to switch it off
- Could you please turn it off? - (RECEPTIONIST) I can't.Silver Linings Playbook · 2012 — 第 3 / 23 章 · 4'13" · B2
Pat sits in his therapist's office, where a song throws him off balance and he refuses to take his medication. He tells the story of how he came home early, found his wife with another man, and attacked him, and explains that he has been 'white-knuckling it' alone for years.
In his therapist's office, Pat is set off by a song and admits he will not take his medication. He tells the story of the day he came home early, found his wife with another man, and attacked him. He also explains his diagnosis and admits he has been coping alone without help.
注目の表現
put someone up to thistriggerthe explosion guymy side of the street
このシーンの表現
enduring with tense effort
Summing up his life in the therapy room, Pat says he has been white-knuckling it, gripping tight and barely holding on.
We were white-knuckling it through the final exams.
to talk someone into it
something that sets off a reaction
the one who blows up
one's own share of blame
to suddenly lose control
66 行のセリフに 32 件のメモ
to switch it off
- Could you please turn it off? - (RECEPTIONIST) I can't.Link turn it off; the t flaps and the words run together.
- Could you please turn it off? - (RECEPTIONIST) I can't.to talk someone into
- Sorry... - Did Dr Timbers put you up to this?something that sets someone off
Sorry. I wanted to see if it was still a trigger for you.to dull someone's mind
No, I'm not gonna. It makes me foggy...mentally unclear — Casual for a cloudy mind from meds or lack of sleep.
No, I'm not gonna. It makes me foggy...to be forced out of
He got kicked out of that stadium.a banned-persons list
He beat up people, he's on the exclusion list.to attack someone — Casual for violence; avoid it in formal accounts.
He beat up people, he's on the exclusion list.to own something
But I'm ready. I'm ready to take responsibility for my side of the street.one's own share of blame
Pat ends his confession by owning his side of the street, meaning his share of what went wrong, not all of it.
But I'm ready. I'm ready to take responsibility for my side of the street.to go before the usual time
I come home from work after I left early, which I never do,non-defining clause: The which-clause comments on the whole action, stressing how unusual it was.
I come home from work after I left early, which I never do,to quarrel or fight with
but I got in a fight with Nancy, the principal.to attach no importance to
That's playing. I don't think anything of it. I should have.ellipsis: The verb after should have is dropped, meaning he should have noticed.
That's playing. I don't think anything of it. I should have.to draw something aside
I pull the curtain back and there's the fucking history teacher with tenure.to beat someone fatally
So,yeah,I snapped. I almost beat him to death.to suddenly lose control
Describing the moment he pulled back the curtain, Pat says he snapped, then admits he nearly killed the man.
So,yeah,I snapped. I almost beat him to death.Link beat and him; the h often drops.
So,yeah,I snapped. I almost beat him to death.suddenly lost control — Spoken and vivid; too loose for formal writing.
So,yeah,I snapped. I almost beat him to death.to call the police
Week before the incident, I called the cops and I told them my wife and the guy were embezzling moneythe police — Casual for police; use police in writing.
Week before the incident, I called the cops and I told them my wife and the guy were embezzling moneya false belief
...wasn't true. It was a delusion.sharp shifts in mood
Yeah. With mood swings and weird thinking brought on by severe stress, which rarely happens, thank God.to be caused by
Yeah. With mood swings and weird thinking brought on by severe stress, which rarely happens, thank God.past participle phrase: The participle phrase brought on by names what caused the mood swings and thinking.
Yeah. With mood swings and weird thinking brought on by severe stress, which rarely happens, thank God.by oneself
And without any supervision, I've been doing it all on my own with no help.enduring with tense effort
Summing up his life in the therapy room, Pat says he has been white-knuckling it, gripping tight and barely holding on.
And basically, I've been like white-knuckling it this whole time.The t in don't drops, so the two words nearly merge.
I don't feel good when I... I don't feel good. I'm clear without it.to make someone puffy
Makes me bloated. I don't like the way it makes me look.to exercise
I'm doing it with my physicality. Working out, that's what I'm doing.The scene is the film's whole project in one conversation. Pat is in treatment, but he resists the parts he cannot control: the song, the diagnosis, the medication. What he wants is to be seen as responsible rather than explosive — 'I am not the explosion guy' — and he keeps offering the incident as proof that he was provoked, not broken. The detail that turns the scene is his own account of the affair and what he did about it: 'I snapped. I almost beat him to death.' Once he says it aloud, the rest follows — the false police report, the delusion, the diagnosis of undiagnosed bipolar disorder. His last image of himself, 'white-knuckling it' alone for years, is a quiet kind of courage, and it is the version of Pat the film will keep building on.
But I'm ready. I'm ready to take responsibility for my side of the street.His declaration that he will own his own mistakes — his 'side of the street' — even if others will not.
So,yeah,I snapped. I almost beat him to death.His blunt account of the incident: he lost control and nearly killed the man he found with his wife.
And basically, I've been like white-knuckling it this whole time.His description of years spent holding on by force, coping alone with an untreated condition.
- I had one incident. - But one incident can change a lifetime.A short exchange about how a single violent moment can define a whole life.
My father is the explosion guy. I'm not that guy.His refusal to be classed with his volatile father, even after the incident.
A song is playing that he associates with the day he found his wife with another man. Dr Patel plays it on purpose to see if it is still a trigger.
He says it makes him foggy and bloated, and he does not want to need it. He prefers to manage with exercise and physicality.
Pat came home early, found his wife with another man, and attacked him so violently that he almost killed him.
He called the police and falsely claimed his wife and the other man were embezzling money from the local high school, which turned out to be a delusion.
He explains that the hospital found he has undiagnosed bipolar disorder, with mood swings and strange thinking brought on by severe stress.
次のチャプター · 第 4 章buy the invitationPat Visits His Old School
第 1 章out on a limbPat Rides Home From the Hospital
第 2 章silver liningPat's Silver Lining Speech
再生中 · 第 3 章white-knuckling itPat Tells Dr. Patel the Truth
第 4 章buy the invitationPat Visits His Old School
第 5 章silver liningPolice Warn Pat About Restraining Order
第 6 章hoity-toityPat Wears a Jersey to Dinner
第 7 章flatten someone outDinner Guests Compare Medications
第 8 章make out a reportPat Hunts for His Wedding Video
第 9 章easier said than doneDr. Jones Tells Pat to Help Tiffany
第 10 章on thin iceTiffany Offers to Deliver Pat's Letter
第 11 章lump togetherWho's Crazier, Pat or Tiffany?
第 12 章make it a monsterThe Cops Break Up the Fight
第 13 章make a joke out ofPat Sr. Hunts the Missing Envelope
第 14 章take advantage ofTiffany Trades the Letter for a Dance
第 15 章on a rollDanny Visits on Game Day
第 16 章nothing but loveJake Brags About His Life
第 17 章a deal is a dealTiffany Teaches Pat to Dance
第 18 章silver liningDanny Teaches Pat to Dance
第 19 章nail somethingPat Sr. Bets Everything on the Eagles
第 20 章in a million yearsCliff Shows Up at the Eagles Game
第 21 章right on all countsTiffany Crashes the Family Fight
第 22 章double or nothingPat Sr. Bets Double or Nothing
第 23 章out the windowPat and Tiffany Dance in the Finals