What's going contracts into a single burst, with the t barely sounding.
What's going on, Eddie?Atlas Shrugged: Part I · 2011 — 第 12 / 16 章 · 2'50" · B2
Dagny tells James the railroad is finished and lays out her own plan: leave Taggart Transcontinental, take the Rio Norte Line, and name it "The John Galt Line." What looks like a business rescue is a family break — she warns him, "if you double-cross me in any way," and makes him clear the government off her back.
Eddie tells Dagny that more men have quit and that Taggart Transcontinental's stock is collapsing after the State Science Institute denounced Rearden Metal. Dagny goes to James and announces she is taking a leave, forming her own company, and taking over the Rio Norte Line herself. She names it the John Galt Line.
注目の表現
off the railsstand on our owndouble-crossin order to
このシーンの表現
out of control
Hearing the name John Galt Line, Jim sneers that Dagny has gone off the rails.
The project went off the rails after the funding was cut.
make it without help
betray, cheat
so as to
stop bothering me
go on leave
48 行のセリフに 24 件のメモ
What's going contracts into a single burst, with the t barely sounding.
What's going on, Eddie?prices have crashed
Taggart Transcontinental stocks have plummeted...present perfect: The present perfect makes the crash a finished event whose result matters right now.
Taggart Transcontinental stocks have plummeted...publicly attack
...because the State Science Institute has denounced Rearden Metal.in serious difficulty
Your family’s railroad is in real trouble.make it without help
After the bad news, Dagny tells Eddie the company has to stand on its own.
I think it's time to stand on our own.Time to links into something like timeta, then stress stand.
I think it's time to stand on our own.so as to
Dagny frames the split as saving the family business, leading with in order to.
In order to save my family's business...purpose clause: The purpose phrase comes first, so the reason is on the table before the sacrifice.
In order to save my family's business...is finished here it means finished for good
Taggart Transcontinental is done.cannot continue
We can't stop and we can't go on.Stop and runs together, with the vowel in and almost swallowed.
We can't stop and we can't go on.hand it across to me
Shut up. You and the board are gonna transfer the Rio Norte Line over to me.serve as
I will act as my own contractoron schedule
I will get my own financing and finish the line on time.be anxious about
And where are you gonna get financing? That is not for you to worry about.time clause: The once-clause sets the future moment when the line will be handed back.
Once we see how the rails perform...the family's reputation
You're not dragging the family name through this.stop bothering me
Dagny's second condition is that her brother keep his Washington friends off her back.
Second, keep your cronies in Washington off my back.trusted cronies — A disapproving word for a friend's loyal inner circle.
Second, keep your cronies in Washington off my back.see to it
Make sure I get all my permissions, grants, authorizations...junk, nonsense — Casual and crude; keep it out of formal talk.
...and any other political crap I need from those sons of bitches, otherwise, no deal.a harsh insult — A heavy insult; do not use it in polite speech.
...and any other political crap I need from those sons of bitches, otherwise, no deal.by any means
But if you double-cross me in any way...The scene is a takeover disguised as a resignation. Dagny is not quitting; she is carving the only valuable part of the railroad out from under her brother and running it herself. James can only reach for the family name — "You're not dragging the family name through this" — while Dagny answers with a name that turns the family business into a question no one can answer: "The John Galt Line." Her conditions make the power shift explicit: she takes Eddie, the one man she needs, and tells James to "keep your cronies in Washington off my back." The warning that ends the scene, that she has never hurt anyone "but if you double-cross me in any way," shows how little trust is left between them. It is a sibling scene fought entirely in the language of business.
I think it's time to stand on our own.Dagny's decision to act without waiting for help: the company must survive on its own work rather than on favors.
In order to save my family's business...The paradox she states outright: to rescue the family railroad, she has to take part of it away from the family.
We can't stop and we can't go on.Her description of a company trapped: standing still loses money and moving forward is impossible under the current rules.
Now we know why you've gone off the rails.James's insult, using the railway image: her plan proves to him that she has lost her judgement.
Second, keep your cronies in Washington off my back.One of her two conditions: James must stop his political friends from obstructing her, a demand that admits how much the railroad runs on influence.
I have never done anything to hurt a living creature in my entire life.Her warning before the threat: she claims a clean record, which makes the coming 'if' sound like a promise.
But if you double-cross me in any way...The unfinished threat: she will not be betrayed, and the sentence stops precisely where the consequence would begin.
She wants to rebuild the Rio Norte Line herself, free of the board and her brother's control. By taking a leave and forming her own company, she can act quickly and take the blame if she fails — "I go down alone."
It is the phrase people use when they cannot explain why things fall apart — "Who is John Galt?" Naming the line after it is a provocation, and James takes it as proof that she has gone off the rails.
It means behaving wildly or losing control, and here it is also a pun on the railway setting. James uses it to say Dagny's plan proves she has lost her judgement.
She knows the project depends on government permissions, grants, and authorizations. She wants James to stop his political friends from obstructing her — and the demand shows how much the railroad depends on influence.
She says she has never hurt anyone, then leaves the warning unfinished: if he double-crosses her, something will follow. It shows there is no trust left between them.
次のチャプター · 第 13 章keep your wordDagny Commissions a Rearden Metal Bridge
第 1 章right-hand manDagny Defies James Over Rearden Metal
第 2 章squeeze every pennyDagny and Rearden's Metal Deal
第 3 章toast of the townRearden Gives Lillian a Metal Gift
第 4 章grease the palmsBusinessmen Plot Against Rearden
第 5 章name your priceOwen Kellogg Resigns from Taggart
第 6 章dog-eat-dogEllis Wyatt Confronts the Taggarts
第 7 章who are you wearingRearden's Anniversary Party
第 8 章reputation precedes youD'Anconia Warns Rearden at a Party
第 9 章take it off your handsLillian Trades the Bracelet
第 10 章hard-line positionRearden Refuses to Stop Production
第 11 章I was wondering ifRearden Offers to Build the Bridge
再生中 · 第 12 章off the railsDagny Names the John Galt Line
第 13 章keep your wordDagny Commissions a Rearden Metal Bridge
第 14 章get on the bandwagonA Toast and a Confession
第 15 章went underDagny and Rearden's Wisconsin Trip
第 16 章overstep its boundsDagny Meets Dr. Akston at the Diner