The Life and Death of Colonel Blimp · 1943 — 第 16 / 30 章 · 5'01" · B2

Clive's Aunt Interrogates Him at Home, Explained:wonders will never cease

At the theatre, old friends spot Clive with a young woman and one of them says, "Wonders will never cease." Then it is home to Aunt Margaret, who reads him instantly: "even money that some catastrophe has brought you here." The family's small talk — marriages, hunting trophies, the servant's memories — circles the same question of who the girl is.

あらすじ

The chapter moves from a night at the theatre to Clive's family home. At the theatre, acquaintances notice he has brought a young woman and wonder who she is. Back home, his aunt Margaret teases him that "some catastrophe" must have driven him there, and he admits he took a Miss Hunter to the play. The servant, Pebble, explains that she wants him to stay the night.

Small talkFamily dinnersTeasingAskingParent & childB2mediumbritishClean
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注目の表現

even moneywonders will never ceasea born matchmakereat one's head off

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このシーンの表現

wonders will never cease

well, that's a surprise

Seeing the well-behaved Sybil out unchaperoned, the aunt reaches for an old saying.

Wonders will never cease; my brother actually cleaned his room.

このシーンの他の表現

  • even money

    a safe bet

  • a born matchmaker

    a natural at pairing people

  • eat one's head off

    costing a fortune to feed

  • throw someone out

    force someone to leave

  • this long while

    for this long stretch

このシーンのメモ一覧

82 行のセリフに 24 件のメモ

表現 · C1the most unhappy of ...

the unhappiest person alive

A boon - that I compassion find for one, the most unhappy of mankind.
文法 · B2He who planned to take the towered city

relative clause: The who-clause defines He, giving the line an archaic, oracular ring.

He who planned to take the towered city of Troy-land.
表現 · C1this long while

for this long stretch

On stage the narrator says Calypso has held Ulysses on her island this long while.

Calypso this long while detains him in her languorous ocean-isle.
表現 · B2one ... more

one more ordeal to bear

Yet ere he touch at last his native shore, Ulysses must abide one labour more.
表現 · B1as a matter of fact

as it happens; actually

- As a matter of fact, I do. - Well, darling, who is she?
発音matter of fact

Link matter-of into one run and land hard on fact.

- As a matter of fact, I do. - Well, darling, who is she?
表現 · B2wonders will never cease

well, that's a surprise

Seeing the well-behaved Sybil out unchaperoned, the aunt reaches for an old saying.

Wonders will never cease. Sybil Gilpin out without her mother, and with Hoppy, too.
表現 · B1be taken by surprise

caught completely off guard

The family were quite taken by surprise. It was very romantic and sudden.
表現 · A2feel like doing something

be in the mood to go

- I didn't feel like going to the club. - You're not sick, Master Clive?
スラング · B1I say

hey, listen — A posh British opener, casual but dated.

No. I say, Pebble, how did you feel when you buried Mr Pebble?
表現 · B1in a way

in a sense

No, from the theatre, but it was the same thing, in a way.
表現 · A2won't take a minute

it will be very quick

No, but it won't take a minute if you don't mind sleeping in blankets.
文法 · B2if you don't mind sleeping in blankets

conditional gerund: It softens the offer by asking permission with a gerund after mind.

No, but it won't take a minute if you don't mind sleeping in blankets.
表現 · B1throw someone out

force someone to leave

The aunt lets Clive stay, joking that no man here could throw him out.

- Am I staying? - I suppose so, since there's no man here to throw you out.
表現 · B2even money that ...

a safe bet

The aunt greets Clive's late arrival with a betting phrase instead of a question.

Now, even money that some catastrophe has brought you here.
スラング · B1You're on

you've got a bet — Accepting a bet or challenge; keep it casual.

- You're on. - Debts?
発音Not exactly

Stress Not to deny, then let exactly trail off.

Not exactly.
表現 · B1have nothing to do with someone

not connected to someone at all

Oh, it was nothing to do with her.
表現 · A2be in love with someone

romantically attached to someone

You surely weren't in love with her.
表現 · B2a couple of something

a good few stone in weight

- Hoppy could give her a couple of stone. - She'll soon make that up, I assure you.
表現 · B2eat one's head off

costing a fortune to feed

The aunt complains that her idle staff eat her out of house and home.

a bone-idle staff eating their heads off, and
表現 · B1have always got ... here

you can always come back here

I want you to remember that whatever you do, and wherever you are, you've always got a home here...
文法 · B1whatever you do, and wherever you are

concessive clause: Whatever and wherever widen the promise: no action or place is excluded.

I want you to remember that whatever you do, and wherever you are, you've always got a home here...
発音you've always got

The v in you've fades; keep the vowel and move on.

I want you to remember that whatever you do, and wherever you are, you've always got a home here...

