that one over there — Northern English dialect for that; not for formal talk.
Is yon grey head Murdoch?The Life and Death of Colonel Blimp · 1943 — 第 22 / 30 章 · 2'50" · B2
Home from the war, Candy shows his new wife the house and promises it will never change: "even if there's a second Flood, this house shall always stand on solid foundations." Then a letter arrives that sends them in a different direction — toward a prisoner of war.
Candy brings his new wife, Barbara, to the house and they choose the den together. She asks him never to change and never to leave, and he promises the house will always stand. Murdoch has everything ready, and then a letter from the Prisoners of War Committee reveals that Theo is in a camp in Derbyshire.
注目の表現
change one's spotsput our feet upunder controlbe used to it
このシーンの表現
change your nature
Barbara wants the house to be a den they can crawl back to, whatever they bring home, even a new character.
He says marriage changed him, but he hasn't changed his spots.
relax for a while
handled and calm
accustomed to it
sympathy for someone
introducing your spouse
44 行のセリフに 27 件のメモ
that one over there — Northern English dialect for that; not for formal talk.
Is yon grey head Murdoch?the returning hero
His idea of greeting the conquering hero, I suppose.Reduce shall to /ʃəl/ and let it lean on I.
I think I shall like Murdoch. And I know I shall like this house.relative clause: The where-clause describes the den, spelling out what it is for.
Clive, let this whole house be our den, where we can always crawl,valuable plunder
whether we return with rich spoils, or badly mauled from our rovings, or just to change our spots.change your nature
Barbara wants the house to be a den they can crawl back to, whatever they bring home, even a new character.
whether we return with rich spoils, or badly mauled from our rovings, or just to change our spots.in spite of the fact that
No fear! And even if there's a second Flood, this house shall always stand on solid foundations.be firmly built
No fear! And even if there's a second Flood, this house shall always stand on solid foundations.concessive clause: Even if concedes the worst possible case before the promise is made.
No fear! And even if there's a second Flood, this house shall always stand on solid foundations.not a chance — A brisk refusal among friends, too casual for work.
No fear! And even if there's a second Flood, this house shall always stand on solid foundations.until that day arrives
- You'll stay just as you are till the floods come. - Till the floods come.Link as, you and are into one smooth run.
- You'll stay just as you are till the floods come. - Till the floods come.did not anticipate you
I was at the top of the house. I wasn't expecting you so early.introducing your spouse
Clive introduces Barbara as the wife, and she answers Murdoch directly, taking over the introduction.
- Well, Murdoch, this is the wife. - So, you're Murdoch.handled and calm
Murdoch reports that everything is under control and the telephone has been installed.
Everything is under control. I've had the telephone installed.arranged for it to be fitted
Everything is under control. I've had the telephone installed.causative have: Have plus object plus past participle means you arranged for someone else to do it.
Everything is under control. I've had the telephone installed.enjoy it a little
We'll have some fun with this.relax for a while
After eight weeks in Paris, Clive promises they will put their feet up and throw a party.
Eight weeks Paris. Then we'll put our feet up, - and have a big party.throw a celebration
Eight weeks Paris. Then we'll put our feet up, - and have a big party.little — Scots and Irish for small; keep it casual.
- They're on the wee tray. - Ah.went to great effort
I'm so sorry, Murdoch. You took such a lot of trouble.accustomed to it
Barbara apologizes for wasted effort, and Murdoch shrugs: We're used to it.
Oh, that's all right, ma'am. We're used to it.I can take it
Well, go on, Murdoch. I can bear it.in the beginning
Yes, ma'am. He said, "They all say that at first," ma'am.Stress first; the whole put-down rests on it.
