this blasted plan
What's the ruddy idea?The Life and Death of Colonel Blimp · 1943 — 第 1 / 30 章 · 2'18" · B2
The Home Guard is told the exercise is meant to feel authentic: "War starts at midnight." Then the cheating begins — "Divide our losses by 10 and multiply the enemy's by 20" — so the numbers look heroic. Someone calls the bluff: "Like the real thing, my Aunt Fanny!"
At night, the Home Guard receives a coded message: an exercise will invade London, with war starting at midnight. The commander adds orders to make it feel real, and the fix is already in — friendly losses divided by ten, the enemy's multiplied by twenty. Before dawn, the men are armed and moving.
注目の表現
ruddythe COlike the real thingmy Aunt Fanny
このシーンの表現
my foot; nonsense
When the order claims the drill is realistic, a voice answers with my Aunt Fanny, a flat refusal to believe it.
A free upgrade, my Aunt Fanny, they charged me double.
damned; bloody
commanding officer
as if it were real
war on every front
has he, really?
43 行のセリフに 24 件のメモ
this blasted plan
What's the ruddy idea?war on every front
The speaker sums up the moment as total war, meaning the whole country is in it, not just the soldiers.
It's total war, isn't it? What do you want?The t in isn't often drops, so it can sound like isn-it.
It's total war, isn't it? What do you want?word from headquarters HQ is the army short form of headquarters, not a place name.
- Message from HQ. Where's the CO? - In the barn. Follow me.written as a cipher
It's in code, sir. Message begins: "Exercise invasion of the London area by Regular Army.begins at midnight
War starts at midnight."Link starts and at smoothly, letting the s run into the vowel.
War starts at midnight."add in pencil
The CO's put in pencil here, sir, "Make it like the real thing."echo question: Repeating the claim as a question signals doubt rather than a plain request for facts.
Oh, he has, has he?have been ordered
Message from HQ. War starts at midnight. You have your orders. Tell the men.Run have your together as hav-yer, with your reduced.
Message from HQ. War starts at midnight. You have your orders. Tell the men.cut our losses by ten
Divide our losses by 10 and multiply the enemy's by 20.that is all
- Anything for me, sir? - No, no, nothing else.The t before Fanny is nearly swallowed, so the two words run as one.
Like the real thing, my Aunt Fanny!platoon leaders
Sergeant Hawkins, section commanders!tag question: The tag does it turns the statement into a request for confirmation, laced with doubt.
So, war starts at midnight, does it?give the men weapons
Arm the men with bombs, rifles, bayonets.tough men — Old-soldier talk for picking the hard men, far from formal speech.
Stuffy, who are the biggest toughs in your lot?mind you; see here — A Welsh speech habit added at the end of a sentence, not standard writing.
Dai Evans - we must have him, look you.get moving
All right, get going.noun clause: The that clause is the object of say and keeps statement order, not question order.
Did you say that we attack before war is declared?incidentally
By the way, there's just one stop - at The Bull.loose, risky talk
The parting line Careless talk echoes a wartime warning that loose words cost lives, just before he sends the man off.
- Careless talk? - Yeah. Now, scram.get out fast — A blunt, friendly way to tell someone to go, not for strangers.
- Careless talk? - Yeah. Now, scram.The scene is about how a war game is quietly unmade. The order is to stage an exercise that feels authentic — "Make it like the real thing" — but authenticity turns out to be a matter of accounting: "Divide our losses by 10 and multiply the enemy's by 20." Someone sees through it at once, and the golden line, "Like the real thing, my Aunt Fanny!" is the sound of that illusion breaking. What stays with the viewer is not the tactics but the tone: a commander who nudges the numbers to look good, and the men who notice. Even the final order — a stop at The Bull, a date with Mata Hari — undercuts the seriousness, suggesting the whole exercise is one more performance from a man who prefers the idea of war to its reality.
Divide our losses by 10 and multiply the enemy's by 20.The instruction that exposes the exercise as staged: by shrinking friendly casualties and inflating the enemy's, the commander turns a drill into a flattering story.
Like the real thing, my Aunt Fanny!The sardonic reply to the order: 'like the real thing' is exactly what it is not, and the rhyming slang says so bluntly.
It's total war, isn't it? What do you want?A grumbling greeting that sets the stakes: if this is total war, then everyone is involved, and the speaker wants to know who has called him out tonight.
I've got a date there with Mata Hari.The last line deflates the whole operation: the commander's night ends at a pub with a date, a joke that pairs wartime drama with ordinary appetite.
To make the exercise look like a victory. By cutting friendly losses and inflating the enemy's, the commander guarantees a flattering result regardless of what happens.
It is British rhyming slang for a flat refusal, close to 'nonsense' or 'no way.' Here it dismisses the claim that the drill will be just like the real thing.
It is a joke that punctures the scene's seriousness. After all the orders and codes, he reveals his real plan for the night: a stop at a pub for a date.
Because the exercise is modelled on Pearl Harbor, an attack launched without warning. The detail shows how far the planners will bend the rules to make it realistic.
次のチャプター · 第 2 章not a hopeThe Home Guard Exercise Turns Real
再生中 · 第 1 章my Aunt FannyWar Starts at Midnight
第 2 章not a hopeThe Home Guard Exercise Turns Real
第 3 章my footGeneral Wynne-Candy Is Taken Prisoner
第 4 章by heartCandy Scolds Two Young Officers
第 5 章too hot for himselfClive Reports a Letter From Berlin
第 6 章as bad as all thatCandy Meets Edith in Berlin
第 7 章carry coals to NewcastleCandy and Edith Argue Politics
第 8 章asked for itCandy Confronts Kaunitz in Berlin
第 9 章draw lotsGerman Officers Demand a Duel
第 10 章Strictly between ourselvesThe Seconds Set the Duel Rules
第 11 章double or quitsEdith Visits Candy in Hospital
第 12 章took part inEdith and Candy Meet Theo
第 13 章keep your hair onCandy Audits the Nursing Home Bill
第 14 章cuckooTheo Tries to Confess His Love
第 15 章go off at half-cockCandy Toasts Edith and Theo
第 16 章wonders will never ceaseClive's Aunt Interrogates Him at Home
第 17 章a sure signOfficers Interrogate Ulan Prisoners
第 18 章play deafThe Brigadier Interrogates Prisoners
第 19 章have kittensCandy Can't Get a Train Home
第 20 章up in the airThe War Ends for General Candy
第 21 章fire awayBarbara Lists 50 Reasons to Marry Candy
第 22 章change one's spotsCandy and Barbara See Their New House
第 23 章cut the cackleTheo Calls Before Leaving England
第 24 章mean businessThe Officer Questions a German Refugee
第 25 章come over someoneTheo Tells Candy the Truth
第 26 章written all over my faceTheo Confesses His Old Secret
第 27 章a bit of an outsiderCandy's Night Drive With Angela
第 28 章ill-timedCandy's Broadcast Is Cancelled
第 29 章a different kettle of fishTheo's Speech About Total War
第 30 章anything goesSpud Plans to Capture the Wizard