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Barbie · 2023 — 第 19 / 26 章 · 4'00" · B2

Barbie Hits Her Lowest Point, Explained：make a run for it

Barbie Land has been rebuilt in Ken's image, and Barbie has bottomed out. A shopping-channel voice sells Depression Barbie while she lies barely awake, and Allan quietly tries to leave before the Kens finish trapping everyone. The plan flips when Sasha insists they go back: "You've always believed in what she could be."

あらすじ

Barbie is at her lowest, and Barbie Land has turned into Ken's version of it. A commercial pitches Depression Barbie while she sleeps; Sasha and Gloria load her into the car, and Allan plans to escape before the Kens wall everyone in. Then Sasha changes the plan and decides they should go back to save Barbie.

Comforting a friendAsking for helpComfortingPersuadingFriendsB2fastamericanClean
IMDb ↗

注目の表現

make a run for itin the first placeyou want a piecebuild that wall

00:00 / 04:00
Space 再生 · ← → セリフ移動 · R リピート
いま
  8. ❝ 独白Depression Barbie copy6 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

make a run for it

趁机会赶紧跑；拔腿就跑

艾伦在肯的乐园里准备逃走，提醒同伴要趁着围墙还没封死之前立刻动身。

When the guard turned away, we made a run for it.

このシーンの他の表現

  • in the first place

    originally; from the very start

  • you want a piece

    a confrontational challenge to fight

  • build that wall

    a well-known slogan about sealing a border

このシーンのメモ一覧

74 行のセリフに 24 件のメモ

表現 · B1feel bad for someoneYou know, I almost feel bad for you, but you are exactly what I thought you were.
表現 · B2the lowest someone has ever beenThis is the lowest I’ve ever been.
表現 · B1all day and nightShe wears sweatpants all day and night.
表現 · B2something is killing someoneAnd now her jaw is killing her.
表現 · B2be regarded as somethingSituation of our families is such that any alliance between us must be regarded as a highly reprehensible connection.
文法 · C1must be regarded as

must

Situation of our families is such that any alliance between us must be regarded as a highly reprehensible connection.
表現 · B1sold separatelyAnxiety, panic attacks, and OCD sold separately.
表現 · B2ugly and unwantedUgly and unwanted.
表現 · B2interrupt this broadcastWe interrupt this broadcast to bring you our new radio station only playing Ken’s favorite song.
表現 · B2for Christ's sakeTurn this song off, for Christ’s sake!
表現 · B2break someone's spiritIt’s gonna break my spirit.
表現 · B1figure something outAs soon as they figure out how to build that wall sideways and not just up,
文法 · B2As soon as they figure out

as soon as

As soon as they figure out how to build that wall sideways and not just up,
発音figure out

flap

As soon as they figure out how to build that wall sideways and not just up,
表現 · B2make a run for itSo if we want to leave, we better make a run for it.
表現 · B2in the first place

originally; from the very start

Barbie blames herself, tracing the whole disaster back to her own drawings.

is what caused all these problems in the first place.
表現 · B2be ready for anythingBe ready for anything.
発音ready for anything

elision

Be ready for anything.
スラング · B1buddyI’m Allan. I’m, uh, I’m Ken’s buddy.
表現 · B2you want a piece of meYou want a piece?
文法 · C1believed in what she could be

what-clause

But you don’t. You’ve always believed in what she could be.
文法 · B2make it perfect

even if

Even if-- Even if you can’t make it perfect,
表現 · A2get out of somewhereWe have to get out of here right now.
発音get out of here

flap

We have to get out of here right now.

