SLC Punk · 1998 — 第 5 / 10 章 · 4'59" · B2

The Kitchen Plane Crash Story, Explained:stiff me

Someone complains two bags of grass are gone because people try to stiff him. A crash story follows, with the line "she never took her eyes off of me," before a sleeping friend is searched and his pockets come up empty.

あらすじ

In a kitchen, someone tells Stevo the grass is gone and people try to stiff him, then claims two killings in Miami. Called on it, he tells a childhood plane crash: a crying pilot, a mother's head that never looked away, the family in pieces. A sleeping friend is woken and told to empty his pockets. They are empty. Sorry is thrown back, then I'm not mad, and a kiss.

StorytellingAccusationsExplainingConfrontingFriendsB2mediumamerican
IMDb ↗

注目の表現

stiff meSalt Lake Shittypassing on the informationnever took her eyes off

00:00 / 04:59
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白A crash told cold22 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

stiff me

cheat someone out of what you owe

He says they are always trying to stiff him, then boasts about shooting two men. The room calls the boast a joke.

He tried to stiff me on the bill.

このシーンの他の表現

  • Salt Lake Shitty

    city name twisted into an insult

  • passing on the information

    say you are only relaying a fact, not making the claim

  • never took her eyes off

    not look away even once

  • in pieces

    broken into separate parts

  • We'll see about cool

    throw your word back as a test

このシーンのメモ一覧

76 行のセリフに 25 件のメモ

スラング · B2grass

marijuana — Drug slang for friends, not for formal talk.

I had two bags of grass in this kitchen.
表現 · B2stiff someone

cheat someone out of what you owe

He says they are always trying to stiff him, then boasts about shooting two men. The room calls the boast a joke.

They are always trying to stiff me, you know?
文法 · B1which I've done in the past

relative clause: which points back to the killing, not to the nearest noun only.

which I've done in the past, believe me.
発音believe me

Put the weight on believe and let me fade.

which I've done in the past, believe me.
表現 · B2make someone a man

count as becoming a man

I'm not saying it makes me a man or anything.
表現 · B1pass on the information

say you are only relaying a fact, not making the claim

The line before is I'm not saying it makes me a man or anything. The next line is I'm just passing on the information, which shrinks that talk into a casual tip.

I'm just passing on the information.
表現 · A2try to rob someone

try to rob someone

They tried to rob me, so I shot them in the head.
スラング · B2Fuck you

pissed rejection — A hard curse between people who already clash, not for polite company.

You didn't kill anybody. Fuck you.
表現 · B1get the joke

realize it is a joke

Put it away. I get the joke. Now put it away.
発音put it away

In put it away, do not stop hard on the t.

Put it away. I get the joke. Now put it away.
表現 · A2buckle up

fasten the seat belt

My mother told us to buckle up because things were going to get bumpy...
発音going to

In a fast line, going to can shrink; don't punch to.

My mother told us to buckle up because things were going to get bumpy...
表現 · A2tell someone not to worry

tell people not to worry

My dad was next to the pilot, and he told us not to worry.
表現 · A2get close

be nearly there It sounds like arrival, but here it means the end.

"Oh, man. We're getting close. " So I looked at my mom again, and she smiled at me again...
表現 · B2take one's eyes off someone

never look away from me

and she never took her eyes off of me.
表現 · B1pass out

lose consciousness suddenly

That's when I passed out.
表現 · B2be in pieces

broken into separate parts

He wakes to his family in pieces, and the next lines name arms, a leg, and a head.

And when I woke up, my family was all around me in pieces.
文法 · B1was going to kick

future in past: was going to marks a plan he had then, aimed at a corpse.

'cause I was going to kick his fuckin' dead body.
スラング · B2fuckin'

damned, as emphasis — An angry intensifier, not something to use in public.

'cause I was going to kick his fuckin' dead body.
表現 · B2every chance someone gets

act at every opportunity

And they try... every chance they get, they try.
文法 · B2could have taken

modal perfect: could have means it was possible he already took it.

He could have taken it then.
スラング · B2shit

my stuff — Rough word for belongings, not for polite speech.

