American Movie · 1999 — 第 4 / 19 章 · 4'25" · B2

Mark Runs Out of Money, Explained:ready to roll

Eleven days before filming Coven, Mark does the math and realizes he has nothing. The script isn't ready, casting hasn't started, and the locations are thin. "No one has ever paid admission to see an excuse," he says, turning his panic into a motto, then heads out to shoot scarecrows with the crew anyway.

あらすじ

Before the shoot, Mark is rushing to type and copy sheets for a meeting. Eleven days out from Coven, he admits the script, casting and locations are nowhere near ready, and that he has no money. The film then cuts back to his school years, the army, and the moment he decided to make another movie. On location, he sets up the scarecrows and declares the crew ready to roll.

StorytellingConfessingComplainingB2mediumamerican
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注目の表現

have something copiedfuckingpaid admissiondrop out of

00:00 / 04:25
Space 再生 · ← → セリフ移動 · R リピート
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  1. ❝ 独白A pep talk on set9 行練習ページ ↗
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このシーンの表現

ready to roll

ready to start or go

Mark announces the location and pulls the crew together to start shooting.

The gear is packed and the crew is ready to roll.

このシーンの他の表現

  • have something copied

    get something copied by someone

  • fucking

    damn, as an intensifier

  • paid admission

    buy a ticket to get in

  • drop out of

    quit school before finishing

  • known to man

    every kind that exists

このシーンのメモ一覧

66 行のセリフに 23 件のメモ

表現 · A2put on something

start making or playing something

I'll put on the coffee.
発音put on

Link put and on so they sound almost like one word.

I'll put on the coffee.
表現 · B1have something done

get something copied by someone

Mark is rushing to prep tonight's meeting and lists copying the sheets as a job to arrange.

I gotta type up sheets and have them copied for the meeting tonight.
発音gotta get

The t in gotta is often dropped in fast speech; try it aloud.

Man, I gotta get some information across.
表現 · B2pay admission to do something

buy a ticket to get in

Mark puts a price on excuses and decides the audience would never pay for one.

No one has ever paid admission to see an excuse.
スラング · B2big-ass

huge, damn big — Casual exaggeration between friends; too crude for formal settings.

You know, it's like you're the lone man on this-- the lone captain on this big-ass ocean liner...
表現 · B2something is X at best

at most, in the best case

The locations are scant at best.
発音Are you

Are you is usually reduced in quick, emotional speech.

Are you crazy? That's 11 days away from now.
表現 · A2first impression of someone

the initial opinion of someone

My first impression of him was...
スラング · C1raw dog

a rough, untamed guy — Slang for a rough, raw guy; do not say it to his face.

he looks like a pretty raw dog.
表現 · B1as far as something is concerned

in terms of, regarding

He showed a lot of promise as far as schooling.
文法 · B2as testing was concerned

concerned clause: It narrows the point to testing only before adding another thought.

That is, as testing was concerned. Not that he was that great a student...
表現 · B1drop out of something

quit school before finishing

A voice from home recalls that Mark left high school because he felt he learned nothing.

He dropped out of high school because he felt he didn't learn anything there.
表現 · B2straighten out something

fix or put in order

but to try to straighten out his life...
文法 · B2along came Coven

inversion: The verb comes before the subject to spotlight the arrival.

Then along came Coven.
表現 · B2every X known to man

every kind that exists

Mark grumbles that Coven has already tried every camera setting there is.

We've got every f-stop known to man in the film.
表現 · B1take action

start doing something about it

Now we gotta take action. We gotta put those scarecrows in on a killer slant.
表現 · B2someone's one and only X

the single, special one

compelled to go to this group meeting by his one and only friend left.
表現 · B2be compelled to do something

forced or driven to do it

Mark describes a character pushed into a support group by his last remaining friend.

compelled to go to this group meeting by his one and only friend left.
表現 · B2get something done

finally finish this thing

Coven, man. We got to get this sucker done though. Seriously.
スラング · B2sucker

this thing, this job — Casual word for a thing or task you must finish.

Coven, man. We got to get this sucker done though. Seriously.
表現 · B1ready to roll

ready to start or go

Mark announces the location and pulls the crew together to start shooting.

We're in America today, and we're ready to roll.
表現 · A2check it out

take a look at this

But check it out, Mike. Do you know about the placement of the scarecrows?

「Mark Runs Out of Money」を読み解く

What's really going on

This chapter is a crash course in the gap between ambition and reality. Mark wants to be a director, but the numbers do not lie: "Are you crazy? That's 11 days away from now." The script, the casting and the money are all missing, and he says it plainly with "There's no excuses." What keeps it from being a pity party is that he never stops working. The same man who admits "I have no hope of getting any money until Coven is finished" is minutes later on location, redressing scarecrows for the opening shot and telling everyone they are ready to roll. The look back at his school years and the army frames the whole thing: this is not one bad day, it is a life of refusing to quit.

Theme

AmbitionMark bets everything on Coven despite having no money, an unready script and only eleven days.
MoneyHis panic about having no cash until the film is finished drives the whole chapter.

このチャプターで学べること

  • An excuse costs nothing because nobody would pay to see it.
  • Ready to roll turns nervous energy into a starting gun.
  • Dropping out can sound like a choice, not just a failure.
  • Profanity here is aimed at the speaker himself.

発音のポイント

  • put on — Link put and on so they sound almost like one word.
  • gotta get — The t in gotta is often dropped in fast speech; try it aloud.
  • Are you — Are you is usually reduced in quick, emotional speech.
No one has ever paid admission to see an excuse.

The audience pays to see a finished film, not the reasons it wasn't made; it is Mark's motto against self-pity.

He dropped out of high school because he felt he didn't learn anything there.

Part of the backstory: Mark walked away from school because it gave him nothing, the same stubbornness behind his filmmaking.

That's pathetic, man. Is that what you want to do with your life?

He turns on himself after a drunken night of calling Morocco; it is both self-disgust and the push to get back to work.

We're in America today, and we're ready to roll.

The crew is finally on location and about to shoot. After all the panic, this is Mark's way of saying they are underway.

このシーンについての質問

Why is Mark panicking in this scene?

Coven is only eleven days from shooting, but the script, casting, locations and money are all not ready. He realizes he cannot get paid until the film is finished.

What does Mark mean by 'no excuses'?

He refuses to let setbacks become reasons for not finishing. His line 'No one has ever paid admission to see an excuse' means audiences pay for a film, not for why it wasn't made.

Who is talking about Mark's school years and the army?

An older relative, in voiceover, is filling in Mark's backstory: gifted testing in Milwaukee, dropping out of high school, joining the army, then coming home and deciding to make another film.

What are the scarecrows doing in Coven?

They are set dressing for the opening shots. Mark has his crew restage them at a sharp angle on the farm, even though the farm has burned down.

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