「Barbie Hits Her Lowest Point」を読み解く

What's really going on

The scene lets Barbie hit bottom and then hands the story to the people around her. Her collapse is played for laughs at first, through the deadpan Depression Barbie commercial, but the feelings underneath are real, and she says as much: "This is the lowest I've ever been." Allan's escape speech is both funny and bleak, because it names what the Kens are building and why the window to leave is closing. The turn comes from Sasha, who refuses to let her mother give up on Barbie: "You've always believed in what she could be." That line is the film's thesis in miniature, the idea that someone can be worth fighting for precisely because of who they might become. The comedy keeps the scene light, but it is doing the work of getting Barbie back on her feet.

Theme

IdentityBarbie hits bottom and finds her worth in what she could become, not in the perfection she has lost.
FriendshipSasha and Gloria refuse to leave Barbie behind, turning a rescue plan into an act of loyalty.

発音のポイント

  • figure out — flap
  • ready for anything — elision
  • get out of here — flap
This is the lowest I’ve ever been.

Barbie's plain admission of how far she has fallen, said from the floor of her own story.

It’s gonna break my spirit.

Allan's reason for fleeing, half a joke and half true: staying in this world will grind a person down.

But you don’t. You’ve always believed in what she could be.

Sasha's argument to her mother, and the film's case for Barbie: not what she is, but what she might become.

I’m the one who ruined Barbie Land with my stupid drawings in the first place.

Gloria taking the blame for the crisis, because her drawings and feelings are what cracked Barbie's perfect world.

I am, I am. I’m weird and I’m dark and I’m crazy.

Gloria finally owning the qualities Sasha named, turning the accusations into a kind of self-acceptance.

このシーンについての質問

Why is Barbie so low in this scene?

The Kens have taken over Barbie Land, her sense of purpose is gone, and she has stopped being able to function. She calls it the lowest she has ever been.

Why does Allan want to leave?

He sees that the Kens are closing off Barbie Land, and he does not fit into the world they are building. He is trying to slip out before it becomes impossible.

What is Depression Barbie?

It is a joke commercial product, a doll who stays in sweatpants, scrolls for hours and cries. It mocks the way the brand turns real feelings into merchandise.

Why does Sasha change her mind about leaving?

She argues that her mother always believed in what Barbie could be, and that Barbie needs saving. It is Sasha, not the adults, who insists on going back.

バービー · 全 26 章

すべて見る →
次のチャプター · 第 20 章existential crisisIt's Impossible to Be a Woman
第 1 章burst their bubbleBarbie Rewrites the Doll Story第 2 章the voice of a generationBarbie's Perfect Day in Barbie Land第 3 章beach offKen Beaches Off and Gets Hurt第 4 章dying toBarbie Asks About Dying第 5 章fall into disrepairBarbie's Heels Touch the Ground第 6 章be that as it mayBarbie Opens a Portal to Reality第 7 章a figure of speechBarbie Leaves Barbie Land第 8 章hold it against meBarbie and Ken Hit the Real World第 9 章man upThe Mattel Men Celebrate Themselves第 10 章with all due respectMattel Panics Over Barbie in LA第 11 章the last resortSasha Confronts Barbie第 12 章seek my fortuneKen Tries to Bring Patriarchy Home第 13 章up the wazooMattel Execs Try to Box Barbie第 14 章Isn't that marvelousBarbie Meets Ruth at Mattel第 15 章come off itSasha and Her Mom Pick Up Barbie第 16 章dream upBarbie Flees to Barbie Land第 17 章fly off the shelvesBarbie Finds Ken's Casa House第 18 章snap out of itKen Takes Over Barbie Land再生中 · 第 19 章make a run for itBarbie Hits Her Lowest Point第 20 章existential crisisIt's Impossible to Be a Woman第 21 章tie herself into knotsGloria's Monologue About Women第 22 章the old standbyThe Barbies Plot Their Return第 23 章take advantage ofThe Kens Build a Patriarchy第 24 章took you for grantedBarbie Apologizes to Ken第 25 章hold on toBarbie Tells Ken to Find Himself第 26 章living in the shadowsBarbie Says Maybe She's Not Barbie
第 19 / 26 章 · 残り約 26 分