American Movie · 1999 — 第 7 / 19 章 · 4'53" · B1

Mark Pitches 3,000 Units to Bill, Explained:the bottom line

Mark visits Bill with a sales pitch instead of an apology: cheer up, the film will be cut in weeks, and 3,000 units at $14.95 each will bring in 45 grand. Bill's reply, "That'll be the day," says exactly how much he believes it.

あらすじ

Mark drops by Bill's place to lift his spirits and lay out the plan: finish Coven, release it on tape, and sell 3,000 units at $14.95 each for a total of $45,000. Bill is doubtful. Later, on the last stretch of shooting, the crew races to finish 52 shots while trucks, birds and time all work against them.

MeetingsNegotiationPersuadingPromisingB1mediumamerican
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注目の表現

one-way path to hellcheer upgo onrefresh my memory

00:00 / 04:53
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白the director on shot 375 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

the bottom line

the key point

With the schedule tight, Mark repeats move and ends on the bottom line: nothing matters but moving.

The bottom line is we cannot afford another delay.

このシーンの他の表現

  • one-way path to hell

    a road with no return

  • cheer up

    lift your mood

  • go on

    keep happening

  • refresh my memory

    bring it back to mind

  • claustrophobic

    cramped and trapped

このシーンのメモ一覧

74 行のセリフに 26 件のメモ

表現 · A2cheer someone up

lift your mood

Bill nudges a slumped Mark to cheer up, then adds that the world is his.

Cheer up, man. The world is yours.
発音You'll have your

Reduce you'll and have to quick weak forms.

We're working very hard. You'll have your $3,000 back very soon.
表現 · B1end up + 地点/状态

end somewhere or in some state

How come every time I give you something, it ends up under the shoes?
発音ends up under

Link ends, up and under into one smooth run.

How come every time I give you something, it ends up under the shoes?
表現 · B1within + 时间段

inside a span of weeks

Within weeks, the film will be cut, finished.
表現 · C1bump something down

push something down a level Here it means dubbing the film down to a smaller tape format.

get it into 3/4-inch, bump it down to half-inch for multiple sales.
表現 · B2a return of + 金额

a payout of a given amount Grand means a thousand dollars, so 45 grand is forty-five thousand.

which is a return of 45 grand.
スラング · B1grand

a thousand dollars — Casual US slang for a thousand dollars.

which is a return of 45 grand.
表現 · B2take profits

collect the earnings

Pay for the film, get the three grand back, pay everyone back, take profits-- That'll be the day.
表現 · B1have a preference

have a particular liking

You know what? I'm gonna bring over a bottle of wine. You have a preference?
文法 · B1when it's supposed to be

time clause: The when-clause frames the wasted preparation time and carries the complaint.

when it's supposed to be his preproduction time for Northwestern...
表現 · A2take care of something

look after or handle

He's supposed to be taking care of my money and doesn't say a thing about it.
文法 · B2neither does the bank

inversion: Neither plus inversion carries the previous sentence's negative onto the bank as well.

And neither does the bank or anybody else.
文法 · B2Supposed to be

ellipsis: The subject and verb are dropped, leaving supposed to be as a standing answer.

Supposed to be, but I don't know if it actually is.
表現 · A2go on for + 时间

keep happening

Bill says the project has been going on for two years, half complaint and half resignation.

Some of the actors said this has been going on for two years.
スラング · C1motherfucker

a stubborn tough guy — Vulgar; only among close friends, never in formal settings.

One way you gotta look at it, he's a determined motherfucker...
表現 · B1get something set

get something arranged

All we want to do is finalize the kitchen, get the props set.
発音got to keep

Got to collapses into gotta in fast speech.

We're ready for Tom's close-up, and we got to keep moving, man.
表現 · B2the bottom line

the key point

With the schedule tight, Mark repeats move and ends on the bottom line: nothing matters but moving.

We gotta move, move, move, and that's the bottom line.
表現 · B2make the best of something

cope as well as possible

They're just going, so I'm gonna cover that up and make the best of it.
表現 · B2refresh someone's memory

remind me again

I hadn't looked at it since yesterday. It refreshed my memory about shot 37...
文法 · B2that I had hoped that we got right

relative clause: A relative clause on the one shot, with a nested object clause, spells out his single hope.

This was the one shot that I had hoped that we got right the first time.
発音take it easy

Flap the t and link take it easy smoothly.

Mike, take it easy. Let's not go through all-- Hey, man, what the fuck's the matter with you?
スラング · C1what the fuck

what on earth — Strong vulgar exclamation, only among intimates.

Mike, take it easy. Let's not go through all-- Hey, man, what the fuck's the matter with you?
表現 · B2do a take

shoot one take A take is one run of the camera on a shot.

- We're gonna need another one. - Do a take three.
スラング · C1bloodbath

a bloody, chaotic finish — Vivid exaggeration for a bloody mess.

We'll do it, and we'll end it in a beautiful fucking bloodbath.

「Mark Pitches 3,000 Units to Bill」を読み解く

What's really going on

The sales pitch is a performance for an audience of one. Mark has already borrowed Bill's money, and instead of admitting he can't repay it yet he paints a future where everything lands at once: the film finished, the units sold, the debts cleared. Bill reads it for what it is and answers with a single flat line, "That'll be the day." The rest of the scene shows why the plan is so hard to pull off, as the shoot fights noise, weather and a clock, and someone delivers the verdict that Mark is on a "one-way path to hell." What keeps it from being cruel is the affection underneath: Mark keeps coming back, and Bill keeps letting him in.

Theme

DreamsMark keeps selling the film's future — finished, released, profitable — to keep both his backer and himself believing.
MoneyThe whole scene runs on numbers: 3,000 units, $14.95 each, 45 grand, and the $3,000 Bill is owed.

このチャプターで学べること

  • Mark's numbers sound good until Bill calls them a fantasy.
  • A pitch can turn into a joke in the same sentence.
  • Set jargon like take and shots keeps the crew moving.
  • Cheer up works as a nudge, not real comfort.

発音のポイント

  • You'll have your — Reduce you'll and have to quick weak forms.
  • ends up under — Link ends, up and under into one smooth run.
  • got to keep — Got to collapses into gotta in fast speech.
  • take it easy — Flap the t and link take it easy smoothly.
Cheer up, man. The world is yours.

A burst of encouragement aimed at a friend sitting glumly; Mark flips the mood before launching into his sales pitch.

Pay for the film, get the three grand back, pay everyone back, take profits-- That'll be the day.

The whole plan recited and dismissed in one breath: Bill lists every step and then calls the happy ending wishful thinking.

We gotta move, move, move, and that's the bottom line.

On set, speed is the single rule; the repetition drives home that there is no time left for anything else.

You are on the path-- one-way path to hell.

A deadpan verdict on Mark's filmmaking obsession: once you commit to this, the joke goes, there is no turning back.

このシーンについての質問

Why does Mark visit Bill in this scene?

He wants to keep his investor calm and show progress. Bill lent him money, so Mark brings storyboards, a release plan and the promise that the $3,000 will be paid back soon.

What does 'one-way path to hell' mean?

It's a dramatic way of saying there is no turning back. The speaker is teasing Mark that his all-consuming filmmaking has put him on a road with no exit.

Does Bill believe Mark's sales plan?

No. When Mark runs through the numbers, Bill answers with 'That'll be the day,' a sarcastic line meaning he thinks the happy outcome will never happen.

Why is the shoot so stressful?

There is only one day left and 52 shots to get, with birds, trucks and noise ruining the winter atmosphere. The pressure is why everyone keeps shouting that they have to keep moving.

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