American Movie · 1999 — 第 8 / 19 章 · 4'52" · B2

Shooting Coven in the Graveyard, Explained:lessen the blow

The crew is shooting the graveyard scenes for Coven, but the real friction is time: one of them wants to wrap and go home, while Mark wants his friend to smash his head through a door. "I try to strike a balance," the man says, caught between everyone else's schedule and one friend's dream.

あらすじ

In a Wisconsin cemetery, Mark is shooting the climactic graveyard scenes of his indie horror film Coven. To get a violent shot without really hurting his actor, he rigs a door and talks the man through the stunt. When it goes wrong anyway, someone calls cut and the crew sends for an ice pack.

StorytellingMonologuesApologizingExplainingB2mediumamerican
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注目の表現

motherfuckerstrike a balancelessen the blowcoven

00:00 / 04:52
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白the graveyard as a stage6 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

lessen the blow

make the impact softer

The director scores the door so the actor's head takes a softer, safer hit.

She added a kind word to lessen the blow of the rejection.

このシーンの他の表現

  • motherfucker

    a harsh insult

  • strike a balance

    find a middle way

  • coven

    a witches' gathering

  • bitch at someone

    complain at someone

  • serial killer

    a repeat murderer

このシーンのメモ一覧

73 行のセリフに 23 件のメモ

表現 · A2running late

a bit behind

We're running a little late here...
表現 · A2get set up for something

getting ready for

and I'm getting set up for the last shot.
発音getting set up

In American speech the t in getting flaps toward a d.

and I'm getting set up for the last shot.
表現 · B1strike a balance

find a middle way

The director weighs his own schedule against Mark's dream and looks for a middle way.

and so I try to strike a balance and, you know, not split too early.
文法 · B2get his head put through

causative get: Get plus a past participle means something gets done to the object.

This is the door that Tom Schimmels is gonna get his head put through.
表現 · B2lessen the blow

make the impact softer

The director scores the door so the actor's head takes a softer, safer hit.

I put a few scores in here to lessen the blow...
表現 · B1permanent damage

lasting harm

so no permanent damage done to him, and he appreciates that.
スラング · B2Motherfucker

harsh insult — Only among friends in anger or pain; never formal.

And action. Motherfucker!
スラング · A2Dude

man, buddy — Casual address between friends, not strangers.

Dude, you missed the scoring, man.
表現 · C1take some shit

be in for trouble Not literal; it means real trouble ahead.

This is going to take some shit.
表現 · B2bitch at someone

complain at someone

Mark jokes that the dead will not nag or complain at him.

Then all of these dead people too. It's like-- they can't bitch at you.
文法 · C1be coming

habitual be: This be marks a repeated habit, not an action happening now.

Parents be coming after you because you have a movie camera in one hand...
発音wouldn't tolerate

The t in wouldn't often disappears before tolerate.

and a beer in the other, man, they wouldn't tolerate-- I mean, that was and is the joy of life.
表現 · B2one with something

at one with it

and you were one with the world and equal with the world.
表現 · A2feel sorry for someone

a little sorry for

It just made-- at least me, anyway-- just feel kinda sorry for him...
スラング · A2kinda

kind of, sort of — Softens a statement in speech; avoid in formal writing.

It just made-- at least me, anyway-- just feel kinda sorry for him...
表現 · A2grow up to be something

become as an adult

Honestly, I thought he was gonna grow up to be a stalker or serial killer...
文法 · B1that influenced you most

relative clause: The that-clause tells which films, not just any films.

What were the films that influenced you most when you were younger?
表現 · B1more X than Y

truer than

Dawn of the Dead seemed more realistic than Hollywood films.
発音grain of it

Run grain of it together as one blurred unit.

they'd show you in school-- the grain of it and the saturated color of it.
表現 · A2instead of something

rather than

and watching something instead of something dead like a Hollywood film.
表現 · A2take someone to something

brought you to

- What was the last movie he took you to? - Apocalypse Now.
表現 · B1keep on doing something

said again and again

And he kept on saying, "The horror."

「Shooting Coven in the Graveyard」を読み解く

What's really going on

The comedy and the sadness share the same frame. Mark is a broke filmmaker asking friends to hurt themselves for a movie almost no one will see, and he defends the stunt with a craftsman's pride: "I put a few scores in here to lessen the blow." Around him, people keep measuring the cost. One of them admits he stays late and sets a firm wrap time only because finishing the film is Mark's dream. Then the graveyard turns into a creed: "The graveyard is like a stage," a place where the dead cannot judge you, and where "you were one with the world and equal with the world." What looks like a low-budget shoot becomes a portrait of obsession, friendship, and the price of a dream nobody else can see.

Theme

DreamsMark risks his friends' safety and everyone's patience to finish Coven, because the film is the one thing that makes his life feel real.
FriendshipA friend lets Mark put his head through a door, and another stays late not for the movie but for Mark.

このチャプターで学べること

  • A graveyard can stand for a level stage.
  • Strike a balance means pleasing two sides at once.
  • Coven and oven differ by a single opening sound.
  • Lessen the blow softens both a hit and bad news.

発音のポイント

  • getting set up — In American speech the t in getting flaps toward a d.
  • wouldn't tolerate — The t in wouldn't often disappears before tolerate.
  • grain of it — Run grain of it together as one blurred unit.
You look all around, man. The graveyard is like a stage.

The cemetery is not just a setting; it is a stage where the dead become an audience that cannot mock or correct you.

They're here as decent human beings, finally.

In the graveyard, even difficult and disliked people are finally treated with respect, the dignity the living rarely give them.

and you were one with the world and equal with the world.

Out there with a beer and a camera, he felt accepted by the world instead of judged by it, on the same level as everyone.

Dude, you know what? I'm sorry I tried to put your head in this.

Once the stunt actually hurts his friend, Mark drops the director act and apologizes plainly.

このシーンについての質問

Why does Mark want his friend to put his head through the door?

It's the big violent beat for the Coven graveyard scene. Mark rigged the door with scored grooves so the hit would look real without causing permanent damage.

Why does the crew member want to leave early?

He sets a firm wrap time so he can get home, but he also knows finishing the film is Mark's dream, so he tries to strike a balance instead of splitting early.

Is Mark really risking his friend's safety for the movie?

Partly, yes. He takes visible pride in the rigged door, but when the friend gets hurt he cuts the take and apologizes, so ambition and care are both on screen.

Why does he call the graveyard a stage?

Among the dead, he says, nobody judges or corrects you and everyone is finally equal. It's where he felt one with the world while filming with a beer and a camera.

What does "coven" mean?

A coven is a gathering or group of witches, which is what Mark's horror film is named after. The friends even argue about how to pronounce it.

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