hail a taxi
- Call a cab, porter. - Yes, sir.The Life and Death of Colonel Blimp · 1943 — 第 4 / 30 章 · 3'02" · B2
Candy arrives at a London station and scolds two young officers for singing and shouting like rowdy civilians — until he sees the Victoria Cross on one of them and realises they are old comrades from South Africa. The tone flips from reprimand to warmth.
At a London station, Candy is about to leave when he hears two young officers singing loudly in public. He lectures them on behaving like drunkards while men are dying in South Africa — then spots the VC on one man's chest and recognises a fellow survivor from Jordaan Siding. He offers them a lift and wishes them a good leave.
注目の表現
growlers barredcould have done withthe VCshut up with
このシーンの表現
from memory
With only one record left, they learned it by heart, a memory of the siege told as a joke.
She can recite the whole speech by heart.
no old four-wheelers
would have welcomed
the Victoria Cross
locked up together
drive you there
46 行のセリフに 28 件のメモ
hail a taxi
- Call a cab, porter. - Yes, sir.a two-wheeled cab
- A hansom. Growlers barred. - He knows, sir.no old four-wheelers
The officer demands a hansom and bars the growlers; the porter answers that he knows the taste.
- A hansom. Growlers barred. - He knows, sir.noisy old cabs — Old London slang for rattling four-wheeled cabs, now gone.
- A hansom. Growlers barred. - He knows, sir.would have welcomed
The officer admits he would have welcomed a nap but has a theatre date, so the regret stays mild.
I could have done with a nap myself. I'm going to the theatre tonight.modal perfect: Could have done looks back at a wish that was not met at the time.
I could have done with a nap myself. I'm going to the theatre tonight.The t in can't is often dropped before you: can-you.
- Can't you sleep there? - Invited. Two ladies.civilians are complaining
Hm. No wonder civilians are grumbling about the Army.a fine mess Nice is ironic here, meaning what a disgrace.
It's a nice state of things.be killed
Officers and men losing their lives in South Africa, while young officers are roaring about public places like drunkards.participle clause: The -ing clause describes the officers and men, replacing a full relative clause.
Officers and men losing their lives in South Africa, while young officers are roaring about public places like drunkards.confined together Not told to be quiet but confined with her.
We were shut up with her for seven months near Jordaan Siding.passive voice: The passive were shut up puts the men on the receiving end of being confined.
We were shut up with her for seven months near Jordaan Siding.from memory
With only one record left, they learned it by heart, a memory of the siege told as a joke.
Mignon. We had a phonograph and broke every record but that one. We know it by heart.drive you there
The older man offers the two officers a lift, and they politely decline because a cab is waiting.
- Can I give you a lift? - No, thank you, sir. We've got a cab.Run give you together as giv-yer, ending with a crisp lift.
- Can I give you a lift? - No, thank you, sir. We've got a cab.the old rogue — A period-flavoured, teasing nickname for an old rascal.
- Another hansom. - The old horse thief.The d before in is flapped, so the words run as one.
- Have you ever ridden in one? - Rather. All the way to Epsom.certainly — An old, slightly stiff British yes, rare in everyday talk.
- Have you ever ridden in one? - Rather. All the way to Epsom.excellent — Early twentieth-century British upper-class praise, now period-flavoured.
- Lovely lines, hasn't she? - Topping.baked potato; a tricky issue The vendor means a baked potato; the idiom also means a tricky problem.
- A hot potato, sir? - No, no. We've just come over for a warm.awful light rain
The same beastly drizzle. The same fog and soot. Good old London.Link Good old into goo-dold without a break.
The same beastly drizzle. The same fog and soot. Good old London.relative clause: The clause you gave The Times describes the interview and drops its relative pronoun.
Now, listen, Suggie. You remember that interview you gave The Times?are you suggesting
Told that someone really read the interview, he asks in surprise whether they mean to say it.
- You don't mean to say you read it? - Me? No.set eyes on
- Pretty? - Never laid eyes on her, but she read it.great lump — A fond insult between friends, offensive to strangers.
