remove clothing
I'll take off the scarf.American Movie · 1999 — 第 17 / 19 章 · 4'50" · B1
A drive to the county jail turns into a rolling confession about drinking, bad company, and blame. The adults pin Kenny as a bad influence who twisted Mark's arm, but Mark refuses the excuse. "He'll be happy as hell," someone adds. "He's out in two minutes."
Mark and his friends drive to the county jail to pick up Kenny, who is about to be released after the police caught him at home. On the way they trade stories about drinking, backyard parties, and how Kenny gets blamed whenever things go wrong. Mark speaks into the camera about the culture that raised him.
注目の表現
cold as hellmight as wellset to rollmade that up
このシーンの表現
pressure someone into it
The parents blame Kenny for coercing their son instead of admitting their kid chose it.
They will twist your arm until you agree.
extremely cold
no better option than
ready to start filming
invented (a story)
a bad example for others
72 行のセリフに 28 件のメモ
remove clothing
I'll take off the scarf.ready to start filming
The crew checks that the camera is ready and asks how tight the framing should be.
She's set to roll. How tight are you on her? Like this tight?extremely cold
Robert answers a compliment about his looks with a blunt complaint about the cold.
- You're looking better now, Robert. - I'm cold as hell.Stress cold and hell; let as almost disappear.
- You're looking better now, Robert. - I'm cold as hell.no better option than
Someone tells Robert he may as well keep his jacket on since there is no better option.
You might as well keep the jacket on for a few. Definitely.modal phrase: Might as well takes a bare verb to mark the least-bad option.
You might as well keep the jacket on for a few. Definitely.Run might as well together as one smooth block.
You might as well keep the jacket on for a few. Definitely.invented (a story)
When a claim is repeated as fact, the speaker dismisses it as something invented.
Somebody made that up, you know.leave me uninterested
Doesn't do much for me.admired and respected him
He really was. I always looked up to him as a brother...be centered on it
Everything would revolve around that-- the money, the time spent, everything.past habit: Would plus a verb marks a repeated past habit, not a hypothesis.
Everything would revolve around that-- the money, the time spent, everything.without overstating
We had five cases-- no exaggeration-- five or six cases of beer cans...arrive and stop a car
All of a sudden, Mark's parents pull up.take a shortcut through
My dad immediately flanked around the garage and cut through the back.refuse any involvement
Mark's father slips away the moment the parents arrive, refusing any part in the scene.
He was outta there right away. Didn't want nothing to do with it.double negative: In casual speech the doubled negative still means no; standard writing uses anything.
He was outta there right away. Didn't want nothing to do with it.Out of collapses into outta before there.
He was outta there right away. Didn't want nothing to do with it.gone from there — Casual talk about someone leaving fast; not for formal writing.
He was outta there right away. Didn't want nothing to do with it.pressure someone into it
The parents blame Kenny for coercing their son instead of admitting their kid chose it.
With the parents, you know, it's Kenny Keen's fault. He twisted your arm.pressure from peers
because I, you know-- I think peer pressure's bullshit.nonsense — A crude word for nonsense, fine among close friends only.
because I, you know-- I think peer pressure's bullshit.collect someone by car
We're headed to jail to pick up Kenny.extremely happy
He'll be happy as hell. He's out in two minutes, man.waiting for them
They went down to check the fuse box, and the boys were there waiting on 'em.shift aside
All right. I'll move over.step on the accelerator
Dude, you're pressing the gas, man!what the hell — A profane reaction to shock or annoyance; never around elders.
- Sorry about that, Kenny. - What the fuck, man?The trip to jail is really a scene about class and blame. Mark turns his childhood into a portrait of a drinking culture: "There was drinking. Drinking, drinking, drinking," and the money and time all revolved around it. When the talk shifts to who is at fault for the trouble he and Kenny get into, everyone reaches for the same story, that Kenny is a bad influence who twisted his arm. Mark rejects it outright, calling peer pressure a convenient excuse. That is what makes the sequence feel quietly stubborn: even driving to collect a friend from jail, he will not hand over his choices to someone else's account of him. "He was outta there right away," he says of a father who wanted nothing to do with the mess.
I'll tell you who they are. They're unbelievably talented people.During the photo shoot, someone answers the joke about "who are you people" by praising the crew as genuinely gifted.
It's the year of the independent film. Great performances, new faces-- I mean, really new faces. Who are you people?A half-joking pitch about indie cinema's moment, where the "new faces" are so unknown that nobody recognizes them.
He'll be happy as hell. He's out in two minutes, man.On the way to the jail, Mark predicts Kenny will be thrilled to walk out, and that the release will be quick.
He was outta there right away. Didn't want nothing to do with it.Speaking of a father who slipped away when trouble arrived, someone notes he wanted no part of the situation.
To pick up Kenny, who is being released after the police caught him at home when the lights went out and he went to check the fuse box.
The adults blame Kenny for the trouble, saying he is a bad influence on Mark and that he twisted Mark's arm, though Mark rejects that framing.
He calls it an excuse, saying he thinks peer pressure is nonsense and that he made his own choices.
He says it revolved around drinking: no college or religion, just drinking, with money and time all going to it.
It refers to a dad at a backyard party who slipped around the garage and left when Mark's parents showed up, not wanting to be involved.
次のチャプター · 第 18 章catharticMark Smashes Cars on Set
第 1 章idle handsMark's Twelfth Hour Deadline
第 2 章have something under your beltMark Pitches Northwestern
第 3 章in their right mindFamily Fights Over the Phone Bill
第 4 章ready to rollMark Runs Out of Money
第 5 章kosherMark Pitches Bill for 45 Grand
第 6 章down and outMark Shoots Coven in the Snow
第 7 章the bottom lineMark Pitches 3,000 Units to Bill
第 8 章lessen the blowShooting Coven in the Graveyard
第 9 章go out of their wayMark Lists His Debts
第 10 章have your cake and eat it tooMark Fears Losing His Kids
第 11 章face up toMark Confesses at Thanksgiving Dinner
第 12 章let a day go byMark Watches His Old Footage
第 13 章the ship is sinkingMark Shoots the Last Take of Coven
第 14 章on the moneyMark Records the Film's First Line
第 15 章for the birdsMark Pushes Bill Through 31 Takes
第 16 章just like youMark's Drunken Rant
再生中 · 第 17 章twist your armMark Picks Kenny Up From Jail
第 18 章catharticMark Smashes Cars on Set
第 19 章hot off the pressesMark Finishes the Last Splice