spend time uselessly
Come on, guys. We're wasting time.Slacker · 1990 — 第 11 / 22 章 · 2'29" · B1
A man stages a break-up ritual in a field: his ex's tent goes in, and he makes a teenager recite lines about her before throwing a typewriter after it. The kid objects that the machine is fine, and the man explains that it symbolises the woman who did him over.
A small group carries an ex-girlfriend's things to a field for a symbolic ritual. The leader has them throw in her tent and recite lines about her, then insists they throw in a perfectly good typewriter as well. When the teenager refuses, he explains that the typewriter stands for the woman who wronged him.
注目の表現
bug offfuck someone overlighten upin the hell
このシーンの表現
relax; stop being so serious
A friend tells him to lighten up; he answers with Fuck off, and the mood turns.
Lighten up, the test was hard for everyone.
go away; stop bothering me
betray or cheat someone badly
the hell, used for emphasis
beginning well
childish; immature
36 行のセリフに 25 件のメモ
spend time uselessly
Come on, guys. We're wasting time.become heavier or harder
Hey, come on, man. This shit's getting heavy.The t in getting can flap into a d and link to heavy.
Hey, come on, man. This shit's getting heavy.vulgar filler for annoyance — Casual swearing; avoid in polite talk.
Hey, come on, man. This shit's getting heavy.The t in don't often drops and want one links.
- Come on. - No, bug off. I don't want one.go away — Blunt; only with friends or when angry.
- Come on. - No, bug off. I don't want one.exactly there
This is it. Put the typewriter right there.to begin with
- So what do we do now? I'm really late. - First of all, give him the tent.toss the tent in
Now recite exactly what I told you to say and throw the tent in.a bit more of something
- I fucked her in this tent. - A little more feeling.many; a great deal of
She's probably gonna fuck a lot of other guys.carry something here
You gotta throw the typewriter in. That's why we brought it here.Link brought and it so it sounds like one word.
You gotta throw the typewriter in. That's why we brought it here.consider something
I been thinking about it. I don't want to throw it in.read that passage
When he throws the typewriter in, read the passage that's marked in the book.time clause: The when-clause sets the moment; the main clause tells what to do then.
When he throws the typewriter in, read the passage that's marked in the book.still in fine shape
Why in the hell is he throwing it in? It's a perfectly good typewriter.the hell, for emphasis — For disbelief or anger; not in formal talk.
Why in the hell is he throwing it in? It's a perfectly good typewriter.the main thing is
The typewriter isn't the point. The point is it symbolizes the bitch that just fucked him over.relative clause: The that-clause says what she did to him, so the insult actually lands.
The typewriter isn't the point. The point is it symbolizes the bitch that just fucked him over.betrayed him — Vulgar; for annoyed friends, not strangers.
The typewriter isn't the point. The point is it symbolizes the bitch that just fucked him over.become clearer
It will make a lot more sense if you read it.conditional clause: The if-clause states the condition for the promise in the main clause.
It will make a lot more sense if you read it.damn it — An angry curse; use it sparingly.
- I'm not gonna - - Hey! Goddamn!jerk, an insult — An insult; it can start a fight.
- No problem. Now, just - - Dick.The scene is about the urge to turn heartbreak into theatre, and it is played almost entirely for laughs at the ritual's expense. The man has built himself a small ceremony — the tent, the typewriter, the passage to be read aloud — as if going through the motions could settle what happened to him. The kid sees the obvious: "Why in the hell is he throwing it in? It's a perfectly good typewriter." The answer is the whole joke and the whole sadness at once: the typewriter is not about the typewriter. "It symbolizes the bitch that fucked me over six months ago," he says, and then extends the curse to the kid's future as well. Nobody is healed by the ritual; they just throw the thing in and move on. The film treats it as both ridiculous and honest, which is the tone it holds throughout.
You gotta throw the typewriter in. That's why we brought it here.His insistence that the ritual must be completed, even though the machine has come along for no other reason.
The typewriter isn't the point. The point is it symbolizes the bitch that just fucked him over.The explanation of the ritual: the object only matters as a stand-in for the woman who hurt him.
Why in the hell is he throwing it in? It's a perfectly good typewriter.The kid's practical objection, which misses the point entirely and is funnier for it.
And it symbolizes the bitch that's gonna fuck you over.His warning that the same thing will happen to the kid, turning a private grievance into a general theory.
The man is getting over a break-up and wants a symbolic way to let it go. He throws in his ex's tent and a typewriter, and has the kid read a passage from a book.
He thinks it is a waste of a perfectly good typewriter. He has no interest in the symbolism and would rather keep it.
The man says it stands for the woman who did him over, and warns that it also stands for whoever will do the same to the kid.
He thinks hearing the words will make the meaning clearer, and reading is part of the ceremony he has planned from the start.
It means to treat someone badly or betray them. The man uses it about his ex, who he says wronged him.
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