Silver Linings Playbook · 2012 — 第 12 / 23 章 · 2'14" · B1

The Cops Break Up the Fight, Explained:make it a monster

Police arrive and pull Pat and Tiffany apart, then try to work out what happened. Tiffany calms Pat down, takes the blame for the scene, and later apologises and promises to deliver his letter to Nikki anyway. They agree to meet the next day.

あらすじ

Police arrive after the fight and pull Pat and Tiffany apart. Tiffany takes responsibility, telling them it was a joke she started, and helps Pat calm down by getting him to breathe. Once the officers leave, she apologises and promises to deliver his letter to Nikki, and they arrange to meet tomorrow.

Police questioningApologiesComfortingApologizingFriendsB1fastamerican
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注目の表現

get off memake it a monstertook it too farrestraining order

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このシーンの表現

make it a monster

blow it out of proportion

Officer Keogh tells Pat not to turn a wedding song into a monster in his head.

Don't make it a monster; it's only a deadline.

このシーンの他の表現

  • get off me

    let go of me

  • took it too far

    went past the limit

  • restraining order

    a court no-contact order

  • whore

    a slur against women

  • appreciate that

    be grateful for it

このシーンのメモ一覧

36 行のセリフに 33 件のメモ

表現 · A2get off someone

let go of me

Pinned down, Pat shouts get off me, demanding to be released.

- (PAT) Hey, hey, get off me. - What are you doing?
発音get off me

Link get off me into one run, ge-toff-me.

- (PAT) Hey, hey, get off me. - What are you doing?
発音what are you

What are you often blurs into wacha in fast speech.

Come on, what are you doing to these kids?
文法 · B1You being a punk

dropped auxiliary: Are is dropped, which makes the question blunt and confrontational.

You being a punk with these kids? Wanna go back to Baltimore?
スラング · B2punk

a thug, a troublemaker — An insult for a troublemaker; also used jokingly.

You being a punk with these kids? Wanna go back to Baltimore?
表現 · A2do something to someone

did to you

Is that what you wanna do? What did these kids do to you?
表現 · B2be begging to do something

be desperate to do it

You're begging to go back to Baltimore. What's the matter?
表現 · A2not do anything

did nothing at all

Honestly, he didn't do anything. It was all the kids.
表現 · B1start it

begin the trouble

- They started it. He didn't do anything. - (KEOGH) Come on.
表現 · B1do something about something

act on a problem

Come here. What are you gonna do about that song? Huh?
表現 · A2scared of something

afraid of it

Gonna go your whole life scared of that song?
文法 · B1Gonna go your whole life

dropped subject: The subject and auxiliary are dropped, leaving a rushed, pointed question.

Gonna go your whole life scared of that song?
発音scared of

Link scared of so it sounds like scare-dov.

Gonna go your whole life scared of that song?
表現 · B2make something a monster

blow it out of proportion

Officer Keogh tells Pat not to turn a wedding song into a monster in his head.

It's a song. Don't make it a monster.
表現 · B1there you go

that's the way

As Pat gets his breathing right, the officer says There you go to encourage him.

That's it. Do it more. There you go.
表現 · B2take something too far

went past the limit

After the public fight, Tiffany walks off admitting she pushed it past the limit.

Where are you going? (TIFFANY) I took it too far.
表現 · B1mess with someone

bother or tease someone

Afterwards the officer casually asks whether Pat was bothering her.

Hey, was he messing with you?
表現 · A2just a joke

only kidding

No, this was just a joke. This is a joke I started.
表現 · C1a restraining order on someone

a court no-contact order

The officer warns Tiffany that Pat is under a restraining order, so provoking him is serious.

There's a restraining order on this guy. That's not a good thing to do.
文法 · B1a restraining order on this guy

existential there: The existential there simply states that the order exists against him.

There's a restraining order on this guy. That's not a good thing to do.
スラング · B2fucked up

messed up, broken — Crude slang; avoid it in polite speech.