「Clive's Aunt Interrogates Him at Home」を読み解く

What's really going on

What looks like a night at the theatre is really a portrait of a man being observed. The play on stage is about Ulysses trying to get home, and off stage Clive is also being asked to account for himself, first by acquaintances who notice the girl beside him, then by his aunt. The household gossip is affectionate but pointed: the aunt's opening bet, "even money that some catastrophe has brought you here," tells you exactly how often he turns up in trouble. The talk of Hoppy and Sybil, and the aunt's line that they have money, land and no brains, shows the kind of world he belongs to. The chapter ends on the family feeling of the house: "you've always got a home here," even if the guest is not entirely sure he wants it.

Theme

Family loveThe aunt's teasing and the promise that he always has a home here show a family that watches him closely and welcomes him anyway.
RomanceThe question running under the gossip is who the young woman is, and whether Clive is in love with her or her sister.

このチャプターで学べること

  • A bet can carry more warmth than a direct question.
  • Old idioms like 'wonders will never cease' still land as surprise.
  • 'You've always got a home here' closes the questioning, not the door.
  • In this house charm sounds like teasing, never sympathy.

発音のポイント

  • matter of fact — Link matter-of into one run and land hard on fact.
  • Not exactly — Stress Not to deny, then let exactly trail off.
  • you've always got — The v in you've fades; keep the vowel and move on.
Now, even money that some catastrophe has brought you here.

A bet disguised as a greeting: the aunt assumes, from long experience, that trouble is the only reason he visits.

He has money, and she has land, and neither of them has any brains.

The family's verdict on the newly married couple: a match of property, made by two people with nothing else to recommend them.

I want you to remember that whatever you do, and wherever you are, you've always got a home here...

The aunt's real message under the teasing: the family door stays open no matter how often he goes wrong.

It was after that it got bad, if you understand me.

Pebble's quiet truth about grief: the funeral is busy, and the pain arrives later, when the work is done and the house is quiet.

No. I say, Pebble, how did you feel when you buried Mr Pebble?

An odd, blunt question from a man circling his own troubles: he asks the servant about her grief, perhaps because he cannot name his own.

She has the muscles of a prize fighter. She'll hit him one day.

The aunt's comic prediction about the new bride: a marriage is described as a boxing match waiting to start.

このシーンについての質問

Who is the girl with Clive at the theatre?

A Miss Hunter, the sister of the woman he met in Berlin. The aunt guesses she is the niece's governess, and Clive says the Berlin sister is the nice one.

Why does the aunt bet that a catastrophe brought him home?

Because experience has taught her that Clive only turns up when something has gone wrong. The joke is affectionate, and it turns out to be close to the truth.

What does the aunt say about Hoppy and Sybil?

That they are a suitable match in the worst way: he has money, she has land, and neither has any brains. It is a sharp sketch of the society around them.

What does Pebble say about her husband's death?

That the burial itself was not so bad because there was so much to do, and it was afterwards that it got bad. It is one of the film's quietest lines about grief.

How does the aunt end the scene?

By telling Clive that he always has a home there, no matter what he does or where he is — and that there is always room for whatever he shoots.

老兵は死なず · 全 30 章

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次のチャプター · 第 17 章a sure signOfficers Interrogate Ulan Prisoners
第 1 章my Aunt FannyWar Starts at Midnight第 2 章not a hopeThe Home Guard Exercise Turns Real第 3 章my footGeneral Wynne-Candy Is Taken Prisoner第 4 章by heartCandy Scolds Two Young Officers第 5 章too hot for himselfClive Reports a Letter From Berlin第 6 章as bad as all thatCandy Meets Edith in Berlin第 7 章carry coals to NewcastleCandy and Edith Argue Politics第 8 章asked for itCandy Confronts Kaunitz in Berlin第 9 章draw lotsGerman Officers Demand a Duel第 10 章Strictly between ourselvesThe Seconds Set the Duel Rules第 11 章double or quitsEdith Visits Candy in Hospital第 12 章took part inEdith and Candy Meet Theo第 13 章keep your hair onCandy Audits the Nursing Home Bill第 14 章cuckooTheo Tries to Confess His Love第 15 章go off at half-cockCandy Toasts Edith and Theo再生中 · 第 16 章wonders will never ceaseClive's Aunt Interrogates Him at Home第 17 章a sure signOfficers Interrogate Ulan Prisoners第 18 章play deafThe Brigadier Interrogates Prisoners第 19 章have kittensCandy Can't Get a Train Home第 20 章up in the airThe War Ends for General Candy第 21 章fire awayBarbara Lists 50 Reasons to Marry Candy第 22 章change one's spotsCandy and Barbara See Their New House第 23 章cut the cackleTheo Calls Before Leaving England第 24 章mean businessThe Officer Questions a German Refugee第 25 章come over someoneTheo Tells Candy the Truth第 26 章written all over my faceTheo Confesses His Old Secret第 27 章a bit of an outsiderCandy's Night Drive With Angela第 28 章ill-timedCandy's Broadcast Is Cancelled第 29 章a different kettle of fishTheo's Speech About Total War第 30 章anything goesSpud Plans to Capture the Wizard
第 16 / 30 章 · 残り約 51 分