people's cruelty to each other
Mark grumbles this while washing Bill's clothes, mixing resentment with a bleak view of people.
Fucking man's inhumanity to man.American Movie · 1999 — 第 11 / 19 章 · 4'55" · B1
Thanksgiving dinner is all jokes and second helpings until Mark starts talking about himself. The others tease him about ripping off a Black Sabbath song, but under the banter is a man admitting he can't "face up to who I am." The holiday table becomes the one place he says it out loud.
At the family house on Thanksgiving, everyone cooks, washes up, and pours drinks while Mark drifts between the holiday and his own head. He sits down to dinner, cracks jokes, then suddenly confesses that for years he has tried and failed to face up to who he is, and that he wants out of all of it.
注目の表現
man's inhumanity to manjack someone upthe right thing to docinema
このシーンの表現
confront, accept
Drunk and worn down, Mark admits he has spent years trying to face up to who he really is.
Sooner or later you have to face up to your debt.
people's cruelty to each other
perk someone up
the correct thing to do
cinema, misheard as cinnamon
on earth, for emphasis
77 行のセリフに 26 件のメモ
people's cruelty to each other
Mark grumbles this while washing Bill's clothes, mixing resentment with a bleak view of people.
Fucking man's inhumanity to man.perk someone up
Bill is freezing in the bath, and Mark adds hot water to jack him up, meaning to revive him.
Just ten minutes. I'm trying to jack him up with hot water.The h in him often drops, so jack him up sounds like jack-im-up.
Just ten minutes. I'm trying to jack him up with hot water.faint, black out
- I hope he doesn't pass out in there. - No, it's strictly monitored.closely watched
- I hope he doesn't pass out in there. - No, it's strictly monitored.steady someone's arm
Let me hold your arm.the correct thing to do
As the turkey cooks, Mark insists that 325 degrees was the right call, defending his method.
Cooking it at 325 was actually the right thing to do.for some time
Dude, what's up? I ain't seen you for a while.Run what's and up together into one quick sound.
Dude, what's up? I ain't seen you for a while.have not, isn't — Common in casual talk; avoid it in formal writing or speech.
Dude, what's up? I ain't seen you for a while.Link all and ends so the l runs straight into the vowel.
You're lucky we got all ends tooken care of.nonstandard taken — Dialect or joking past participle; do not use it in formal English.
You're lucky we got all ends tooken care of.as hell, intensely — A casual intensifier between friends, not for formal settings.
- You look happier than hell, Jack. - Yeah, so do you.should logically be
Well, I ought to be, man.relative clause: The that-clause limits what he knows to the very thing the others do not.
What do you know that we don't?ask someone for a loan
because, otherwise, they'll wanna borrow money from me.the seat of honor
Mark seats Bill at the head of the table, giving the guest the place of honor at dinner.
- Good. - Head of the table.past participle phrase: The past-participle phrase describes the state you live in, hemmed in by other people.
You spend your whole life surrounded by people...fucking, intensifier — Strong vulgar emphasis; only among close friends.
What do you think? What do you fucking really think, huh?confront, accept
Drunk and worn down, Mark admits he has spent years trying to face up to who he really is.
For years, I've been trying to face up to who I am and shit like that.present perfect continuous: The present perfect continuous marks an effort that began long ago and has not stopped.
For years, I've been trying to face up to who I am and shit like that.stuff like that — A rough filler for and so on; vulgar and very casual.
For years, I've been trying to face up to who I am and shit like that.noun clause: The what-clause is the object of know, naming the thing he wants to do.
It's like I know where I wanna be and what I wanna do, so I don't know.get out of it
I wanna come out of all of this stuff.a place they are not
But then, don't most people want to be somewhere where they're not?The final t in don't is often dropped before most.
But then, don't most people want to be somewhere where they're not?The holiday setting makes the confession land harder. Mark is surrounded by family and friends doing ordinary things, laundry, a hot bath, a turkey dinner, and he still says, "I wanna come out of all of this stuff." Someone else puts a finer point on it: "don't most people want to be somewhere where they're not?" That line turns his private dissatisfaction into something universal. The argument over whether he ripped off a Black Sabbath song is the same anxiety in a smaller key: is any of this really his own? He tries to answer by pouring the feeling into work, "I'm taking my depression into Dawn's character," but the scene never lets him off the hook, which is what makes it feel honest.
I wanna come out of all of this stuff.He wants out of his whole situation: the dead-end jobs, the stalled film, and the version of himself he can't stand.
But then, don't most people want to be somewhere where they're not?A friend broadens the complaint, suggesting restlessness isn't only Mark's problem but a human one.
You can't make up an idea by yourself.Said during the plagiarism fight, this is the friend's point that every idea, even an original-looking one, is borrowed from somewhere.
For years, I've been trying to face up to who I am and shit like that.Mark admits, in his own rough language, that being honest with himself is the thing he has failed at for years.
He hears the riff in Mark's song and calls it an exact copy, saying Mark only changed one word, while Mark insists all the words are his.
He feels stuck in the same place, the same jobs and his own head. Instead of just complaining, he decides to pour the feeling into Dawn's character and start writing Northwestern.
Not really. There is food and joking, but it becomes the place where Mark admits he has been unhappy for a week and cannot face who he is.
It is a literary phrase for people being cruel to each other; someone uses it half-jokingly while doing Bill's laundry.
He says he decided to use it to his advantage by pouring it into Dawn's character while he starts writing the script for Northwestern.
次のチャプター · 第 12 章let a day go byMark Watches His Old Footage
第 1 章idle handsMark's Twelfth Hour Deadline
第 2 章have something under your beltMark Pitches Northwestern
第 3 章in their right mindFamily Fights Over the Phone Bill
第 4 章ready to rollMark Runs Out of Money
第 5 章kosherMark Pitches Bill for 45 Grand
第 6 章down and outMark Shoots Coven in the Snow
第 7 章the bottom lineMark Pitches 3,000 Units to Bill
第 8 章lessen the blowShooting Coven in the Graveyard
第 9 章go out of their wayMark Lists His Debts
第 10 章have your cake and eat it tooMark Fears Losing His Kids
再生中 · 第 11 章face up toMark Confesses at Thanksgiving Dinner
第 12 章let a day go byMark Watches His Old Footage
第 13 章the ship is sinkingMark Shoots the Last Take of Coven
第 14 章on the moneyMark Records the Film's First Line
第 15 章for the birdsMark Pushes Bill Through 31 Takes
第 16 章just like youMark's Drunken Rant
第 17 章twist your armMark Picks Kenny Up From Jail
第 18 章catharticMark Smashes Cars on Set
第 19 章hot off the pressesMark Finishes the Last Splice