- I'm fucked up. What can I tell you? - You're Tommy's widow?
表現 · B2for the most part

mostly, usually

I'm Tommy's crazy whore widow, minus the whore thing for the most part.
文法 · C1minus the whore thing

parenthetical: The parenthetical takes back part of the label she just used on herself.

I'm Tommy's crazy whore widow, minus the whore thing for the most part.
スラング · B2whore

a slur against women — A heavy slur; never use it.

I'm Tommy's crazy whore widow, minus the whore thing for the most part.
表現 · A2get a drink

grab a drink

You're a funny girl. You wanna get a drink sometime?
表現 · A2sorry about something

apologize for it

I'm sorry about what I said. (TIFFANY) I know.
表現 · B1not mean it

not intend it

- You didn't mean it. - I didn't mean it.
表現 · A2all the time

constantly

I know you say shit you don't mean all the time.
発音don't mean

The t in don't often drops before mean.

I know you say shit you don't mean all the time.
スラング · B2shit

nonsense talk — Casual and blunt; keep it informal.

I know you say shit you don't mean all the time.
表現 · B1appreciate something

be grateful for it

When Tiffany agrees to deliver the letter, Pat relaxes and thanks her sincerely.

Wow. Oh, I really appreciate that, Tiffany.
表現 · A1see you tomorrow

meet you tomorrow

I'll see you tomorrow?
スラング · B1I'll bet

I'm sure — Confident and casual; not for formal talk.

I'll bet I know what happened if only one is missing.

「The Cops Break Up the Fight」を読み解く

What's really going on

The scene is the clean-up after the explosion, and it shows both characters choosing each other. Tiffany does not blame Pat to the police; she takes the blame herself and reframes the fight as a joke she started, protecting him even though he had just humiliated her in public. Then she does the harder thing: she helps him breathe, telling him, "It's a song. Don't make it a monster." Her parting move is forgiveness with a practical edge — "I'll still give your letter to Nikki. Don't worry." — which is both generous and a way of keeping him close. The scene's tenderness is easy to miss because it is so unromantic: two people with bad reputations, standing on a street, deciding to meet again tomorrow.

Theme

RomanceAfter the public fight, Tiffany forgives Pat, protects him, and agrees to see him again tomorrow.
RedemptionBoth take responsibility for their behaviour and choose to help each other rather than keep score.

このチャプターで学べること

  • Naming the fear shrinks it: it is only a song.
  • An apology here works as a promise, not just words.
  • A restraining order changes what a joke can be.
  • Self-mockery can defuse a public scene.

発音のポイント

  • get off me — Link get off me into one run, ge-toff-me.
  • what are you — What are you often blurs into wacha in fast speech.
  • scared of — Link scared of so it sounds like scare-dov.
  • don't mean — The t in don't often drops before mean.
It's a song. Don't make it a monster.

Tiffany's advice to Pat: the song is only a song, and he should stop treating it as something terrifying.

I'll still give your letter to Nikki. Don't worry.

Her promise to help him even after the fight, a sign of forgiveness rather than punishment.

I'm Tommy's crazy whore widow, minus the whore thing for the most part.

Her self-mocking description of herself: the widow everyone calls crazy, joking about the labels people use.

Come on, breathe. There's no song.

The calming instructions she gives Pat, repeating that the song he fears is not actually playing.

I know you say shit you don't mean all the time.

Her forgiveness in one line: she knows he says hurtful things he does not really mean.

このシーンについての質問

Why do the police come to the scene?

They arrive after the public fight and separate Pat and Tiffany, trying to work out what happened and who was responsible.

Who does Tiffany blame?

Herself. She tells the police it was a joke she started and that Pat did not do anything wrong, protecting him.

How does Tiffany calm Pat down?

She gets him to breathe and keeps telling him that there is no song playing, staying with him until he is steady again.

What does Tiffany promise Pat?

She promises that she will still give his letter to Nikki, even after everything that happened in the fight.

What do Pat and Tiffany arrange at the end?

They agree to see each other the next day, and Pat asks whether she will bring the letter.

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