delete with a line
Mark has to cross out a wrong figure on the wall and write the new one.
So I had to take the marker and cross out 7 980...American Movie · 1999 — 第 18 / 19 章 · 2'48" · B1
Mark Smashes Cars on Set, Explained：cathartic
Mark swings a bat at junk cars for the final shoot, then turns the moment into a question: "You think this is a little bit cathartic for you?" When the answer is yes, he presses on what the word really means — "getting things out of your system" — and looks at the ruined landscape.
あらすじ
On a cold shoot, Mark and his crew attack a row of rusted cars with a bat. Between takes he asks whether the destruction is cathartic, defines the word as getting things out of your system, and then reflects on the landscape of rust and decay that he wants in the film.
注目の表現
cross outfresh aircatharticget something out of your system
00:00 / 02:48Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
cathartic
emotionally releasing
Smashing cars, Mark asks Mike whether it feels cathartic, then quizzes him on the word itself.
Crying at the end of the film was strangely cathartic.
このシーンの他の表現
- cross out
delete with a line
- fresh air
outdoor air
- get something out of your system
release built-up feeling
- damn
very; damn
- rust and decay
rust and rot
このシーンのメモ一覧
44 行のセリフに 22 件のメモ
breathe in
I need some fresh air. I'm gonna suck in a lot of fresh air.you first
- Here. After you, Ma. - Okay.the moment that
As soon as I wake up tomorrow, Mark, I'll be back.Link the four words into one run: as-soon-as-I.
As soon as I wake up tomorrow, Mark, I'll be back.at the center
When you swing, swing in the middle.the final one
This is the last one we got, man.buddy — A casual way to address a friend; too loose for formal talk.
This is the last one we got, man.with maximum effort
I'm hitting it as hard as I can, but it's not doing nothing.as ... as can: The as ... as I can pattern means to the greatest degree I am able.
I'm hitting it as hard as I can, but it's not doing nothing.move down here
One other thing. Mike, come down here quick. I gotta get the headlights.release built-up feeling
Mike defines cathartic as getting things out of your system, in his plain, easy way.
It means-- I think it means getting things out of your system, man.Reduce of to a quick schwa and slide into your.
It means-- I think it means getting things out of your system, man.Stress damn and clip pretty short.
- Pretty damn cathartic, Mark. - Cool.very — An intensifier among friends; keep it out of formal speech.
- Pretty damn cathartic, Mark. - Cool.a while back
Last time I was out here was seven, eight years ago to shoot Northwestern.midwinter
We shot here in the dead of summer, dead of winter, man. All of that.scary movie
Obviously, this is not a horror film, this is more of a life-and-times.at this very spot
You know, these are the vistas right here.dummy subject: Here it is a placeholder subject; the real subject is the infinitive phrase that follows.
What does it feel like...inversion: Putting the phrase first flips the clause and lands hard on warmth as the point.
It's-- That's what it's all about-- rust and decay-- but within that is the warmth of the soul and stuff like that.empty roads
It's lonely roads, but there's warm houses and cars.「Mark Smashes Cars on Set」を読み解く
What's really going on
The car-smashing looks like simple destruction, but Mark uses it to ask a bigger question about why he makes movies at all. His exchange with the crew is funny and oddly sincere: he asks whether it is "a little bit cathartic," and when someone agrees, he checks that they know what the word means, offering his own definition, "getting things out of your system." Then the mood shifts. Looking at decaying cars in a bare field, he finds a whole philosophy: rust and decay, and within it the warmth of the soul. The last line ties the two halves together — "It's lonely roads, but there's warm houses and cars" — turning a junk-strewn location into a way of talking about a life.
Theme
PhilosophyMark turns a junk-filled field into a theory of life: rust and decay, and within it the warmth of the soul.
MemoryHe recalls shooting Northwestern here years ago in summer and winter, and says he will be back.
このチャプターで学べること
- Cathartic names the relief of letting a feeling out.
- Get something out of your system is the everyday version.
- Dead of winter sets a scene with two plain words.
- Cross out cancels a written line, not a plan.
発音のポイント
- As soon as I — Link the four words into one run: as-soon-as-I.
- out of your — Reduce of to a quick schwa and slide into your.
- Pretty damn — Stress damn and clip pretty short.
It's lonely roads, but there's warm houses and cars.The closing image of the monologue: even a bare, rusted landscape holds warmth, a hopeful reading of the decay around him.
It's-- That's what it's all about-- rust and decay-- but within that is the warmth of the soul and stuff like that.Mark's rough philosophy in one line, finding meaning in decline and warmth inside it.
It means-- I think it means getting things out of your system, man.His own definition of cathartic, showing the word is not just fancy talk to him but a way of describing why the destruction helps.
You think this is a little bit cathartic for you?The question that turns a scene of smashing cars into a conversation about release and emotion.
このシーンについての質問
Why is Mark smashing cars in this scene?
He is shooting a scene for Northwestern and the crew is wrecking a row of junk cars. Mark asks whether the destruction feels cathartic as a way of talking about the movie's emotional release.
Who is Mike and what is he doing?
Mike is around doing the 'X' numbers — the budget figures — for Mark, Kenny and himself, and Mark asks him to come down when he needs help on set.
Why does Mark ask whether the scene is cathartic?
He wants to know if the violence of the shoot is doing something for the crew emotionally, and he uses the moment to explain what the word means.
What does Mark say the film Northwestern is about?
He says it is not a horror film but more of a life-and-times, and that it will use a lot of his own experience and what he went through in life.
American Movie · 全 19 章
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次のチャプター · 第 19 章hot off the pressesMark Finishes the Last Splice
第 1 章idle handsMark's Twelfth Hour Deadline
第 2 章have something under your beltMark Pitches Northwestern
第 3 章in their right mindFamily Fights Over the Phone Bill
第 4 章ready to rollMark Runs Out of Money
第 5 章kosherMark Pitches Bill for 45 Grand
第 6 章down and outMark Shoots Coven in the Snow
第 7 章the bottom lineMark Pitches 3,000 Units to Bill
第 8 章lessen the blowShooting Coven in the Graveyard
第 9 章go out of their wayMark Lists His Debts
第 10 章have your cake and eat it tooMark Fears Losing His Kids
第 11 章face up toMark Confesses at Thanksgiving Dinner
第 12 章let a day go byMark Watches His Old Footage
第 13 章the ship is sinkingMark Shoots the Last Take of Coven
第 14 章on the moneyMark Records the Film's First Line
第 15 章for the birdsMark Pushes Bill Through 31 Takes
第 16 章just like youMark's Drunken Rant
第 17 章twist your armMark Picks Kenny Up From Jail
再生中 · 第 18 章catharticMark Smashes Cars on Set
第 19 章hot off the pressesMark Finishes the Last Splice第 18 / 19 章 · 残り約 4 分