not a single bit
A blunt guest says the play made no sense at all, in front of the whole party.
Well, I didn't understand one damn thing in that play.Beaches · 1988 — 第 9 / 30 章 · 2'17" · B2
The play has just ended and the cast is throwing an opening-night party. Guests can't agree on it: "I didn't understand one damn thing," says one, while another insists it was avant-garde at its best. Amid toasts and a glowing Times review, two near-strangers confess they feel they already know each other.
After the premiere of an avant-garde play, the company throws a party backstage. The guests immediately argue about what they just saw — one calls it baffling, another 'brilliance.' A review in The Times praises CC Bloom, someone proposes a toast, and two people who have just met marvel that they feel they already know each other.
注目の表現
one damn thingavant-gardein a former lifepropose a toast
このシーンの表現
in a past existence
A bystander teases two strangers who click at once, calling it a meeting from a past life.
You two finish each other's sentences, like you knew each other in a former life.
not a single bit
experimental and new
to suggest a drink in honor of someone
to take someone away from a place
to sober up by sleeping
38 行のセリフに 20 件のメモ
not a single bit
A blunt guest says the play made no sense at all, in front of the whole party.
Well, I didn't understand one damn thing in that play.Link out and of into one sound, aw-tuh.
Get out of here. Were we at the same play?no way; come on — Disbelief among friends; not for polite company.
Get out of here. Were we at the same play?experimental and new
Another guest defends the play by calling it avant-garde, sounding like an expert.
It was avant-garde at its best.to be unable to drop a hunch
It's the strangest thing, but I just can't shake the feeling that I know you well.The k in shake nearly drops before the.
It's the strangest thing, but I just can't shake the feeling that I know you well.modal perfect: Must have met states a confident guess about the past.
Well, that's obvious. You must have met in a former life.appositive clause: The that-clause spells out exactly what the fact is.
I don't suppose it has anything to do with the fact that I talk about the two of you incessantly.to go slowly, no rush
-Okay, everybody, this is it! -(CAST CHEERING) They're here. All right, take your time.to be unable to bear it
Hill, I can't stand it.a favorable review
No, a sociologist, philosopher, radical. It's a positive review.to suggest a drink in honor of someone
Someone stands up to propose a toast, first to the writer, then to the whole company.
I propose a toast to a great writer and to a wonderful company.a long successful stretch
Yeah, let's party! -(GROOVY SONG PLAYING) ACTOR: To a long run. ACTRESS: A real long run.to take someone away from a place
CC, trapped by guests and a drunk relative, begs a friend to get her away.
You've got to get me out of here!to sober up by sleeping
A friend walks the drunk guest out, promising coffee and sleep will make her feel better.
Yes, you are. Come on, let's go. You'll get a cup of coffee, -sleep it off, feel better. -Don't touch me!The t flaps and cup of runs together.
Yes, you are. Come on, let's go. You'll get a cup of coffee, -sleep it off, feel better. -Don't touch me!to become calm
-Shut up! -Relax and calm down.as a final warning
I'll tell you for the last time, I wasn't the ringleader!the one who leads the others — Used for the leader of a prank or trouble, usually negative.
I'll tell you for the last time, I wasn't the ringleader!to be very popular
Have a drink on me. I was a big hit.The party is a room full of people performing their taste. The play's meaning is up for grabs, and everyone is auditioning a reaction: 'Well, I didn't understand one damn thing in that play' versus 'It was brilliance.' Under the champagne and the Times review, the real current is CC's night: the toast is for 'a great writer' and a wonderful company, and the praise is aimed at her. Then a stranger says, 'I just can't shake the feeling that I know you well' — and the answer admits the connection is manufactured: 'I talk about the two of you incessantly.' The line turns a romantic-seeming coincidence into a joke about how CC's world is small and how much she has already told everyone about the people she loves.
It's the strangest thing, but I just can't shake the feeling that I know you well.A guest says a near-stranger feels oddly familiar, the set-up for the punchline that follows.
I don't suppose it has anything to do with the fact that I talk about the two of you incessantly.The deadpan reply: the instant connection isn't fate, it's because someone has talked about them nonstop.
Get out of here. Were we at the same play?Disbelief at a wildly different verdict on the same performance.
Well, I didn't understand one damn thing in that play.A blunt verdict on the avant-garde play, summed up in one exasperated phrase.
They saw the same avant-garde performance but reacted in opposite ways. One guest found it baffling and admits, 'I didn't understand one damn thing,' while another calls it 'brilliance' and 'avant-garde at its best.'
The opening night of the play. The company gathers backstage after the premiere, reads its reviews, and toasts 'a great writer and a wonderful company.'
The Times review singles out CC Bloom, calling her performance 'both promising and purposeful.' The toast and the attention at the party centre on her success.
It refers to a previous existence, used jokingly to explain an instant, uncanny familiarity. A guest says two people who just met 'must have met in a former life.'
A woman insists she is not drunk and that she wasn't the ringleader, while someone tries to calm her and walk her out. It is a brief, chaotic moment that undercuts the polished celebration.
次のチャプター · 第 10 章who are you kiddingCC Confesses She Slept With John
第 1 章blow a gasketCC Meets Hillary on the Boardwalk
第 2 章pack it inCC Melts Down After Losing the Part
第 3 章falling apartCC and Hillary Grow Up by Letter
第 4 章walk out onHillary Walks Into CC's Bar
第 5 章It just hit meCC Moves Hillary Into Her Apartment
第 6 章Break a legCC Delivers a Singing Telegram
第 7 章fraught with meaningCC Rehearses and Hillary Does Laundry
第 8 章wallpaper your houseCC and Hillary Argue on Christmas
再生中 · 第 9 章in a former lifeCC's Opening Night Party
第 10 章who are you kiddingCC Confesses She Slept With John
第 11 章the show must go onCC and Hillary Drift Apart
第 12 章for richer or poorerCC and John's Impromptu Wedding
第 13 章caught deadHillary Sees CC's Bawdy Show
第 14 章the Spanish InquisitionCC Grills Hillary at Dinner
第 15 章grown apartCC and Hillary Have Their Big Fight
第 16 章get it off your chestLeona Tells CC the Truth
第 17 章long goneJohn Breaks Up With CC
第 18 章get my hands onThe Director Tears CC Apart on Set
第 19 章in the toiletCC and Hillary Make Up
第 20 章get this straightHillary Tells CC She's Pregnant
第 21 章come back from the deadCC Abandons Her Wedding for a Role
第 22 章business is businessCC Directs John in Her Show
第 23 章untellCC Tells Victoria a Bedtime Story
第 24 章moral high horseHillary Collapses at the Office
第 25 章fed up withCC and Hillary Drive to the Beach
第 26 章clothes policeHillary Pushes CC Away
第 27 章land of the livingHillary and CC's Final Fight
第 28 章stretch the truthCC and Hillary Play Cards and Reminisce
第 29 章the wind beneath my wingsCC Signs Hillary Out of the Hospital
第 30 章nothing in the worldCC Asks Victoria to Live With Her