should
I don’t think that things should go back to the way that they were.Barbie · 2023 — 第 26 / 26 章 · 4'16" · B2
With the crisis over, Barbie Land starts again — no one, Barbie or Ken, should be living in the shadows, and even Weird Barbie gets a proper apology. The most moving thread comes last, when Barbie tells her creator, "I don't think I have an ending," and wonders aloud whether she is Barbie at all.
After the fight, the Barbies rebuild Barbie Land and invite everyone in, including the Kens and the Barbie they used to mock. A pitch for an Ordinary Barbie takes shape, a doll who just wants to get through the day. At the end, Barbie meets her creator and admits she no longer feels like Barbie.
注目の表現
living in the shadowsowning itget through the dayself-effacing
このシーンの表現
活在阴影里;被忽视、被排除在主流之外
芭比在尾声提出新秩序时说,无论芭比还是肯都不该继续被藏在阴影里,还应把艾伦也纳入其中。
For years the workers lived in the shadows of the industry.
to admit and accept something without excuses
to manage to survive a difficult day
not drawing attention to oneself or one's achievements
80 行のセリフに 24 件のメモ
should
I don’t think that things should go back to the way that they were.No Barbie or Ken should be living in the shadows.liaison
No Barbie or Ken should be living in the shadows.I just want to say, I’m sorry we called you Weird Barbie behind your back and also to your face.to admit and accept something without excuses
The Barbies apologize for the nickname, and Weird Barbie simply owns it.
That’s okay. I’m owning it.Would you like a job in my cabinet?It’s yours.We accept. As long as we can wear robes.as long as
We accept. As long as we can wear robes.Well, the Kens have to start somewhere.as much as
And one day, the Kens will have as much power and influence in Barbie Landas women have in the Real World.- Grow up and go. - I have an idea.liaison
- Grow up and go. - I have an idea.Because it’s okay to just want to be a mom,to manage to survive a difficult day
Ruth describes an ordinary Barbie whose goal is just to get through the day feeling okay.
and she wants to get through the day feeling kinda good about herself.Yeah, that’s going to make money.Well, that’s easy. She’s in love with Ken.I’m not really sure where I belong anymore.I’m a five-foot-nothing grandma with a double mastectomy...I don’t really feel like Barbie anymore.elision
I don’t really feel like Barbie anymore.good at
I’ve always been Stereotypical Barbie, and I don’t think I’m really good at anything else.That was very much a group effort.The finale is about what happens after the revolution, which is usually the harder part. The new Barbie Land refuses to simply flip the old order: one line insists that no Barbie or Ken should be living in the shadows. The Ordinary Barbie pitch is the film's answer to impossible standards, aiming lower than extraordinary on purpose. And the quietest scene is the most radical, when one line admits, "I don't think I have an ending," and the reply comes back that this was the idea all along. It reframes the whole story: a doll built to be anything is finally free to be nothing in particular, which is what growing up looks like.
I don’t think that things should go back to the way that they were.Her refusal of a simple reset: the old Barbie Land was not good enough, even if it looked perfect.
No Barbie or Ken should be living in the shadows.The new principle in one line: everyone gets to exist in the open, not pushed to the margins.
I don’t think I have an ending.Barbie's realisation that, unlike a storybook character, she is not defined by a single finish.
I created you so you wouldn’t have an ending.The creator's reply, revealing that Barbie's open future was the point of her design.
Maybe I’m not Barbie anymore.A quiet, hopeful line about outgrowing a name and becoming someone not yet defined.
The other Barbies do, for calling her Weird Barbie both behind her back and to her face. She takes it with good humour and gets offered a job.
A new doll idea: not extraordinary, not necessarily a president or a mother, just someone who wants to get through the day feeling okay about herself.
Ruth Handler, the real-life inventor of Barbie, who appears to Barbie and tells her that she was created without an ending.
After everything, she no longer fits her old label or her old world. The line suggests she is becoming someone new rather than a fixed character.
第 1 章burst their bubbleBarbie Rewrites the Doll Story
第 2 章the voice of a generationBarbie's Perfect Day in Barbie Land
第 3 章beach offKen Beaches Off and Gets Hurt
第 4 章dying toBarbie Asks About Dying
第 5 章fall into disrepairBarbie's Heels Touch the Ground
第 6 章be that as it mayBarbie Opens a Portal to Reality
第 7 章a figure of speechBarbie Leaves Barbie Land
第 8 章hold it against meBarbie and Ken Hit the Real World
第 9 章man upThe Mattel Men Celebrate Themselves
第 10 章with all due respectMattel Panics Over Barbie in LA
第 11 章the last resortSasha Confronts Barbie
第 12 章seek my fortuneKen Tries to Bring Patriarchy Home
第 13 章up the wazooMattel Execs Try to Box Barbie
第 14 章Isn't that marvelousBarbie Meets Ruth at Mattel
第 15 章come off itSasha and Her Mom Pick Up Barbie
第 16 章dream upBarbie Flees to Barbie Land
第 17 章fly off the shelvesBarbie Finds Ken's Casa House
第 18 章snap out of itKen Takes Over Barbie Land
第 19 章make a run for itBarbie Hits Her Lowest Point
第 20 章existential crisisIt's Impossible to Be a Woman
第 21 章tie herself into knotsGloria's Monologue About Women
第 22 章the old standbyThe Barbies Plot Their Return
第 23 章take advantage ofThe Kens Build a Patriarchy
第 24 章took you for grantedBarbie Apologizes to Ken
第 25 章hold on toBarbie Tells Ken to Find Himself
再生中 · 第 26 章living in the shadowsBarbie Says Maybe She's Not Barbie