Slacker · 1990 — 第 12 / 22 章 · 3'40" · B2

An Argument About Giving Change, Explained:condescending

Walking to the cinema, two friends argue about whether to give a man on the street some change. One calls charity condescending, the other says he sees potential. The debate turns personal, and one of them says he suspects there is nothing really in the other's head.

あらすじ

On their way to a film, two people disagree about giving money to a man asking for change. One argues that charity carries a condescending element and that groups are a better way to help. The other says he sees potential, and the argument grows into insults about borrowed ideas and an empty head.

ArgumentsConfrontingExplainingFriendsB2fastamerican
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注目の表現

condescendingfutile causesthat's what I'm talking aboutget a move on

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このシーンの表現

condescending

talking down to people

She says his charity carries a condescending, even contemptuous, air.

His condescending tone made everyone in the room bristle.

このシーンの他の表現

  • futile causes

    efforts doomed to fail

  • that's what I'm talking about

    that is exactly my point

  • get a move on

    hurry up; get going

  • that's rich

    that is ironic and absurd

  • asshole

    a strong insult for a jerk

このシーンのメモ一覧

69 行のセリフに 23 件のメモ

表現 · B1make sense

be logical

It all makes sense if you just read this passage here.
文法 · B1if you just read this passage here

conditional clause: The if-clause gives the condition for the main claim about the passage.

It all makes sense if you just read this passage here.
表現 · A2do something with something

handle or place something

What did you do with the bookmark?
表現 · A2how's it going

how are things

- Hey, how's it going? - Hi. Okay. Where have you been?
表現 · B1get a move on

hurry up; get going

Meeting at the cafe door, he rushes her to move before the next show starts.

- Oh, nowhere. - We've gotta get a move on.
発音We've gotta

We've gotta blurs into we-gotta in fast speech.

- Oh, nowhere. - We've gotta get a move on.
表現 · A2at half price

for half the cost

- Great. NutraSweet, my favorite. - Come on, I got it for half price.
発音got it

The t in got flaps into a d and joins it.

- Great. NutraSweet, my favorite. - Come on, I got it for half price.
スラング · B1Y'all

you all, Southern speech — Southern US speech; sounds affected elsewhere.

- Budding capitalist youth. - Say, y'all. Y'all got some change.
表現 · B1change someone's life around

turn someone's life around

Granted giving the man a quarter isn't gonna change his life around.
表現 · B1better ways to do something

better ways to do it

I do realize that. There are better ways to help.
表現 · B1look into something

investigate something

- I've been looking into these groups. - That's what I'm talking about.
文法 · B2we're conditioned to assume

passive voice: The passive we're conditioned to marks how upbringing shapes what we assume.

That's exactly what I'm talking about. See, we're conditioned to assume...
発音what I'm

What I'm links into something like wha-dime.

That's exactly what I'm talking about. See, we're conditioned to assume...
表現 · B1true potential

real capacity

You can't see any true potential.
表現 · B2stem from something

come from

They all stem from a certain weakness.
スラング · B2shit

vulgar word for junk — Vulgar; only in casual or heated talk.

It's like you're just pulling these things from the shit you read.
表現 · B1paste together

assemble from pieces

It's like you just pasted together these bits and pieces...
表現 · B1be based on something

grounded in

So what? At least what is there is based on good sources.
文法 · B2that seems to rule your life

relative clause: The that-clause describes the morality and carries the accusation.

At least I'm not chained to this slave morality that seems to rule your life.
スラング · B2asshole

a strong insult — A heavy insult; it can end a friendship.

Thank you very much. You know, everyone else just thinks you're an asshole.
表現 · B2hang it up

give it up; drop it

We missed the beginning. Hang it up. I'm gonna go look at some books.
表現 · A2get away

escape for a while

I just need to get away for a little bit. I need some quiet.

「An Argument About Giving Change」を読み解く

What's really going on

The scene is a friendship breaking down in real time over a quarter. It starts as an argument about charity, and the disagreement is genuinely interesting: one of them argues that giving change is condescending, and that "helping everyone else out is easier" than working on yourself. But the argument stops being about the beggar at all. When one says, "I'm beginning to suspect maybe there's nothing really in there," the debate becomes a judgement of the other person's mind. From there it is all ad hominem: borrowed ideas, an empty head, slave morality, and finally the claim that everyone thinks he is an asshole. They never resolve it; they just agree to meet at the next show.

Theme

FriendshipA small disagreement about charity escalates into insults, and the two only patch it up by agreeing to meet later as if nothing happened.
PhilosophyThe pair trade ideas about pity, suffering and self-improvement, quoting half-digested theory until it turns into an argument.

このチャプターで学べること

  • A hedge like beginning to suspect can cut deeper than a flat insult.
  • Charity can carry contempt when it is performed for an audience.
  • Quoting a book is not the same as thinking it through.
  • The fight turns personal the moment each side names a motive.

発音のポイント

  • We've gotta — We've gotta blurs into we-gotta in fast speech.
  • got it — The t in got flaps into a d and joins it.
  • what I'm — What I'm links into something like wha-dime.
I don't know. I'm beginning to suspect maybe there's nothing really in there.

The line that ends the argument as a conversation: it stops being about ideas and becomes a verdict on the other person's mind.

At least I'm not chained to this slave morality that seems to rule your life.

His defence, borrowing a big philosophical phrase to say that he is free and the other is not. It is the argument at its most pompous.

You know, psychologically, helping everyone else out is easier.

His theory of charity as avoidance: helping others is a way of not working on yourself, said with the confidence of a lecture.

Oh, that's rich. That's really rich.

His response when accused of borrowing his ideas: a short, sarcastic line that shows the fight has turned purely personal.

このシーンについての質問

What are the two arguing about?

Whether to give a man on the street some change. One says charity is condescending and that real help comes through groups, while the other says he sees potential in people.

Why does the argument become personal?

It starts with an idea and ends with a judgement about the other person. One says he suspects there is nothing in the other's head, and from there it is insults about borrowed ideas and being an asshole.

What does 'that's rich' mean here?

It is a sarcastic phrase meaning the accusation is funny because it is so hypocritical. He says it when told his ideas are not his own, which is exactly the charge he resents.

What does one of them say about helping others?

He argues that helping everyone else is easier than working on yourself, and that it is an escape from perfecting yourself.

How does the argument end?

It does not get resolved. They realise they are late for the film, agree to meet at the next showing, and part with a plan instead of a conclusion.

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