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SLC Punk · 1998 — 第 9 / 10 章 · 2'12" · B2

Stevo's Pea-Sized Heart, Explained：right as rain

Friends ask what is the matter and float a new girl to meet. "Nothing's the matter. I'm right as rain" answers with perfectly fine and can shut the question. Later a big heart is cut down to the size of a pea, and someone asks not to be pitied.

あらすじ

Lines go from the first two punks to the last two. The speaker calls it an impression that they were all that was left. Next, Bob is in love. Someone offers to introduce Stevo to a friend. Sandy really got you gets a No. Stevo is called big-hearted. The next line, to Trish, denies it. The line after makes that heart the size of a pea.

Comforting a friendTeasingComfortingSaying noFriendsB2mediumamerican
IMDb ↗

注目の表現

all that was leftright as rainreally got youfucking bitch

00:00 / 02:12
Space 再生 · ← → セリフ移動 · R リピート
いま
  19. ❝ 独白From love to rage4 行練習ページ ↗
  27. ❝ 独白Refusing pity5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

right as rain

perfectly fine; completely all right

Asked what is the matter, the answer says nothing, then adds right as rain: perfectly fine. The next line still asks why someone is always depressed, and the reply is I'm not depressed.

He told his roommate he was right as rain and changed the subject.

このシーンの他の表現

  • all that was left

    the only one remaining

  • really got you

    really struck you or got to you

  • fucking bitch

    a vicious insult for a woman

  • the size of a pea

    a comically tiny heart

  • get off on

    to get a kick from it

このシーンのメモ一覧

42 行のセリフに 30 件のメモ

スラング · B1punks

punk kids — An in-group label, not for formal writing.

First two punks.
表現 · B1get the impression

starting to feel that

Then again, I was getting the impression I was all that was left.
表現 · B1all that was left

the only one remaining

After First two punks and The last two punks, Then again shifts to the speaker's impression of being all that was left. The next line is Bob was in love. The lines do not confirm he was the last one.

Then again, I was getting the impression I was all that was left.
表現 · B1then again

on second thought

Then again, I was getting the impression I was all that was left.
文法 · B1all that was left

relative clause: that points to what remains, and was left describes it.

Then again, I was getting the impression I was all that was left.
表現 · A2be in love

romantically involved

Bob was in love.
表現 · A2introduce someone to someone

to present you to someone

Stevo, I want to introduce you to a young friend of mine.
表現 · A2a friend of mine

a younger person I know

Stevo, I want to introduce you to a young friend of mine.
スラング · B1dude

casual buddy — Fine between friends, wrong for elders.

- I'm not ambitious. - Not yet, dude.
表現 · B2right as rain

perfectly fine; completely all right

Asked what is the matter, the answer says nothing, then adds right as rain: perfectly fine. The next line still asks why someone is always depressed, and the reply is I'm not depressed.

Nothing's the matter. I'm right as rain.
発音right as rain

Put the weight on rain and let as pass.

Nothing's the matter. I'm right as rain.
表現 · A2all the time

constantly, without a break

Why are you always depressed all the time?
表現 · B2really get someone

really struck you or got to you

The line stops at I think Sandy really got you. The next line is No. It can be heard as being struck. The lines do not say anyone is already hurt.

I think Sandy really got you.
発音really got you

Weight got, let you follow, and do not breathe between them.

I think Sandy really got you.
表現 · B1no big deal

not worth a fuss

You know, dude, it's no big deal.
表現 · B2love someone and all

love you, with a hedge and all hedges the love before a turn

and I love you and all.
文法 · B2what that fucking bitch did

nominal clause: The what-clause puts her action first, then the ugly advice.

But what that fucking bitch did, you should fucking kill her.
スラング · C1fucking bitch

a vicious slur — Rage-only insult; never say it in public.

But what that fucking bitch did, you should fucking kill her.
表現 · B1have the right

was entitled to do it

She had the right.
発音Should've been more

Keep have tiny so the three words stay one beat.

Should've been more careful.
表現 · B1have a big heart

emotionally generous

That Stevo's got a big heart.
表現 · B2the size of something

a comically tiny heart

Someone says That Stevo's got a big heart. The next line is I don't have a big heart, Trish. Trish is only addressed, not named as the speaker. The following line is I have a heart the size of a pea. The lines do not name who speaks each one.