Yes, ma'am. He said, "They all say that at first," ma'am.put the trip off
Let's postpone Paris.The scene is about making a home as a promise, and about how quickly promises are tested. Barbara asks the man she married not to change and never to leave the house, and Candy answers with a vow about the building itself: "even if there's a second Flood, this house shall always stand on solid foundations." The words are warm, but the film quietly marks them as too neat — a lifetime of change is exactly what the rest of the story will show. The friendly Murdoch, whose dry reply about visitors suggests he knows his master better than anyone, adds a comic note that keeps the vow from sounding pompous. Then the letter about Theo arrives, and the declaration about standing still is answered by the decision to move: they postpone Paris to go and meet him. Home, in this film, is always about to be left.
No fear! And even if there's a second Flood, this house shall always stand on solid foundations.Candy turns a private promise into a boast about permanence: even a biblical flood could not move the house, and by implication, not him either.
I think I shall like Murdoch. And I know I shall like this house.Barbara's first impressions, stated as certainties: she takes to the servant and the home at once, which makes the life she is choosing look settled and safe.
I'm so sorry, Murdoch. You took such a lot of trouble.Barbara notices the work behind the welcome, a small courtesy that shows what kind of mistress of the house she intends to be.
Hmm. It's a fine, solid-looking property. Like you.Barbara's compliment links the man and the building in one image: both look sturdy and dependable, which is exactly the reassurance she is looking for.
Yes, ma'am. He said, "They all say that at first," ma'am.Murdoch's dry report punctures the promise: the porter has heard new owners swear they will change their ways before, and they never do.
Clive, you won't change, will you?The question at the heart of the scene: she asks about the man, not the house, and the film spends the rest of its time answering her.
Because she has just married him and wants the future to be secure. The question is really about their marriage, and the film returns to it as the years pass.
It means to change your basic nature. The phrase comes from the idea that a leopard cannot change its spots, so it is used when someone doubts a person can really reform.
He is Candy's batman and long-time servant. He answers politely, but his story about the porter — who says new owners always claim they will change — quietly doubts the vow.
Because a letter reveals that Theo is being held as a prisoner of war in Derbyshire. Barbara would like to meet him, so they postpone the trip to visit the camp.
次のチャプター · 第 23 章cut the cackleTheo Calls Before Leaving England
第 1 章my Aunt FannyWar Starts at Midnight
第 2 章not a hopeThe Home Guard Exercise Turns Real
第 3 章my footGeneral Wynne-Candy Is Taken Prisoner
第 4 章by heartCandy Scolds Two Young Officers
第 5 章too hot for himselfClive Reports a Letter From Berlin
第 6 章as bad as all thatCandy Meets Edith in Berlin
第 7 章carry coals to NewcastleCandy and Edith Argue Politics
第 8 章asked for itCandy Confronts Kaunitz in Berlin
第 9 章draw lotsGerman Officers Demand a Duel
第 10 章Strictly between ourselvesThe Seconds Set the Duel Rules
第 11 章double or quitsEdith Visits Candy in Hospital
第 12 章took part inEdith and Candy Meet Theo
第 13 章keep your hair onCandy Audits the Nursing Home Bill
第 14 章cuckooTheo Tries to Confess His Love
第 15 章go off at half-cockCandy Toasts Edith and Theo
第 16 章wonders will never ceaseClive's Aunt Interrogates Him at Home
第 17 章a sure signOfficers Interrogate Ulan Prisoners
第 18 章play deafThe Brigadier Interrogates Prisoners
第 19 章have kittensCandy Can't Get a Train Home
第 20 章up in the airThe War Ends for General Candy
第 21 章fire awayBarbara Lists 50 Reasons to Marry Candy
再生中 · 第 22 章change one's spotsCandy and Barbara See Their New House
第 23 章cut the cackleTheo Calls Before Leaving England
第 24 章mean businessThe Officer Questions a German Refugee
第 25 章come over someoneTheo Tells Candy the Truth
第 26 章written all over my faceTheo Confesses His Old Secret
第 27 章a bit of an outsiderCandy's Night Drive With Angela
第 28 章ill-timedCandy's Broadcast Is Cancelled
第 29 章a different kettle of fishTheo's Speech About Total War
第 30 章anything goesSpud Plans to Capture the Wizard