted.Aaron, they’re in a big corporate idea sesh. No one is to be admitted.We’re in the middle of a major sit-down here, Aaron Dinkins.We’re in the middle of a major sit-down here, Aaron Dinkins.in the middle of
We’re in the middle of a major sit-down here, Aaron Dinkins.Can you just e-mail it? And you can send it to me EOD.liaison
Can you just e-mail it? And you can send it to me EOD.Can you just e-mail it? And you can send it to me EOD.It’s a repeat of Skipper in Key West.a polite formula before disagreeing
Aaron cushions his pushback to the bosses with a polite with all due respect.
And with all due respect, that was Skipper, sir.If this got out that our dolls were coming to Los Angeles from Barbie Landflap
If this got out that our dolls were coming to Los Angeles from Barbie LandWe’ve got a definite situation on our hands.I can’t stress that enough! - What?Think of it as a town in Sweden, Aaron Dinkins.until-clause
No one rests until this doll is back in a box.I’m just gonna pop into the library and see if I can find any books on trucks. [chuckles]see if
I’m just gonna pop into the library and see if I can find any books on trucks. [chuckles]liaison
I’m just gonna pop into the library and see if I can find any books on trucks. [chuckles]Okay, just don’t get in trouble.「Mattel Panics Over Barbie in LA」を読み解く
What's really going on
The scene splits the film's two worlds and lets them talk past each other. At Mattel, the panic is corporate, about image and control: the executives treat a doll on the loose as a brand crisis and bark that no one rests until she is back in a box. Aaron Dinkins, the one person with real information, has to fight for a hearing and correct the assumption that this is just another Skipper incident. Meanwhile the other half of the scene is gentler and stranger: Barbie's body has started reporting feelings her world has no name for, and she describes them with perfect literalism, "I have fear with no specific object." The answer she gets is the plainest line in the film: it's anxiety. In Barbie Land there are no such feelings, and that absence is exactly what the story is about.
Theme
IdentityA company guards a brand while a doll discovers feelings its world was built to exclude.
SatireMattel panics about image, not about the doll, turning a person into a public-relations problem.
発音のポイント
- send it to me — liaison
- got out — flap
- pop into — liaison
They were able to straighten it out, keep it under wraps, but this is serious.The corporate voice on a past scandal: the first incident was quietly contained, so this one is treated as a threat to be managed.
I get excited. I’m passionate.A pitch-room line about enthusiasm, mocking the way executives turn ordinary feelings into selling points.
And with all due respect, that was Skipper, sir.A polite correction that undercuts the boss: this is not the same old case, and the doll in question is far bigger.
We’ve got a definite situation on our hands.The moment the room stops deflecting: a real problem, admitted in corporate language that makes it sound manageable.
I’ve started to get all these weirdo feelings.Barbie reporting the first genuine emotions of her life, and having no vocabulary for them.
Like, I have fear with no specific object.A precise description of anxiety from someone who has never felt it, stated as plainly as if it were a symptom.
このシーンについての質問
Why do the Mattel executives panic?
A life-size Barbie has left Barbie Land and shown up in the real world. They fear the publicity and the damage to the brand, and they want her back in a box.
What does Aaron Dinkins tell the executives?
He interrupts their meeting to report the Barbie situation. When they assume it is another Skipper incident, he corrects them: this time it is Barbie herself.
What is happening to Barbie in the Real World?
She is feeling emotions Barbie Land never gave her words for. She describes fear with no specific object, and is told plainly that what she has is anxiety.
Why doesn't Ken feel the same way?
He is untroubled, and the film plays his easy confidence against Barbie's unease. It is part of the joke that the same world affects the two of them very differently.
バービー · 全 26 章
すべて見る →
次のチャプター · 第 11 章the last resortSasha Confronts Barbie
第 1 章burst their bubbleBarbie Rewrites the Doll Story
第 2 章the voice of a generationBarbie's Perfect Day in Barbie Land
第 3 章beach offKen Beaches Off and Gets Hurt
第 4 章dying toBarbie Asks About Dying
第 5 章fall into disrepairBarbie's Heels Touch the Ground
第 6 章be that as it mayBarbie Opens a Portal to Reality
第 7 章a figure of speechBarbie Leaves Barbie Land
第 8 章hold it against meBarbie and Ken Hit the Real World
第 9 章man upThe Mattel Men Celebrate Themselves
再生中 · 第 10 章with all due respectMattel Panics Over Barbie in LA
第 11 章the last resortSasha Confronts Barbie
第 12 章seek my fortuneKen Tries to Bring Patriarchy Home
第 13 章up the wazooMattel Execs Try to Box Barbie
第 14 章Isn't that marvelousBarbie Meets Ruth at Mattel
第 15 章come off itSasha and Her Mom Pick Up Barbie
第 16 章dream upBarbie Flees to Barbie Land
第 17 章fly off the shelvesBarbie Finds Ken's Casa House
第 18 章snap out of itKen Takes Over Barbie Land
第 19 章make a run for itBarbie Hits Her Lowest Point
第 20 章existential crisisIt's Impossible to Be a Woman
第 21 章tie herself into knotsGloria's Monologue About Women
第 22 章the old standbyThe Barbies Plot Their Return
第 23 章take advantage ofThe Kens Build a Patriarchy
第 24 章took you for grantedBarbie Apologizes to Ken
第 25 章hold on toBarbie Tells Ken to Find Himself
第 26 章living in the shadowsBarbie Says Maybe She's Not Barbie第 10 / 26 章 · 残り約 59 分