one more opportunity
CC pleads with John to give her another chance.
John, I'm begging you. Please give me another chance. Please?Beaches · 1988 — 第 17 / 30 章 · 3'17" · B2
CC comes home begging John for another chance, but he says he does not chase success the way she does and no longer wants the life she is heading into. 'You're already gone, Cecilia. You're long gone,' he tells her, and asks only that they 'let go of us before us gets bad.'
CC comes home and begs John for another chance, saying she loves and needs him. John refuses: he does not care about success as she does, and he is happy with his own life. He tells her she is already gone and that he wants to let go of their relationship before it turns bad. A later beat shows Michael leaving a seaside weekend.
注目の表現
let go oflong goneanother chancesupposed to
このシーンの表現
gone a long time ago
John tells CC she is long gone, meaning her heart left the marriage long ago.
By the time I called, the last train was long gone.
to release or stop holding on
one more opportunity
expected or meant to
cancelled because of rain
to feel something matters
50 行のセリフに 23 件のメモ
one more opportunity
CC pleads with John to give her another chance.
John, I'm begging you. Please give me another chance. Please?Give me runs into another as one stream of sound.
John, I'm begging you. Please give me another chance. Please?to feel something matters
John tells CC he does not care about success the way she does.
I don't care about success the way you do, CC.to argue over something
We have been fighting about this for so long.present perfect continuous: The continuous form shows the arguing started long ago and is still going.
We have been fighting about this for so long.what is bad about it
What's wrong with success?expected or meant to
John uses supposed to to call chasing success the obvious American thing to do.
We're Americans. We're supposed to want to be successful.Supposed to is usually reduced to sposta in fast speech.
We're Americans. We're supposed to want to be successful.above something Here it means chasing success, said sarcastically.
-You're too good for it, is that it? -Yeah, that must be it.this is my work
No, I like it here. I'm happy here. This is what I do.to please someone
It makes me happy that you're successful.to follow someone's path
Yes. I just don't want to go where you're going.where-clause: The where-clause names the destination she refuses to follow him to.
Yes. I just don't want to go where you're going.gone a long time ago
John tells CC she is long gone, meaning her heart left the marriage long ago.
You're already gone, Cecilia. You're long gone.to a small degree
I feel that in some small way that maybe I had something to do with that.to be connected to it
I feel that in some small way that maybe I had something to do with that.object clause: The that-clause is the whole thing she feels, not a separate sentence.
I feel that in some small way that maybe I had something to do with that.to release or stop holding on
John tells CC he wants to let go of them before things turn ugly.
I just want to let go of us before "us" gets bad.Of loses its vowel and becomes a light /əv/.
I just want to let go of us before "us" gets bad.an extra day
Do you really have to? Can't you stay one more day?to leave one's job
-I could quit my job. -Good. I'd like it.home again
I'll see you back home on Monday.cancelled because of rain
Hillary explains she came back early because the beach plan got rained out.
Yeah, it got rained out.The breakup is not fought over cruelty but over direction. CC wants the career, the mainstream, the success; John says plainly, 'I don't care about success the way you do, CC,' and tells her, 'I like it here. I'm happy here.' The painful line is his verdict on her: 'You're already gone, Cecilia. You're long gone.' He is not accusing her of betraying him so much as naming the distance that has already opened between them. His choice — 'I just want to let go of us before us gets bad' — frames the breakup as an act of care, preserving the friendship before it sours. The scene ends not with a fight but with affection, and the brief seaside beat that follows hints at another relationship quietly coming apart.
I just want to let go of us before "us" gets bad.John's reason for ending it: he would rather part while the relationship is still good than watch it turn sour.
You're already gone, Cecilia. You're long gone.His verdict on CC: she has already changed and moved on, so the breakup is only admitting what has happened.
I don't care about success the way you do, CC.John's self-description: he is content with his own life and does not measure himself by career success.
We're Americans. We're supposed to want to be successful.CC's counter-argument: wanting success is treated as the normal American default, which is exactly the life John rejects.
They want different lives. CC is chasing mainstream success, while John is content with his own work and does not want the life she is heading into.
It means someone has already left or changed beyond return. John uses it to say CC has already become the person who is leaving, so the breakup is not sudden.
She is defending ambition as normal, as if wanting success were the default. John has just said he does not care about success the way she does.
No. They end with affection — 'I love you. I'll always love you' — and John says he wants to let go before the relationship gets bad.
It is a short parallel beat: someone says, 'I'm sorry, Hillary,' and leaves after a seaside visit, showing another relationship quietly coming apart.
次のチャプター · 第 18 章get my hands onThe Director Tears CC Apart on Set
第 1 章blow a gasketCC Meets Hillary on the Boardwalk
第 2 章pack it inCC Melts Down After Losing the Part
第 3 章falling apartCC and Hillary Grow Up by Letter
第 4 章walk out onHillary Walks Into CC's Bar
第 5 章It just hit meCC Moves Hillary Into Her Apartment
第 6 章Break a legCC Delivers a Singing Telegram
第 7 章fraught with meaningCC Rehearses and Hillary Does Laundry
第 8 章wallpaper your houseCC and Hillary Argue on Christmas
第 9 章in a former lifeCC's Opening Night Party
第 10 章who are you kiddingCC Confesses She Slept With John
第 11 章the show must go onCC and Hillary Drift Apart
第 12 章for richer or poorerCC and John's Impromptu Wedding
第 13 章caught deadHillary Sees CC's Bawdy Show
第 14 章the Spanish InquisitionCC Grills Hillary at Dinner
第 15 章grown apartCC and Hillary Have Their Big Fight
第 16 章get it off your chestLeona Tells CC the Truth
再生中 · 第 17 章long goneJohn Breaks Up With CC
第 18 章get my hands onThe Director Tears CC Apart on Set
第 19 章in the toiletCC and Hillary Make Up
第 20 章get this straightHillary Tells CC She's Pregnant
第 21 章come back from the deadCC Abandons Her Wedding for a Role
第 22 章business is businessCC Directs John in Her Show
第 23 章untellCC Tells Victoria a Bedtime Story
第 24 章moral high horseHillary Collapses at the Office
第 25 章fed up withCC and Hillary Drive to the Beach
第 26 章clothes policeHillary Pushes CC Away
第 27 章land of the livingHillary and CC's Final Fight
第 28 章stretch the truthCC and Hillary Play Cards and Reminisce
第 29 章the wind beneath my wingsCC Signs Hillary Out of the Hospital
第 30 章nothing in the worldCC Asks Victoria to Live With Her