let go of me
Pinned down, Pat shouts get off me, demanding to be released.
- (PAT) Hey, hey, get off me. - What are you doing?Silver Linings Playbook · 2012 — 第 12 / 23 章 · 2'14" · B1
Police arrive and pull Pat and Tiffany apart, then try to work out what happened. Tiffany calms Pat down, takes the blame for the scene, and later apologises and promises to deliver his letter to Nikki anyway. They agree to meet the next day.
Police arrive after the fight and pull Pat and Tiffany apart. Tiffany takes responsibility, telling them it was a joke she started, and helps Pat calm down by getting him to breathe. Once the officers leave, she apologises and promises to deliver his letter to Nikki, and they arrange to meet tomorrow.
注目の表現
get off memake it a monstertook it too farrestraining order
このシーンの表現
blow it out of proportion
Officer Keogh tells Pat not to turn a wedding song into a monster in his head.
Don't make it a monster; it's only a deadline.
let go of me
went past the limit
a court no-contact order
a slur against women
be grateful for it
36 行のセリフに 33 件のメモ
let go of me
Pinned down, Pat shouts get off me, demanding to be released.
- (PAT) Hey, hey, get off me. - What are you doing?Link get off me into one run, ge-toff-me.
- (PAT) Hey, hey, get off me. - What are you doing?What are you often blurs into wacha in fast speech.
Come on, what are you doing to these kids?dropped auxiliary: Are is dropped, which makes the question blunt and confrontational.
You being a punk with these kids? Wanna go back to Baltimore?a thug, a troublemaker — An insult for a troublemaker; also used jokingly.
You being a punk with these kids? Wanna go back to Baltimore?did to you
Is that what you wanna do? What did these kids do to you?be desperate to do it
You're begging to go back to Baltimore. What's the matter?did nothing at all
Honestly, he didn't do anything. It was all the kids.begin the trouble
- They started it. He didn't do anything. - (KEOGH) Come on.act on a problem
Come here. What are you gonna do about that song? Huh?afraid of it
Gonna go your whole life scared of that song?dropped subject: The subject and auxiliary are dropped, leaving a rushed, pointed question.
Gonna go your whole life scared of that song?Link scared of so it sounds like scare-dov.
Gonna go your whole life scared of that song?blow it out of proportion
Officer Keogh tells Pat not to turn a wedding song into a monster in his head.
It's a song. Don't make it a monster.that's the way
As Pat gets his breathing right, the officer says There you go to encourage him.
That's it. Do it more. There you go.went past the limit
After the public fight, Tiffany walks off admitting she pushed it past the limit.
Where are you going? (TIFFANY) I took it too far.bother or tease someone
Afterwards the officer casually asks whether Pat was bothering her.
Hey, was he messing with you?only kidding
No, this was just a joke. This is a joke I started.a court no-contact order
The officer warns Tiffany that Pat is under a restraining order, so provoking him is serious.
There's a restraining order on this guy. That's not a good thing to do.existential there: The existential there simply states that the order exists against him.
There's a restraining order on this guy. That's not a good thing to do.messed up, broken — Crude slang; avoid it in polite speech.
- I'm fucked up. What can I tell you? - You're Tommy's widow?mostly, usually
I'm Tommy's crazy whore widow, minus the whore thing for the most part.parenthetical: The parenthetical takes back part of the label she just used on herself.
I'm Tommy's crazy whore widow, minus the whore thing for the most part.a slur against women — A heavy slur; never use it.
I'm Tommy's crazy whore widow, minus the whore thing for the most part.grab a drink
You're a funny girl. You wanna get a drink sometime?apologize for it
I'm sorry about what I said. (TIFFANY) I know.not intend it
- You didn't mean it. - I didn't mean it.constantly
I know you say shit you don't mean all the time.The t in don't often drops before mean.
I know you say shit you don't mean all the time.nonsense talk — Casual and blunt; keep it informal.
I know you say shit you don't mean all the time.be grateful for it
When Tiffany agrees to deliver the letter, Pat relaxes and thanks her sincerely.
Wow. Oh, I really appreciate that, Tiffany.meet you tomorrow
I'll see you tomorrow?I'm sure — Confident and casual; not for formal talk.
I'll bet I know what happened if only one is missing.The scene is the clean-up after the explosion, and it shows both characters choosing each other. Tiffany does not blame Pat to the police; she takes the blame herself and reframes the fight as a joke she started, protecting him even though he had just humiliated her in public. Then she does the harder thing: she helps him breathe, telling him, "It's a song. Don't make it a monster." Her parting move is forgiveness with a practical edge — "I'll still give your letter to Nikki. Don't worry." — which is both generous and a way of keeping him close. The scene's tenderness is easy to miss because it is so unromantic: two people with bad reputations, standing on a street, deciding to meet again tomorrow.
It's a song. Don't make it a monster.Tiffany's advice to Pat: the song is only a song, and he should stop treating it as something terrifying.
I'll still give your letter to Nikki. Don't worry.Her promise to help him even after the fight, a sign of forgiveness rather than punishment.
I'm Tommy's crazy whore widow, minus the whore thing for the most part.Her self-mocking description of herself: the widow everyone calls crazy, joking about the labels people use.
Come on, breathe. There's no song.The calming instructions she gives Pat, repeating that the song he fears is not actually playing.
I know you say shit you don't mean all the time.Her forgiveness in one line: she knows he says hurtful things he does not really mean.
They arrive after the public fight and separate Pat and Tiffany, trying to work out what happened and who was responsible.
Herself. She tells the police it was a joke she started and that Pat did not do anything wrong, protecting him.
She gets him to breathe and keeps telling him that there is no song playing, staying with him until he is steady again.
She promises that she will still give his letter to Nikki, even after everything that happened in the fight.
They agree to see each other the next day, and Pat asks whether she will bring the letter.
次のチャプター · 第 13 章make a joke out ofPat Sr. Hunts the Missing Envelope
第 1 章out on a limbPat Rides Home From the Hospital
第 2 章silver liningPat's Silver Lining Speech
第 3 章white-knuckling itPat Tells Dr. Patel the Truth
第 4 章buy the invitationPat Visits His Old School
第 5 章silver liningPolice Warn Pat About Restraining Order
第 6 章hoity-toityPat Wears a Jersey to Dinner
第 7 章flatten someone outDinner Guests Compare Medications
第 8 章make out a reportPat Hunts for His Wedding Video
第 9 章easier said than doneDr. Jones Tells Pat to Help Tiffany
第 10 章on thin iceTiffany Offers to Deliver Pat's Letter
第 11 章lump togetherWho's Crazier, Pat or Tiffany?
再生中 · 第 12 章make it a monsterThe Cops Break Up the Fight
第 13 章make a joke out ofPat Sr. Hunts the Missing Envelope
第 14 章take advantage ofTiffany Trades the Letter for a Dance
第 15 章on a rollDanny Visits on Game Day
第 16 章nothing but loveJake Brags About His Life
第 17 章a deal is a dealTiffany Teaches Pat to Dance
第 18 章silver liningDanny Teaches Pat to Dance
第 19 章nail somethingPat Sr. Bets Everything on the Eagles
第 20 章in a million yearsCliff Shows Up at the Eagles Game
第 21 章right on all countsTiffany Crashes the Family Fight
第 22 章double or nothingPat Sr. Bets Double or Nothing
第 23 章out the windowPat and Tiffany Dance in the Finals