marijuana — Drug slang for friends, not for formal talk.
I had two bags of grass in this kitchen.SLC Punk · 1998 — 第 5 / 10 章 · 4'59" · B2
Someone complains two bags of grass are gone because people try to stiff him. A crash story follows, with the line "she never took her eyes off of me," before a sleeping friend is searched and his pockets come up empty.
In a kitchen, someone tells Stevo the grass is gone and people try to stiff him, then claims two killings in Miami. Called on it, he tells a childhood plane crash: a crying pilot, a mother's head that never looked away, the family in pieces. A sleeping friend is woken and told to empty his pockets. They are empty. Sorry is thrown back, then I'm not mad, and a kiss.
注目の表現
stiff meSalt Lake Shittypassing on the informationnever took her eyes off
このシーンの表現
cheat someone out of what you owe
He says they are always trying to stiff him, then boasts about shooting two men. The room calls the boast a joke.
He tried to stiff me on the bill.
city name twisted into an insult
say you are only relaying a fact, not making the claim
not look away even once
broken into separate parts
throw your word back as a test
76 行のセリフに 25 件のメモ
marijuana — Drug slang for friends, not for formal talk.
I had two bags of grass in this kitchen.cheat someone out of what you owe
He says they are always trying to stiff him, then boasts about shooting two men. The room calls the boast a joke.
They are always trying to stiff me, you know?relative clause: which points back to the killing, not to the nearest noun only.
which I've done in the past, believe me.Put the weight on believe and let me fade.
which I've done in the past, believe me.count as becoming a man
I'm not saying it makes me a man or anything.say you are only relaying a fact, not making the claim
The line before is I'm not saying it makes me a man or anything. The next line is I'm just passing on the information, which shrinks that talk into a casual tip.
I'm just passing on the information.try to rob someone
They tried to rob me, so I shot them in the head.pissed rejection — A hard curse between people who already clash, not for polite company.
You didn't kill anybody. Fuck you.realize it is a joke
Put it away. I get the joke. Now put it away.In put it away, do not stop hard on the t.
Put it away. I get the joke. Now put it away.fasten the seat belt
My mother told us to buckle up because things were going to get bumpy...In a fast line, going to can shrink; don't punch to.
My mother told us to buckle up because things were going to get bumpy...tell people not to worry
My dad was next to the pilot, and he told us not to worry.be nearly there It sounds like arrival, but here it means the end.
"Oh, man. We're getting close. " So I looked at my mom again, and she smiled at me again...never look away from me
and she never took her eyes off of me.lose consciousness suddenly
That's when I passed out.broken into separate parts
He wakes to his family in pieces, and the next lines name arms, a leg, and a head.
And when I woke up, my family was all around me in pieces.future in past: was going to marks a plan he had then, aimed at a corpse.
'cause I was going to kick his fuckin' dead body.damned, as emphasis — An angry intensifier, not something to use in public.
'cause I was going to kick his fuckin' dead body.act at every opportunity
And they try... every chance they get, they try.modal perfect: could have means it was possible he already took it.
He could have taken it then.my stuff — Rough word for belongings, not for polite speech.
Get up. You have my shit!beat you up — A threat you throw at someone you know, not in formal settings.
Put that shit away before I kick your ass, man.throw your word back as a test
Right after uncool, the reply is we'll see about cool, a mock countdown.
- This is fucking uncool, Mark! - We'll see about cool in a minute.Let in a stick together, then land on minute.
- This is fucking uncool, Mark! - We'll see about cool in a minute.The Miami boast dies fast. "You didn't kill anybody" and "Put it away. I get the joke. Now put it away" end it. A childhood crash replaces it. The mother warns things will "get bumpy," the father says not to worry, and "even at five" the teller knows better because the pilot is crying. Then "she never took her eyes off of me," and he wakes to the family "in pieces." He wants to kick the father's body "'Cause he lied." "You know what I'm trying to tell you, Stevo?" is followed by people who try at "every chance they get," then "Do you trust Bob?" Bob is asleep. They wake him and empty his pockets. "See, he doesn't have anything. I told you." "I'm sorry" comes after that. "Well, fuck you, man!" throws the sorry back. Only later come "I'm not mad," a kiss, and "Good one, buddy." He points at the father's lie, then searches a friend who has nothing.
I'm just passing on the information.After the killing boast, this line pretends the story is only a tip, not a claim about being a man.
Why do you think I'm here? 'Cause I love this place?He rejects the idea that he stays in Salt Lake because he likes it. The next line mocks the city, and he has just claimed he shot two men in Miami.
But, hey, even at five I knew we had trouble because the pilot was crying.In the crash story, the child does not believe the father's reassurance. The crying pilot is the proof that the plane is in trouble.
And when I woke up, my family was all around me in pieces.He comes to surrounded by his family's body parts, an arm, a leg, and a head. Here in pieces is literal, not a mood.
- This is fucking uncool, Mark! - We'll see about cool in a minute.One side calls the pocket search uncool. The reply throws cool back and means the check is about to happen, not that the pockets are already empty.
He says the father told them not to worry, then says he wanted to kick the body because "he lied." After that comes "You know what I'm trying to tell you, Stevo?" The talk turns to people who "try" at "every chance they get." Only then does someone ask, "Do you trust Bob?"
No. He says "In Miami I shot two men" and "I shot them in the head." The answer in the room is "You didn't kill anybody" and "Put it away. I get the joke." This scene marks the boast as a bit and tells him to drop it.
Two bags of grass were in the kitchen and are now the thing he thinks was taken. "Do you trust Bob?" gets "Bob? Yeah," plus "He's not a thief" and "he's asleep." He still says Bob "could have taken it then" and "I think we should ask him." They wake him with "You have my shit!" and "Empty your pockets."
Not at first. "I'm sorry" and "I just thought you had my shit" are answered with "Well, fuck you, man!" and "No, fuck you!" "Come on, Bob. You're like my brother" gets "No. Get away." Only after that: "All right. I'm not mad," "Give me a kiss," and "Good one, buddy." The sorry is shoved back. The anger drops once "I'm not mad" is said.
Inside the story he "was next to the pilot, and he told us not to worry." The teller says that even at five he knew they were in trouble "because the pilot was crying." When the body cannot be found, he wants to kick it "'Cause he lied." The lie he names is that reassurance.
次のチャプター · 第 6 章Where else?Choice B Is Wyoming
第 1 章not much futureBob Fears the Needle
第 2 章take the ball and run with itSteven Calls Out His Parents
第 3 章live your life byA Graduate Rants About Posers
第 4 章goddess of the sceneMike Looks Like a Total Nerd
再生中 · 第 5 章stiff meThe Kitchen Plane Crash Story
第 6 章Where else?Choice B Is Wyoming
第 7 章stand forAn Essay on Fighting
第 8 章getting oldPunks Debate Structure and Chaos
第 9 章right as rainStevo's Pea-Sized Heart
第 10 章That's not rebellion. That's fashion.That's Not Rebellion, That's Fashion