Deconstructing Harry · 1997 — 第 17 / 17 章 · 3'05" · B2

Fay Chooses Larry Over Harry, Explained:under my nose

Harry has just been bailed out, and the first thing he learns is that Fay married Larry. She insists it wasn't theft — "Harry, he didn't steal me. I love him." The scene is a breakup played as an ambush: he is still arguing for the relationship she has already left.

あらすじ

Harry talks about how well he writes and how badly he lives, then finds out that Fay and Larry have married while he was in jail. He confronts them: why Larry and not him? They say they rushed from their own wedding to post his bail, and in the end Harry gives them his reluctant blessing.

BreakupsAccusationsConfrontingComplainingB2fastamerican
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注目の表現

a different storycome up withmake peace withunder my nose

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このシーンの表現

under my nose

right in front of me

Harry accuses Larry of taking Fay right in front of him.

He hid the whole thing under my nose.

このシーンの他の表現

  • a different story

    an entirely separate matter

  • come up with

    think of, produce

  • make peace with

    come to terms with

  • can't fathom

    cannot understand at all

  • in love with

    romantically in love with

このシーンのメモ一覧

67 行のセリフに 26 件のメモ

表現 · B1be a different story

an entirely separate matter

Harry admits writing is his strength, but real life is an entirely different matter.

I write well, but that's a different story because I can manipulate the characters and plots.
文法 · B2because I can manipulate the characters and plots

reason clause: The because-clause explains why writing is different: he controls the characters.

I write well, but that's a different story because I can manipulate the characters and plots.
発音a different story

Link a different so the phrase flows straight into story.

I write well, but that's a different story because I can manipulate the characters and plots.
表現 · B2be a failure at something

bad at living

I'm a failure at life.
表現 · B1bring pleasure to someone

give enjoyment to

I think you bring pleasure to a lot of people. That's good.
表現 · B2dry up

running out, fading

Yeah, but even that's drying up.
発音To be alive

Link To be alive, putting the stress on alive.

To be alive is to be happy.
表現 · B1take it from me

trust my experience

Take it from me.
表現 · C1put up bail for someone

pay someone's bail

Some people just put up your bail.
表現 · B1get the message

received the news

Yeah. We got the message on our service.
表現 · B1choose someone over someone

picked him instead of me

In the end, you chose him over me?
文法 · B2to keep you from rotting

purpose phrase: The to-infinitive states the purpose of leaving the wedding.

You're gonna insult me after we ran from the altar to keep you from rotting in some prison.
表現 · B2get claustrophobic

feel trapped in small spaces

I know you get claustrophobic.
スラング · B2punk

a weak or low troublemaker — Derogatory and informal; not for polite speech.

Plus you're the perfect punk.
スラング · C1buggered

vulgar for being abused — Coarse British slang; never in formal speech.

You'll get buggered by every con in the cell block.
スラング · B2con

a convict, an inmate — Informal for a convict; tied to prison talk.

You'll get buggered by every con in the cell block.
表現 · B2be not supposed to do something

was not meant to

You told me that I wasn't supposed to fall in love with you, How could you listen to me?
文法 · B2that I wasn't supposed to fall in love with you

object clause: The that-clause reports what he said, with be supposed to marking what should not have happened.

You told me that I wasn't supposed to fall in love with you, How could you listen to me?
発音could you

Could you weakens in fast speech and almost merges.

You told me that I wasn't supposed to fall in love with you, How could you listen to me?
表現 · B1have to do with something

be connected to

What has that got to do with anything?
表現 · B2put something into something

channel effort into

You put your art into your work.
表現 · A2be in love with someone

romantically in love with

Fay says she loves Harry too, but is in love with Larry, drawing a clear line.

I do, I do. It's just that I'm in love with Larry.
表現 · A2go out

go out together

We'll be in Santa Fe about a month, and when we come back, we'll all go out.
表現 · B2give one's blessing

approve and wish well

Fay asks Harry to bless their marriage; he agrees even as he lets go inside.

Harry, give us your blessing, please?
スラング · C1bugger you

vulgar threat of abuse — Coarse threat; completely informal and offensive.

Give 'em your blessings before I throw you back in that fucking jail cell and I bugger you.
表現 · A2give up

stop trying, surrender

Harry finally stops fighting for Fay, saying give up twice to close the film.

I give up. I give up.

「Fay Chooses Larry Over Harry」を読み解く

What's really going on

Two scenes are folded together here. In the first, Harry admits the split at the heart of his life: he can control everyone on the page and no one in the world. "I write well, but that's a different story," he says, "because I can manipulate the characters and plots," and then the plain version: "I'm a failure at life." The second half turns that abstract failure into a specific one. Fay has married Larry, and the woman he loves explains it without apology — "I do, I do. It's just that I'm in love with Larry." Harry tries to make it a crime: "you stole her from under my nose." But the marriage was already done, and his last move is to surrender, muttering "I give up. I give up."

Theme

HeartbreakHarry loses Fay to his friend and can only watch, protest and finally give in.
IdentityHarry is brilliant on the page and helpless in life, which is the split the scene keeps naming.

このチャプターで学べること

  • Writing a life is easier than living one.
  • Letting go can sound like a repeated whisper.
  • Old friends measure love in what they gave up.
  • The desert honeymoon is a joke only Harry hears.

発音のポイント

  • a different story — Link a different so the phrase flows straight into story.
  • To be alive — Link To be alive, putting the stress on alive.
  • could you — Could you weakens in fast speech and almost merges.
I write well, but that's a different story because I can manipulate the characters and plots.

Harry's own diagnosis: his talent works only on invented people, which is why he calls his real life a different story.

Well, make peace with your demons, and your block will pass.

The advice offered to Harry: his writing block is not a craft problem but a sign that he is still fighting himself.

To be alive is to be happy.

The simple idea Harry can't accept — that being alive is itself the happiness he keeps chasing.

Jesus, it sounds so trite, but I just want to be happy.

Harry's admission that his grand, clever misery comes down to an ordinary wish he is embarrassed to say out loud.

このシーンについての質問

Why do Fay and Larry get married?

Fay has fallen in love with Larry, Harry's old friend and fellow writer. They announce it right after Harry is released, saying they ran from their own wedding to post his bail.

Does Fay cheat on Harry with Larry?

The scene presents it as a finished choice rather than a secret affair. She tells Harry plainly that she loves him but is in love with Larry, and that she is now Larry's wife.

Why does Harry finally give them his blessing?

He doesn't really want to. Larry pushes him — threatening to send him back to jail — and Harry gives in, saying he gives up. The blessing is the sound of him losing.

What does Harry mean by 'I write well, but that's a different story'?

He means his skill works only in fiction, where he controls the characters and plots. In real life, where nothing can be rewritten, he says he is a failure and cannot function.

地球は女で回ってる · 全 17 章

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