- Why? - Well, read it, you big ape.discover
You'll find out. It's interesting.The scene turns on a class of English officer who is horrified by public noise and won over by a medal. Candy begins as a moralist, telling the young men to be ashamed and contrasting them with soldiers dying in South Africa; it is the performance of a man who believes in decorum above almost everything. Then he sees the VC, and the lecture dissolves — "You're Candy. 'Sugar' Candy!" — into the recognition of a shared past. The comradeship of the camp, where they all knew the same aria by heart, overrides the scolding entirely. The warm goodbye that follows — "I hope you two boys enjoy your leave. You've earned it." — is the film's affection and its blind spot in one: the same man who cannot bear noise in the street can only relate to fellow soldiers.
I could have done with a nap myself. I'm going to the theatre tonight.A wry aside about rest and duty: he would have liked a nap, but the evening is already spoken for by the theatre.
Ought to be ashamed of yourselves, yelling and screaming like some damned... damned foreigner.The scolding at its most Victorian: loud young officers are told they are behaving like foreigners, which for Candy is the severest insult available.
Officers and men losing their lives in South Africa, while young officers are roaring about public places like drunkards.The charge behind the scolding: real soldiers are dying abroad while these men make a spectacle of themselves at home.
I hope you two boys enjoy your leave. You've earned it.The turnaround line: once he knows they are comrades, the same man who was scolding them now sends them off with warmth and respect.
- Why? - Well, read it, you big ape.A friendly insult closes the scene: curiosity is met with a joke and an order to read the letter for himself.
Because they are singing and shouting in public, and he thinks officers should behave better — especially while soldiers are dying in South Africa.
The Victoria Cross on one man's chest. Once he sees it and learns where they served, he stops lecturing and treats them as old comrades.
One of the young officers; Candy recognises his family name and asks if he is the son of Barney Hopwell of the 66th. It turns a stranger into a comrade.
It has passed through many hands to reach Candy, carried from Berlin by way of a governess's sister. Suggie will not explain it, only tells him to read it himself.
It is Candy's instruction about the cab: he wants a hansom and will not take a growler, an old four-wheeled cab. It shows his fussy, particular style.
次のチャプター · 第 5 章too hot for himselfClive Reports a Letter From Berlin
第 1 章my Aunt FannyWar Starts at Midnight
第 2 章not a hopeThe Home Guard Exercise Turns Real
第 3 章my footGeneral Wynne-Candy Is Taken Prisoner
再生中 · 第 4 章by heartCandy Scolds Two Young Officers
第 5 章too hot for himselfClive Reports a Letter From Berlin
第 6 章as bad as all thatCandy Meets Edith in Berlin
第 7 章carry coals to NewcastleCandy and Edith Argue Politics
第 8 章asked for itCandy Confronts Kaunitz in Berlin
第 9 章draw lotsGerman Officers Demand a Duel
第 10 章Strictly between ourselvesThe Seconds Set the Duel Rules
第 11 章double or quitsEdith Visits Candy in Hospital
第 12 章took part inEdith and Candy Meet Theo
第 13 章keep your hair onCandy Audits the Nursing Home Bill
第 14 章cuckooTheo Tries to Confess His Love
第 15 章go off at half-cockCandy Toasts Edith and Theo
第 16 章wonders will never ceaseClive's Aunt Interrogates Him at Home
第 17 章a sure signOfficers Interrogate Ulan Prisoners
第 18 章play deafThe Brigadier Interrogates Prisoners
第 19 章have kittensCandy Can't Get a Train Home
第 20 章up in the airThe War Ends for General Candy
第 21 章fire awayBarbara Lists 50 Reasons to Marry Candy
第 22 章change one's spotsCandy and Barbara See Their New House
第 23 章cut the cackleTheo Calls Before Leaving England
第 24 章mean businessThe Officer Questions a German Refugee
第 25 章come over someoneTheo Tells Candy the Truth
第 26 章written all over my faceTheo Confesses His Old Secret
第 27 章a bit of an outsiderCandy's Night Drive With Angela
第 28 章ill-timedCandy's Broadcast Is Cancelled
第 29 章a different kettle of fishTheo's Speech About Total War
第 30 章anything goesSpud Plans to Capture the Wizard