what is delaying
I wonder what's keeping Spud.The Life and Death of Colonel Blimp · 1943 — 第 2 / 30 章 · 3'53" · B1
A Home Guard night exercise is played with total seriousness: a mock spy is chased through London, a barricade must close at midnight "on the dot," and the general's own side ends up taking prisoners. The joke is how completely the rules of a fake war are obeyed.
In a night exercise for the Home Guard, a make-believe spy escapes and a chase through London begins. The commander lays out the rules — the barricade closes at midnight "on the dot" — and the troops hunt the target down to the Turkish baths, where the general is taken prisoner by his own side.
注目の表現
tin hatruddynot a hopeon the dot
このシーンの表現
no chance at all
Asked whether the chase worked, the answer is flat: not a hope, she is long gone.
Can we finish before lunch? Not a hope with this queue.
steel helmet
damned; bloody
exactly on time
move closer together
damn it
55 行のセリフに 24 件のメモ
what is delaying
I wonder what's keeping Spud.no chance at all
Asked whether the chase worked, the answer is flat: not a hope, she is long gone.
- Any luck? - Not a hope. She's halfway to London by now.steel helmet
Rushing to give chase, Spud calls for his tin hat, the soldiers' slang for a steel helmet.
She's gone to warn the wizard. Come on, get my tin hat. Come on!the old general Not a real wizard; the men's nickname for General Wynne-Candy.
She's gone to warn the wizard. Come on, get my tin hat. Come on!The n in tin runs into hat, almost like tin-nat.
She's gone to warn the wizard. Come on, get my tin hat. Come on!the old general — A nickname the men use for the General behind his back, not to his face.
She's gone to warn the wizard. Come on, get my tin hat. Come on!first-aid bandage
You know, you ought to have one of these field dressings on that.lads; the men — An affectionate address from an officer to his men, fatherly in tone.
See that barricade, my boys?exactly on time
He drills the men on the barrier rule: at midnight on the dot it must be closed, no arguing.
At midnight on the dot, it's got to be closed,elliptical question: The full answer is dropped, leaving because why to prompt the crowd, a common drill trick.
and, of course, the enemy can't get through before, because why?Link starts and at so the s slides into the vowel.
- Because... ALL: War starts at midnight!get there first
We'll beat her to it. I know a couple of short cuts after Marble Arch.quicker routes
We'll beat her to it. I know a couple of short cuts after Marble Arch.The two t sounds meet, so the first is almost dropped: blas-that.
Blast that taxi!right behind them
Keep right on his tail.make sure he receives it
The clerk offers to take the message and see he gets it, a polite way of blocking the visitor.
If you give me the message, I'll see he gets it.first conditional: The if clause states the condition in the present and the main clause promises the result with will.
If you give me the message, I'll see he gets it.in command
With the General taken, the officer hands Hawkins the watch and puts him in charge.
Sergeant Hawkins? You're in charge. Stay with him.The in is reduced to ən while charge takes the stress.
Sergeant Hawkins? You're in charge. Stay with him.captured soldier
And you're a prisoner of war.negative with till: Not until or not till means the action waits for that moment, so nothing starts before midnight.
- It doesn't start till midnight. - That's what you think.damned — A mild British swear for grumbling among friends, not in formal talk.
All right, boys, this is it. Brute force and ruddy ignorance!move at the double
Mid-pursuit the shout Double up orders the men to break into a run and keep pace.
Come on. After him! Double up.move faster — A drill-ground order to speed up, playful only outside the army.
Come on. After him! Double up.The comedy here comes from how literally the rules of a fake war are followed. The exercise has a password, an objective, even prisoners — and the men take it seriously enough that a general can be captured by his own troops and told that the war begins only "at midnight on the dot." Nobody questions the absurdity; the game has its own logic, and losing it is the real shame. When a woman calls to warn the commander, the reply is a flat "Sorry, miss. The General's a prisoner, and so are you." The line lands as a joke because it is delivered with perfect military correctness. Under the fun is the film's subject: the British officer's faith in fair play and rules, even when the game has stopped being a game.
- Any luck? - Not a hope. She's halfway to London by now.The chase reported in the driest possible terms: no chance of catching her, since she is already most of the way to London.
Save it for her. She'll need it somewhere else when I catch up with her.A wounded man turns a field dressing into a joke-threat: the bandage is kept for the spy, because he fully intends to catch her.
We'll beat her to it. I know a couple of short cuts after Marble Arch.Confident tactics from the commander: he plans to reach the target first by using back routes he knows better than the spy does.
Sorry, miss. The General's a prisoner, and so are you.The comic climax in one sentence: everyone, including the general, is calmly declared a prisoner because the exercise says the war has begun.
Because his own side plays the rules literally. Once the exercise begins, protocol wins over rank, and a general can be captured and held just like anyone else.
The password is "Veuve Clicquot 1911." It matters because the exercise is run like a real operation: without it, a visitor is treated as a stranger, and the general's staff stay hidden in the baths.
Because taking the game seriously is the point. The men follow orders, keep prisoners, and enforce deadlines to the minute, and the humour comes from their complete straight-faced commitment.
She is trying to warn General Wynne-Candy, likely about the exercise or the unit's plans. She is told he is a prisoner and that she is one too, which is the joke of the scene.
次のチャプター · 第 3 章my footGeneral Wynne-Candy Is Taken Prisoner
第 1 章my Aunt FannyWar Starts at Midnight
再生中 · 第 2 章not a hopeThe Home Guard Exercise Turns Real
第 3 章my footGeneral Wynne-Candy Is Taken Prisoner
第 4 章by heartCandy Scolds Two Young Officers
第 5 章too hot for himselfClive Reports a Letter From Berlin
第 6 章as bad as all thatCandy Meets Edith in Berlin
第 7 章carry coals to NewcastleCandy and Edith Argue Politics
第 8 章asked for itCandy Confronts Kaunitz in Berlin
第 9 章draw lotsGerman Officers Demand a Duel
第 10 章Strictly between ourselvesThe Seconds Set the Duel Rules
第 11 章double or quitsEdith Visits Candy in Hospital
第 12 章took part inEdith and Candy Meet Theo
第 13 章keep your hair onCandy Audits the Nursing Home Bill
第 14 章cuckooTheo Tries to Confess His Love
第 15 章go off at half-cockCandy Toasts Edith and Theo
第 16 章wonders will never ceaseClive's Aunt Interrogates Him at Home
第 17 章a sure signOfficers Interrogate Ulan Prisoners
第 18 章play deafThe Brigadier Interrogates Prisoners
第 19 章have kittensCandy Can't Get a Train Home
第 20 章up in the airThe War Ends for General Candy
第 21 章fire awayBarbara Lists 50 Reasons to Marry Candy
第 22 章change one's spotsCandy and Barbara See Their New House
第 23 章cut the cackleTheo Calls Before Leaving England
第 24 章mean businessThe Officer Questions a German Refugee
第 25 章come over someoneTheo Tells Candy the Truth
第 26 章written all over my faceTheo Confesses His Old Secret
第 27 章a bit of an outsiderCandy's Night Drive With Angela
第 28 章ill-timedCandy's Broadcast Is Cancelled
第 29 章a different kettle of fishTheo's Speech About Total War
第 30 章anything goesSpud Plans to Capture the Wizard