dropping straight and heavy
A blip on the scope plunges straight down, and a controller reaches for a heavy, blunt image.
This guy's dropping like a manhole cover now, Paul.United 93 · 2006 — 第 9 / 17 章 · 2'58" · B2
Controllers watch an unidentified plane dive toward New York and crash into a building, live on their screens: "The building's exploding right now! You got people running up the street!" The same moment is cut against United 93, where flight attendants are still taking drink orders, and the gap between the two cabins is the scene.
On the radar screens, a plane that will not answer descends toward New York, and the controllers lose it, regain it, and watch it strike a building. They report a major incident over New York and confirm another hijacking. The scene cuts to United 93, where attendants pour coffee and take orders as if nothing has happened.
注目の表現
shitcall backbe advisedwhat the hell
このシーンの表現
dropping straight and heavy
A blip on the scope plunges straight down, and a controller reaches for a heavy, blunt image.
The old lift dropped like a manhole cover.
a strong curse word
phone again later
please be informed
on earth, for emphasis
unable to look away
62 行のセリフに 22 件のメモ
dropping straight and heavy
A blip on the scope plunges straight down, and a controller reaches for a heavy, blunt image.
This guy's dropping like a manhole cover now, Paul.Dropping like a runs together; like a sounds like like-uh.
This guy's dropping like a manhole cover now, Paul.discover
Find out where they are. Okay.in radio contact
We're not talking to him. He's descending.straight through
He's going right through everybody else's traffic.possessive with else: With everybody, the possessive goes on else: everybody else's.
He's going right through everybody else's traffic.The t in right often drops before through.
He's going right through everybody else's traffic.lost contact
We don't have him anymore. We just lost him.negation with anymore: Anymore with a negative means no longer, here no longer on radar.
We don't have him anymore. We just lost him.an untagged radar return
All right, hold on. Hold on. I got a primary on a target.prepositional modifier: The phrase on a target narrows down which target the radar return belongs to.
All right, hold on. Hold on. I got a primary on a target.along the river north
No, he's going right up the Hudson River center.a curse of frustration — A frustration curse; avoid it around elders.
There was then an explosion inside... Damn it!along the street
The building's exploding right now! You got people running up the street!emphasis, on earth — Casual emphasis; say what on earth in formal talk.
I don't know what the hell is going on.did you witness it
Did you see that? Did you see that, sir?Call you links up, close to call-yuh.
I'll have to call you back.a shocked curse — A strong curse for shock; never in formal settings.
Holy shit!a serious event
Be advised there's a major incident over New York right now.There's a is compressed, and the there almost vanishes.
Be advised there's a major incident over New York right now.a second hijacking
Copy that. We've got another hijack.unable to look away
Asked what to drink, a passenger says he cannot tear his eyes off the screen.
What would you like to drink? I'm glued to this.The scene is built on the distance between a screen and what the screen means. The controllers are professionals doing their job, and their language stays technical even as the horror arrives - a target, a primary, a major incident. Then the second plane turns and hits, and the same people who calmly tracked it start shouting: "The building's exploding right now! You got people running up the street!" What makes the sequence almost unbearable is the cut to United 93, where attendants are still asking about coffee and juice. The film refuses to underline the connection. It simply places the two realities side by side, so that the ordinary courtesy of a drink service is happening at the exact moment another plane is killing hundreds of people, and the audience has to hold both at once.
This guy's dropping like a manhole cover now, Paul.A controller's vivid comparison for the plane's plunge: it is dropping almost vertically, straight down like a falling manhole cover.
This guy is going straight down into the ground, I'm telling you.A repeated warning that the aircraft is diving straight into the ground - the controller is certain and wants everyone else to act on it.
The building's exploding right now! You got people running up the street!The reaction to the impact: the building is exploding live on screen and people are running in the streets below.
I don't know what the hell is going on.Plain confusion from someone watching events unfold - a confession that the situation no longer makes sense.
Be advised there's a major incident over New York right now.A formal broadcast alert telling every station that a major incident has just happened over New York.
Yeah, it's like football with no padding. Here you go, sir.A flight attendant's line about the bumpy ride on a small plane, then handing a passenger a drink - an ordinary service moment.
Controllers watch a plane dive toward New York, lose and reacquire it, and see it hit a building. They report a major incident and confirm another hijacking, while the film cuts to ordinary drink service aboard United 93.
The plane stops responding and drops fast, sometimes falling below radar coverage. Controllers can only see it as a primary return, not as an identified flight, so the track keeps appearing and vanishing.
It is formal radio and military phrasing used to introduce important information, roughly 'please note this.' Here a controller uses it to announce that a major incident has just occurred over New York.
The flight attendants are taking drink orders and serving coffee and juice, apparently unaware of the attacks. The calm service is shown at the same time as the crash, which makes the contrast pointed.
Once they confirm a major incident and another hijacking, they want military fighters above New York as quickly as possible. The order sends the Otis jets toward Manhattan and puts the weapons station on alert.
次のチャプター · 第 10 章ground stopNORAD Orders a National Ground Stop
第 1 章give someone a handPassengers Board United 93
第 2 章reduced or eliminatedThe FAA Morning Briefing
第 3 章take over the cockpitA Controller Reports a Possible Hijack
第 4 章real worldA Real Hijacking During the Exercise
第 5 章battle stationsFAA Command Center Goes on Alert
第 6 章pull the tapesFAA Pulls the Tapes, Scrambles Jets
第 7 章a bad feelingFirst Reports of Smoke Over Manhattan
第 8 章take care of itControllers Spot a Second Hijacking
再生中 · 第 9 章like a manhole coverSecond Plane Hits the South Tower
第 10 章ground stopNORAD Orders a National Ground Stop
第 11 章make the callOfficers Demand Shoot-Down Authority
第 12 章get through toPassengers Call for Help from the Air
第 13 章get throughPassengers Learn the Pilots Are Down
第 14 章national emergencyThe FAA Shuts Down US Airspace
第 15 章one after the otherThe News Spreads Through the Cabin
第 16 章suicide missionPassengers Fight Back on United 93
第 17 章take overPassengers Plan to Storm the Cockpit