Oh, guys.Zodiac · 2007 — 第 27 / 30 章 · 5'06" · B1
Graysmith Chases the Case at Home, Explained:put yourself out there
Graysmith is still chasing the Zodiac while his family life frays: a call about lunar cycles, a child's blunt question, and a wife who asks, "What's it gonna take for you to be done with this?" He answers that nobody else will, and that he needs to see the killer's face himself.
あらすじ
At home, Graysmith tells his kids to keep their project from Mom, then takes a call about matching lunar cycles to the Zodiac's timeline. His wife confronts him about the obsession and the late-night calls. He insists he must look the killer in the eye, then visits Bob Vaughn to trace a Zodiac symbol hidden in an old film print.
注目の表現
put yourself out therelook someone in the eyetake a crack at somethingmore often than not
このシーンの表現
put yourself out there
to expose yourself to public view or risk
妻子质问格雷史密斯为什么上电视,说他这么做等于把自己亮出来,让凶手看得一清二楚。
If you want the part, you have to put yourself out there.
このシーンの他の表現
- look someone in the eye
to face someone with a direct gaze
- take a crack at something
to make an attempt at something
- more often than not
usually, in most cases
このシーンのメモ一覧
83 行のセリフに 40 件のメモ
Don't tell Mom about our special project, okay?How come you and Mom don't sleep in the same bed anymore?Oh, Captain Narlow. Thank you for calling me back.I called you because we've been cross-referencing lunar cycles with the Zodiac's timeline.present perfect continuous
I called you because we've been cross-referencing lunar cycles with the Zodiac's timeline.usually, in most cases
More often than not, each cycle since '69 corresponds with an attackMore often than not, each cycle since '69 corresponds with an attacksince as a preposition
More often than not, each cycle since '69 corresponds with an attackweak form
More often than not, each cycle since '69 corresponds with an attack-Ken, can you hold on one second? -Dad?to make an attempt at something
every federal agency has taken a crack at decoding it.past perfect
But today, where those agencies had failed,Yeah. The fucking library.I believe that you can accomplish anything that you put your mind...Why'd you do it?-What are you talking about? -You went on TV.to expose yourself to public view or risk
You put yourself out there for him to see.Then who's been calling our house in the middle of the night at least once a week?liaison
Then who's been calling our house in the middle of the night at least once a week?What's it gonna take for you to be done with this?What's it gonna take for you to be done with this?to face someone with a direct gaze
I need to look him in the eye and I need to know that it's him.liaison
I need to look him in the eye and I need to know that it's him.comparative
Is that more important than your family's safety?Of course not.Because nobody else will.That's not good enough.-Why don't we just go to my home? -Oh, I don't wanna put you out.It's no trouble at all.Watch your step.liaison
Watch your step.-Have a seat. -Thank you.I'd have to check my records. Why?question tag
This is about Rick Marshall, isn't it?But I have no occasion to correspond with him these days.But I have no occasion to correspond with him these days.It's trimmed off each reel before it's shown,before-clause
It's trimmed off each reel before it's shown,We got a tip that Rick left a film canister here that he told you never to open.「Graysmith Chases the Case at Home」を読み解く
What's really going on
The scene shows the cost of obsession paid by other people. Graysmith's wife has the sharpest line — "what's it gonna take for you to be done with this?" — and his answer, "because nobody else will," is both noble and a refusal to hear her. The house itself becomes evidence: kids told to keep a secret, a phone call cutting into family time, a wife counting threatening calls. At Vaughn's place the same compulsion plays out as polite questions over tea, inching toward the film canister he was told never to open. The quiet thread is that solving the case has become Graysmith's way of being needed, whatever it costs those around him.
Theme
このチャプターで学べること
- He tells the kids not to mention the special project, then they ask why the parents sleep apart.
- Napa cross-references lunar cycles with attacks and letters since '69.
- Federal agencies failed for a decade; a puzzle-loving cartoonist cracks it on TV.
- Linda is in jail and can ID Rick, while midnight calls ask when this will be finished.
発音のポイント
- often than not — weak form
- middle of the night — liaison
- look him in — liaison
- Watch your step — liaison
You put yourself out there for him to see.A warning that going on TV exposed Graysmith to the killer, making him a target.
I need to look him in the eye and I need to know that it's him.His reason for not stopping: only a face-to-face confirmation will settle the question for him.
What's it gonna take for you to be done with this?The wife's exhausted question about what, if anything, would finally make him let the case go.
Then who's been calling our house in the middle of the night at least once a week?Her counter to his 'you're paranoid': someone really is phoning them weekly in the dark.
このシーンについての質問
Why does Graysmith's wife want him to stop?
He is so absorbed in the case that it endangers the family, and she says someone has been calling their house at night about once a week.
Why does Graysmith say he can't stop?
He answers 'because nobody else will' and says he needs to look the killer in the eye, which he treats as the only way to settle the truth.
What is the lunar-cycle theory in the phone call?
Someone tells Graysmith that since 1969 each monthly cycle tends to line up with an attack, a letter, or an unsolved homicide, which he is cross-referencing.
What does Bob Vaughn add?
He recalls the film The Most Dangerous Game and the Zodiac symbol hidden on the countdown leaders of its reels, tying an old movie to the case.
ゾディアック · 全 30 章
すべて見る →
次のチャプター · 第 28 章get it in your headGraysmith Meets the Theater Owner
第 1 章creep someone outDarlene Ferrin's Last Drive
第 2 章I wouldn't kid youThe Zodiac Confession Call
第 3 章shed light onZodiac's Cipher Reaches the Chronicle
第 4 章get any ideasZodiac Attacks the Couple at the Lake
第 5 章a hell of a get-upZodiac's Lake Berryessa Attack
第 6 章flag a cabThe Presidio Cab Murder
第 7 章did inZodiac Claims the Taxi Murder
第 8 章skip townPolice Bicker Over the Zodiac Case
第 9 章at a moment's noticeZodiac Calls the TV Talk Show
第 10 章crack the codeBelli Tries to Catch the Zodiac
第 11 章What's your angle?Graysmith Cracks the Zodiac Cipher
第 12 章the more the merrierKathleen Johns Escapes the Zodiac
第 13 章come out of the woodworkGraysmith Finds the Zodiac's Source
第 14 章in my gutGraysmith Talks Zodiac on a Date
第 15 章beat the bushesRiverside Investigators Compare Notes
第 16 章lost in the shuffleThe Informant Describes Leigh Allen
第 17 章the whole pointPolice Question Arthur Leigh Allen
第 18 章greener pasturesPolice Question Leigh Allen's Mother
第 19 章home turfPolice Build a Case Against Allen
第 20 章tore out of herePolice Search Allen's Trailer
第 21 章holding the bagBill Transfers Out of the Chronicle
第 22 章fade into a footnoteGraysmith Pitches a Zodiac Book
第 23 章yesterday's newsGraysmith Talks His Way In
第 24 章more than just a coincidenceGraysmith Follows the Birthday Clue
第 25 章tread lightlyGraysmith Chases Rick Marshall
第 26 章blow overThe Letter That Framed Toschi
再生中 · 第 27 章put yourself out thereGraysmith Chases the Case at Home
第 28 章get it in your headGraysmith Meets the Theater Owner
第 29 章the date that didn't endLinda Recalls the Painting Party
第 30 章cancel each other outRobert Confronts Dave About Allen