I have a heart the size of a pea.
発音of a pea

Soften of and a so pea can take the hit.

I have a heart the size of a pea.
スラング · C1get off on

to be aroused by it — Joking or sexual; do not aim it at elders.

Hey, Bob, tell her I get off on pain, please.
表現 · B2mellow out

became much calmer

Someone steps out of the extreme lane and leaves Stevo standing in it.

I've mellowed out a lot, but Stevo's fuckin' hard-core.
スラング · B2fuckin'

a clipped swear — It only intensifies; keep it out of formal talk.

I've mellowed out a lot, but Stevo's fuckin' hard-core.
スラング · B2hard-core

extremely intense — Praise for being extreme, wrong in a formal intro.

I've mellowed out a lot, but Stevo's fuckin' hard-core.
表現 · B2something or not

whether or not that holds

Hard-core or not, I think he should meet Brandy.
文法 · B2Hard-core or not

concessive phrase: or not shelves the label so the invitation can continue.

Hard-core or not, I think he should meet Brandy.
発音sounds kinda fun

Let kinda swallow of instead of rebuilding kind of.

Brandy. That sounds kinda fun.

「Stevo's Pea-Sized Heart」を読み解く

What's really going on

"First two punks" becomes "The last two punks," and then the speaker says, "I was getting the impression I was all that was left." The next line is "Bob was in love." Someone offers to introduce Stevo to a young friend. "What's the matter" brings "Nothing's the matter. I'm right as rain." "Why are you always depressed all the time" brings "I'm not depressed." Sandy is named in "I think Sandy really got you," and the next word is "No." The line "you should fucking kill her" is followed by "She had the right. It was the agreement." The lines do not name which voice says which. Later, "That Stevo's got a big heart." The next line, speaking to Trish, is "I don't have a big heart." The line after that is "I have a heart the size of a pea." The others being happy is called okay. Then "Please just don't pity me."

Theme

LonelinessFirst two punks, then the last two. The speaker's impression is being all that was left. Next line: Bob was in love.
HeartbreakSandy is named as who really got you. Next line: No. Later the heart is the size of a pea, and someone asks not to be pitied.

発音のポイント

  • right as rain — Put the weight on rain and let as pass.
  • really got you — Weight got, let you follow, and do not breathe between them.
  • Should've been more — Keep have tiny so the three words stay one beat.
  • of a pea — Soften of and a so pea can take the hit.
Then again, I was getting the impression I was all that was left.

It follows "First two punks" and "The last two punks." The speaker says this is their own impression. The next line is "Bob was in love."

Nothing's the matter. I'm right as rain.

After "What's the matter," nothing is the matter, then right as rain, meaning perfectly fine. It can shut the question. The next line still asks why someone is always depressed, and the reply is "I'm not depressed."

She had the right. It was the agreement.

The previous line says you should kill her for what she did. This line says she had the right because it was the agreement. The voices are not named. The following line says someone should have been more careful.

I have a heart the size of a pea.

Just before, someone says Stevo has a big heart, and the next line, to Trish, denies a big heart. This one shrinks it to a pea.

Please just don't pity me.

It comes after "You guys are happy. That's okay." The line asks not to be pitied. It does not name a speaker.

このシーンについての質問

What does "She had the right" actually say here, and what does it leave out?

The line before is "But what that fucking bitch did, you should fucking kill her." Then come "She had the right" and "She had the right. It was the agreement." The next line is "Should've been more careful." The agreement is the reason given. The lines do not spell out its terms, and they do not name who speaks.

How does "cool rich boy" come after "She's a rich girl"?

Someone says "She's a rich girl, dude." Next are "That's okay" and "I'm a rich boy, right?" The following line is "Yeah, but you're a cool rich boy." The lines never say why she is rich or why he is cool.

What is actually said when "Not yet" follows "I'm not ambitious"?

The lines just before are "She's smart..." and "and she's ambitious." The next line is "I'm not ambitious" with "Not yet, dude." "Not yet" only marks that it has not happened yet. The lines do not name a speaker, and they do not say that ambition will come later.

Who says "I was all that was left"?

The speaker says it in the first person: "Then again, I was getting the impression I was all that was left." It comes after "First two punks" and "The last two punks." The next line is "Bob was in love." The lines do not name that speaker, and no one else confirms they are literally the last punk.

SLC Punk · 全 10 章

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