Link coming up and keep the final up short.
He's coming up.The Life and Death of Colonel Blimp · 1943 — 第 8 / 30 章 · 2'46" · B2
In a Berlin cafe, Kaunitz makes a scene and the room turns on the Englishman. Candy gives as good as he gets, and when he calls the Alldeutsche Verband shameful, the warning comes back: "You are not now in England." From there, the argument only escalates.
At a Berlin cafe, Kaunitz spots Candy and deliberately makes a scene. Candy tells him to stop, then handles the man himself; the German crowd blames the English visitor. When Candy says the Alldeutsche Verband should be ashamed of itself, a voice reminds him he is no longer in England.
注目の表現
a good ladgoing a bit farashamed ofold friends
このシーンの表現
brought it on himself
Candy says Kaunitz asked for it, but the German reply shows his excuse never lands.
He asked for it by ignoring every warning.
be a good boy
overstepping a limit
feeling shame about
friends of long standing
return to a place
39 行のセリフに 28 件のメモ
Link coming up and keep the final up short.
He's coming up.a little too late
- Let us go, Mr Candy. - A bit late now.talk in English
- Come on, Kaunitz. You speak English. - I do.considered
- Stop it, Kaunitz. I'm with a lady. - You should have thought of that earlier.should have done: Should have plus a past participle blames someone for not acting sooner.
- Stop it, Kaunitz. I'm with a lady. - You should have thought of that earlier.I have a lady with me — A formal appeal to a woman's presence to demand better manners.
- Stop it, Kaunitz. I'm with a lady. - You should have thought of that earlier.cut it out
- Erlauben Sie mir... - Stop it, Kaunitz.remove clothing
- Take off your... - Come on. Be a good lad.be a good boy
As Kaunitz starts to strip for a fight, Candy tries to soothe him like a child: be a good lad.
- Take off your... - Come on. Be a good lad.The d in good is often dropped before lad.
- Take off your... - Come on. Be a good lad.ease up — A casual plea to stop; too informal for formal settings.
- Take off your... - Come on. Be a good lad.return to a place
Candy orders the drunken Kaunitz to return to his own table and stop causing a scene.
Get back to your table.his responsibility
- Please tell him that it's all his fault. He started it. - Englander!land in trouble
Ich spreche Englisch. You will get into great trouble.The final t in get is often dropped before into.
Ich spreche Englisch. You will get into great trouble.brought it on himself
Candy says Kaunitz asked for it, but the German reply shows his excuse never lands.
- You saw very well that he asked for it. - Was sagt er?one of our friends
Herr Kaunitz is a friend of ours. You will satisfaction give.word order: The object comes before the verb, a German word order leaking into the English line.
Herr Kaunitz is a friend of ours. You will satisfaction give.quit yelling
Please stop shouting. You don't understand.friends of long standing
Hunter calls the two men old friends to defuse the fight, though they clearly are not.
This gentleman and Herr Kaunitz are old friends.Blend old friends into one run, nearly dropping the d.
This gentleman and Herr Kaunitz are old friends.one of my friends
It's going a bit far to call that skunk a friend of mine.overstepping a limit
When someone calls Kaunitz his friend, Candy objects that this is going a bit far before the insult lands.
It's going a bit far to call that skunk a friend of mine.formal subject: It is a placeholder subject; the real subject is the infinitive phrase at the end.
It's going a bit far to call that skunk a friend of mine.a contemptible man — A sneering insult for someone sly; never say it in polite company.
It's going a bit far to call that skunk a friend of mine.feeling shame about
When the Germans invoke their officer status, Candy says they ought to be ashamed of themselves.
The Alldeutsche Verband ought to be ashamed of itself.should
Then the officers of the Imperial German Army ought to be ashamed of themselves, too.modal ought to: Ought to is a moral should, softer than must but still a judgement.
Then the officers of the Imperial German Army ought to be ashamed of themselves, too.The scene is a diplomatic quarrel played out in a cafe, where manners matter more than fists. Kaunitz turns a personal grudge into a public performance, and Candy refuses to lower himself to it — until he does, and then the room turns his act of self-defence into an insult to Germany. The key line is the cold reminder, "You are not now in England," which tells him that his assumptions about fair play do not travel. Candy answers with the logic that will define his whole life in the film: if the officers belong to that organisation, then they should be ashamed of it too. He is not arguing about the facts on the table; he is insisting that some standards apply everywhere. What the others hear is provocation, and what follows will be a duel.
You are not now in England.The warning that neutralises his assumptions: British fair play and British rights do not apply here, so he should watch himself in this room.
It's going a bit far to call that skunk a friend of mine.Candy rejects the polite fiction being offered to calm the room; he will not accept a version of events that flatters the man who provoked him.
Then the officers of the Imperial German Army ought to be ashamed of themselves, too.The line that turns an insult into a principle: if an organisation spreads lies, its members share the shame, whatever their uniform.
This gentleman and Herr Kaunitz are old friends.A soothing lie told to defuse the room, but Candy refuses it, and the attempt to pretend the quarrel is between friends only sharpens it.
To humiliate Candy in public. He turns a private grudge into a performance for the room, counting on the crowd to side with him against the foreigner.
It means someone brought the trouble on themselves and deserved what came. Candy uses the idea to justify his response to Kaunitz's provocation.
Because he humiliates a German in front of other Germans. The crowd reads his self-defence as an insult to the country, and they tell him he is not protected by English rules here.
Because they belong to the same organisation he has just condemned. His point is one of principle: if the group spreads lies, its members share the blame, whatever their uniform.
次のチャプター · 第 9 章draw lotsGerman Officers Demand a Duel
第 1 章my Aunt FannyWar Starts at Midnight
第 2 章not a hopeThe Home Guard Exercise Turns Real
第 3 章my footGeneral Wynne-Candy Is Taken Prisoner
第 4 章by heartCandy Scolds Two Young Officers
第 5 章too hot for himselfClive Reports a Letter From Berlin
第 6 章as bad as all thatCandy Meets Edith in Berlin
第 7 章carry coals to NewcastleCandy and Edith Argue Politics
再生中 · 第 8 章asked for itCandy Confronts Kaunitz in Berlin
第 9 章draw lotsGerman Officers Demand a Duel
第 10 章Strictly between ourselvesThe Seconds Set the Duel Rules
第 11 章double or quitsEdith Visits Candy in Hospital
第 12 章took part inEdith and Candy Meet Theo
第 13 章keep your hair onCandy Audits the Nursing Home Bill
第 14 章cuckooTheo Tries to Confess His Love
第 15 章go off at half-cockCandy Toasts Edith and Theo
第 16 章wonders will never ceaseClive's Aunt Interrogates Him at Home
第 17 章a sure signOfficers Interrogate Ulan Prisoners
第 18 章play deafThe Brigadier Interrogates Prisoners
第 19 章have kittensCandy Can't Get a Train Home
第 20 章up in the airThe War Ends for General Candy
第 21 章fire awayBarbara Lists 50 Reasons to Marry Candy
第 22 章change one's spotsCandy and Barbara See Their New House
第 23 章cut the cackleTheo Calls Before Leaving England
第 24 章mean businessThe Officer Questions a German Refugee
第 25 章come over someoneTheo Tells Candy the Truth
第 26 章written all over my faceTheo Confesses His Old Secret
第 27 章a bit of an outsiderCandy's Night Drive With Angela
第 28 章ill-timedCandy's Broadcast Is Cancelled
第 29 章a different kettle of fishTheo's Speech About Total War
第 30 章anything goesSpud Plans to Capture the Wizard