enjoy oneself
I heard you had a really great time in Europe.Slacker · 1990 — 第 20 / 22 章 · 2'47" · B2
One woman says she is the happiest she has been in years and that she has conquered the fear of rejection. Another refuses to believe anyone can escape it, calling it primal and saying people always enslave themselves. Then a friend invites them to a band's show.
A woman back from Europe describes feeling like a whole person after a break-up, calling this the happiest she has been in a long time. Someone else argues that no one escapes the fear of rejection, and that people enslave themselves through work, love or children. Then friends invite them to a gig.
注目の表現
the furthest thing from my mindebb and flowtrade-offbuy that
このシーンの表現
a rise and fall pattern
She describes the calm after a breakup giving way to a restless rise and fall of feelings.
Relationships have their ebb and flow.
not on my mind at all
a balance of gains and losses
believe that claim
the place for discarded things
the names allowed in free
53 行のセリフに 31 件のメモ
enjoy oneself
I heard you had a really great time in Europe.happy to return
- Are you glad to be back? - Yeah, it was incredible.feel a strong urge to
I really felt the need to get out of this town.a relationship of two years
I'd just ended this two-year relationship with this guy.review in hindsight
And now that I look back on it, it was really terrible.things are going well
But now that I'm back, things are rolling for me.for a long while
I think I can honestly say I'm the happiest I've been in a long time.relative clause without that: An unmarked relative clause describes the happiest, showing the peak of the feeling.
I think I can honestly say I'm the happiest I've been in a long time.feel complete again
A lot of times I leave a relationship and I feel like a whole person again.time clause: The after-clause holds another that-clause, so two layers nest in one sentence.
It seems like after we've decided that we need one another to be happy...constantly
I'm wondering, worrying all the time.rejection feels near
It seems like rejection looms, ever-present.postpositive adjective: The adjective sits after the noun to stress that rejection never goes away.
It seems like rejection looms, ever-present.afraid of
Rejection. That's one thing I'm not scared of anymore.overcome the fear of
I've conquered the fear of rejection.allow it to upset you
So how could you let it bother you?Link let, it and bother into one smooth run.
So how could you let it bother you?trap ourselves
We're always trying to enslave ourselves one way or another.just chatting
- What are you guys up to tonight? - Not much. Just kind of talking.Kind of usually weakens into kinda in fast speech.
- What are you guys up to tonight? - Not much. Just kind of talking.hanging around — Very casual; write hanging out in formal text.
Just kind ofhangin'out? You remember...want to take part
if some other people might be interested.a nudge, clearly implied
- Hint, hint, you know? - Do y'all wanna go?you all — Southern US speech; keep it out of formal talk.
- Hint, hint, you know? - Do y'all wanna go?drink a beer
We could maybe have a beer or- - Sounds fun to me. - I'm not forcing you or nothing.double negative: The double negative adds emphasis; standard English would keep only not.
We could maybe have a beer or- - Sounds fun to me. - I'm not forcing you or nothing.emphasis in a double negative — Casual double-negative emphasis; not for formal use.
We could maybe have a beer or- - Sounds fun to me. - I'm not forcing you or nothing.go and see
We can go check it out. We could always go to a movie later.see a film
We can go check it out. We could always go to a movie later.Link check, it and out so they sound like one word.
We can go check it out. We could always go to a movie later.have got to — Everyday speech only; avoid in writing.
- So we gotta like totally roll. - Do you have a car?The scene is a conversation about whether you can decide to stop being afraid. One woman has just come back from a trip and is enjoying the high that follows a break-up: "I've conquered the fear of rejection." The other will not let her have it, and the argument he makes is the film's own view: the fear is "a real primal thing" that nobody escapes. His explanation is that people always look for something to be bound by, and that stability is not the natural state. It is a bleak idea, but it is stated without malice, and his final line, "You can always be thrown on the scrap heap," is both a warning and a kind of compliment. Then the film moves on to a party invitation, as if the whole exchange had been small talk.
I think I can honestly say I'm the happiest I've been in a long time.Her declaration of happiness, which is real but also the kind of high that tends to have a comedown built into it.
I've conquered the fear of rejection.The claim the rest of the conversation is built to challenge: she treats the fear as a problem that can be solved once and for all.
Just be prepared. You can always be thrown on the scrap heap.His parting advice, which sounds cruel and is also honest: the happiness she describes can be taken away without warning.
We're always trying to enslave ourselves one way or another.His theory of why the fear never goes away: people need something to belong to, so they hand over their freedom themselves.
She has just come back from Europe and ended a two-year relationship, and she feels like a whole person again. She says meeting someone new is the furthest thing from her mind.
He thinks the fear of rejection is primal and cannot be escaped. He says people always find a way to enslave themselves, through careers, relationships or children.
It is an informal way of saying accept or believe a claim. He says he does not buy her idea that the fear can simply be conquered.
That happiness is not permanent and she could be thrown on the scrap heap at any time. He tells her to enjoy it but be prepared.
Friends arrive and invite them to a show where a roommate's band is playing. The talk ends and everyone heads off to the gig.
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