when I last heard about him
Don't play deaf. He was an Oberst in your regiment the last time I heard of him.The Life and Death of Colonel Blimp · 1943 — 第 18 / 30 章 · 2'13" · B2
A brigadier questions captured German officers about explosives and a bridge. He insists he won't use their methods — "we don't use the same methods that I hear you use on your prisoners" — but promises he has means of his own. When he leaves, a younger officer decides to try those means.
A brigadier interrogates German prisoners about the dynamite they were carrying and the bridge they seem to know about. He refuses to use torture himself, but makes clear that he has other ways to get the truth. Before he leaves, a younger officer offers to take over and tackle the prisoners for him.
注目の表現
play deaftake a chanceanother shot attackle something
このシーンの表現
pretend not to hear
When the prisoner stays silent, the officer calls out the act and says he is faking deafness.
Don't play deaf when I ask you a question.
risk it and try one's luck
another attempt at something
deal with a problem
worthless people
36 行のセリフに 22 件のメモ
when I last heard about him
Don't play deaf. He was an Oberst in your regiment the last time I heard of him.which one among you
- Which of you can speak English? VAN ZIJL: Hey.sixty minutes earlier
You spoke English an hour ago. Answer the Brigadier.Stress do to insist, then cut speak short.
I do speak.relative clause: The that-clause pins down which methods, with I hear marking them as reported.
We don't use the same methods that I hear you use on your prisoners,discover or learn
but I assure you we have means to find out what we want.Run find-out together, with the t sliding into what.
but I assure you we have means to find out what we want.the day before yesterday
You took three men prisoner two days ago.have information about the bridge
- No. - Then how did you know about the bridge?awful, horrid — Old-fashioned British for disgusting; upper-class in tone.
- Macaroni. We found it in the cellar. - Beastly stuff.canned horse meat — Wartime army slang for tinned horse meat.
And the usual corned horse.understood the point
Oh, I think I've got the idea, sir.report back to headquarters
- Right. Make your report to Brigade. - Very good, sir.in charge of this place
I am in command here now.handle someone firmly
And I know how to deal with you scum.how + infinitive: How to deal is a noun phrase after know, not a question.
And I know how to deal with you scum.Link deal-with, then glide over with you.
And I know how to deal with you scum.worthless people — A harsh insult; avoid it in real arguments.
And I know how to deal with you scum.obtain one's goal
And I can assure you that I have means to get what I want.object clause: The that-clause is what is assured, and inside it an infinitive gives the purpose.
And I can assure you that I have means to get what I want.what was the explosive meant to do
What was the dynamite for?escape
How many of you got away?The scene is a study in two kinds of force. The brigadier is calm and almost polite, and he draws a line under himself: "We don't use the same methods that I hear you use on your prisoners." Yet the same sentence ends with a threat — he has means of his own — and the prisoners are left to guess what those means are. The comedy and the horror come from what follows. A younger officer takes the brigadier's manner as a model, copies his phrasing almost word for word, and turns it into something cruder: he is in command now, he says, and he knows how to deal with scum. The prisoners never tell him anything useful, but the scene already shows the direction the war is taking. What began as restraint becomes, in the next pair of hands, simply a licence to hurt.
We don't use the same methods that I hear you use on your prisoners,The brigadier claims the moral high ground while still threatening: our methods are different from yours, but we do have methods.
And I know how to deal with you scum.The line that drops all pretense of restraint: the younger officer announces that he will handle the prisoners as human waste, not as soldiers.
And I can assure you that I have means to get what I want.The threat stated as reassurance, repeated by both men: whatever the methods are, the outcome is treated as certain.
I'm not a simple English gentleman.A warning about character: he is telling the prisoners not to expect the courtesy or the rules they might associate with an English officer.
You spoke English an hour ago. Answer the Brigadier.A blunt reminder that the prisoner's silence is a choice, not an inability, which strips away his cover and puts him on the spot.
Quite safe to go now, sir. Your car's waiting.An oddly domestic line inside an interrogation: the violence is paused so the senior officer can be seen off to his car, as if nothing had happened.
Where the dynamite came from, what it was for, and what happened to three men taken prisoner two days earlier. The bridge is the detail that proves the prisoner knows more than he admits.
It means to pretend not to hear, usually to avoid answering. The officer uses it to tell a prisoner that his silence is obvious and will not work.
To claim a moral difference even while threatening. He wants the prisoner to know that he has ways of his own, so the distinction is about style rather than kindness.
He takes over the prisoners and copies the brigadier's phrases, but pushes them into open brutality. It shows how easily a tone of authority becomes an excuse to hurt.
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