liaison
Come on, buddy.Zodiac · 2007 — 第 2 / 30 章 · 5'06" · B2
A voice on the phone admits to killings and hangs up; later a letter reaches the Chronicle claiming the murders and offering proof only the killer and police would know. The newsroom reads it out — "To prove I killed them, I shall state some facts which only I and the police know" — before anyone grasps the danger.
Someone calls in a confession, then the San Francisco Chronicle receives a letter from a writer claiming the murders. The staff reads its details aloud, including a promise to prove guilt and a demand to print a cipher on the front page. Editors debate how to cover it while a reporter senses a story getting out of hand.
注目の表現
go withI wouldn't kid youon the front pageswallow it
このシーンの表現
I am not joking; I mean it
同事聊起一条离谱的新闻,一人追问真假,另一人甩出这句话强调自己没有拿他寻开心。
The tickets cost two thousand dollars. I wouldn't kid you.
to choose or settle on one option
printed on the first page of a newspaper
to believe a lie or story without questioning it
49 行のセリフに 26 件のメモ
liaison
Come on, buddy.Come on, buddy.to believe a lie or story without questioning it
-I swallowed it. -Why?You can't do that. It's not good for you.weak form
You can't do that. It's not good for you.Okay, you're staying with your mom and Aaron tonight.-No, not really. -Oh, that's honest.There will be a test tonight!future with there will be
There will be a test tonight!How's the coffee today, Shorty?Editorial in two.Well, Stanton, tell Mr. Howe the draft board piece was damn near perfect.Well, Stanton, tell Mr. Howe the draft board piece was damn near perfect.to choose or settle on one option
Horrid. I'm thinking we go with not so horrid.Paul, what's on the crime beat?I am not joking; I mean it
Have you seen her? Wouldn't kid you.liaison
Have you seen her? Wouldn't kid you.It may be the beginning of a crime wave."To prove I killed them, "I shall state some facts which only I and the police know.relative clause with which
"To prove I killed them, "I shall state some facts which only I and the police know."Ten shots were fired.passive voice
"Ten shots were fired."The boy was on his back with his feet to the car."The girl was on her right side, feet to the west.printed on the first page of a newspaper
"I want you to print this cipher on the front page of your paper.want someone to do something
"I want you to print this cipher on the front page of your paper.The scene is built on the gap between newsroom banter and what is actually in the letter. The staff joke about the crime beat, then go quiet as lines like "To prove I killed them, I shall state some facts which only I and the police know" are read out. What makes it unnerving is the killer's request to be published: he isn't hiding, he's asking for a stage. The paper faces its own dilemma, because printing the cipher both sells papers and feeds the man's appetite for attention. The half-joking remark about it being "the beginning of a crime wave" lands less as a joke than a forecast, and the whole office is suddenly part of the story rather than just covering it.
"To prove I killed them, "I shall state some facts which only I and the police know.The letter's chilling core: the writer offers private details as proof, daring the paper to confirm his guilt.
Horrid. I'm thinking we go with not so horrid.An editor picking a headline: he dislikes both options but settles on the milder one, a moment of ordinary office business.
It may be the beginning of a crime wave.Spoken half in jest, it reads later like a forecast, as the killings continue.
You can't do that. It's not good for you.Ordinary parenting, telling a child not to eat something, that sits oddly beside the confession.
The writer wants publicity. By demanding space on the front page and offering proof only he and the police would know, he turns the newspaper into his stage.
The staff take turns with it, reading out details about the victims, the ammunition, and the demand to print a cipher, so everyone can see how specific the claims are.
Both present the same person claiming responsibility. The call is brief and hangs up, while the letter arrives at the paper with far more detail and a request to publish.
Publishing is the biggest story available, but it also gives the writer exactly the attention he asks for, which is the dilemma the editors begin to weigh.
次のチャプター · 第 3 章shed light onZodiac's Cipher Reaches the Chronicle
第 1 章creep someone outDarlene Ferrin's Last Drive
再生中 · 第 2 章I wouldn't kid youThe Zodiac Confession Call
第 3 章shed light onZodiac's Cipher Reaches the Chronicle
第 4 章get any ideasZodiac Attacks the Couple at the Lake
第 5 章a hell of a get-upZodiac's Lake Berryessa Attack
第 6 章flag a cabThe Presidio Cab Murder
第 7 章did inZodiac Claims the Taxi Murder
第 8 章skip townPolice Bicker Over the Zodiac Case
第 9 章at a moment's noticeZodiac Calls the TV Talk Show
第 10 章crack the codeBelli Tries to Catch the Zodiac
第 11 章What's your angle?Graysmith Cracks the Zodiac Cipher
第 12 章the more the merrierKathleen Johns Escapes the Zodiac
第 13 章come out of the woodworkGraysmith Finds the Zodiac's Source
第 14 章in my gutGraysmith Talks Zodiac on a Date
第 15 章beat the bushesRiverside Investigators Compare Notes
第 16 章lost in the shuffleThe Informant Describes Leigh Allen
第 17 章the whole pointPolice Question Arthur Leigh Allen
第 18 章greener pasturesPolice Question Leigh Allen's Mother
第 19 章home turfPolice Build a Case Against Allen
第 20 章tore out of herePolice Search Allen's Trailer
第 21 章holding the bagBill Transfers Out of the Chronicle
第 22 章fade into a footnoteGraysmith Pitches a Zodiac Book
第 23 章yesterday's newsGraysmith Talks His Way In
第 24 章more than just a coincidenceGraysmith Follows the Birthday Clue
第 25 章tread lightlyGraysmith Chases Rick Marshall
第 26 章blow overThe Letter That Framed Toschi
第 27 章put yourself out thereGraysmith Chases the Case at Home
第 28 章get it in your headGraysmith Meets the Theater Owner
第 29 章the date that didn't endLinda Recalls the Painting Party
第 30 章cancel each other outRobert Confronts Dave About Allen