Get up. You have my shit!
スラング · B2kick your ass

beat you up — A threat you throw at someone you know, not in formal settings.

Put that shit away before I kick your ass, man.
表現 · B2see about something

throw your word back as a test

Right after uncool, the reply is we'll see about cool, a mock countdown.

- This is fucking uncool, Mark! - We'll see about cool in a minute.
発音in a minute

Let in a stick together, then land on minute.

- This is fucking uncool, Mark! - We'll see about cool in a minute.

「The Kitchen Plane Crash Story」を読み解く

What's really going on

The Miami boast dies fast. "You didn't kill anybody" and "Put it away. I get the joke. Now put it away" end it. A childhood crash replaces it. The mother warns things will "get bumpy," the father says not to worry, and "even at five" the teller knows better because the pilot is crying. Then "she never took her eyes off of me," and he wakes to the family "in pieces." He wants to kick the father's body "'Cause he lied." "You know what I'm trying to tell you, Stevo?" is followed by people who try at "every chance they get," then "Do you trust Bob?" Bob is asleep. They wake him and empty his pockets. "See, he doesn't have anything. I told you." "I'm sorry" comes after that. "Well, fuck you, man!" throws the sorry back. Only later come "I'm not mad," a kiss, and "Good one, buddy." He points at the father's lie, then searches a friend who has nothing.

Theme

TrustSomeone asks whether Bob can be trusted, then a sleeping friend's pockets are emptied over two missing bags.
LiesA killing boast is called a joke, and the crash story turns on a father who lied.

発音のポイント

  • believe me — Put the weight on believe and let me fade.
  • put it away — In put it away, do not stop hard on the t.
  • going to — In a fast line, going to can shrink; don't punch to.
  • in a minute — Let in a stick together, then land on minute.
I'm just passing on the information.

After the killing boast, this line pretends the story is only a tip, not a claim about being a man.

Why do you think I'm here? 'Cause I love this place?

He rejects the idea that he stays in Salt Lake because he likes it. The next line mocks the city, and he has just claimed he shot two men in Miami.

But, hey, even at five I knew we had trouble because the pilot was crying.

In the crash story, the child does not believe the father's reassurance. The crying pilot is the proof that the plane is in trouble.

And when I woke up, my family was all around me in pieces.

He comes to surrounded by his family's body parts, an arm, a leg, and a head. Here in pieces is literal, not a mood.

- This is fucking uncool, Mark! - We'll see about cool in a minute.

One side calls the pocket search uncool. The reply throws cool back and means the check is about to happen, not that the pockets are already empty.

このシーンについての質問

Why does the crash story get told?

He says the father told them not to worry, then says he wanted to kick the body because "he lied." After that comes "You know what I'm trying to tell you, Stevo?" The talk turns to people who "try" at "every chance they get." Only then does someone ask, "Do you trust Bob?"

Are the Miami killings treated as real here?

No. He says "In Miami I shot two men" and "I shot them in the head." The answer in the room is "You didn't kill anybody" and "Put it away. I get the joke." This scene marks the boast as a bit and tells him to drop it.

Why empty the sleeping friend's pockets?

Two bags of grass were in the kitchen and are now the thing he thinks was taken. "Do you trust Bob?" gets "Bob? Yeah," plus "He's not a thief" and "he's asleep." He still says Bob "could have taken it then" and "I think we should ask him." They wake him with "You have my shit!" and "Empty your pockets."

Does the apology get accepted?

Not at first. "I'm sorry" and "I just thought you had my shit" are answered with "Well, fuck you, man!" and "No, fuck you!" "Come on, Bob. You're like my brother" gets "No. Get away." Only after that: "All right. I'm not mad," "Give me a kiss," and "Good one, buddy." The sorry is shoved back. The anger drops once "I'm not mad" is said.

What lie is the father accused of?

Inside the story he "was next to the pilot, and he told us not to worry." The teller says that even at five he knew they were in trouble "because the pilot was crying." When the body cannot be found, he wants to kick it "'Cause he lied." The lie he names is that reassurance.

SLC Punk · 全 10 章

すべて見る →
第 5 / 10 章 · 残り約 11 分