the final shot
When I run this Bolex, that'll be the last take of Coven.American Movie · 1999 — 第 13 / 19 章 · 3'19" · B1
Mark climbs into the car to shoot the final shot of Coven, and admits how strange it feels to finish it alone. "When I run this Bolex, that'll be the last take of Coven," he says, before recalling how Alyssa showed up and spoiled things.
Alone in the car for the last shot of Coven, Mark explains that running the Bolex will make it the film's final take. He finds the moment strange, remembers Alyssa interrupting a good stretch of his life, and quotes a line about walking off into the sunset. Family members wonder whether his movie dreams will ever pay off.
注目の表現
There you gothe ship is sinkingget settledextraneous noise
このシーンの表現
the whole thing is collapsing
After Favre's team slips up, Mark borrows the sinking-ship line to say a team is past saving.
When the founders stop talking to each other, the ship is sinking.
here you are
settle in
extra unwanted sound
45 行のセリフに 20 件のメモ
the final shot
When I run this Bolex, that'll be the last take of Coven.kind of, a bit — Casual speech only; avoid in formal writing.
It's kinda weird...the closing shot
to do the last shot of the film.adds up logically
I guess not. I think everything actually makes sense.object clause: The whole clause after I think is what he believes, not a separate sentence.
I guess not. I think everything actually makes sense.left for good and faded away
so she walked off into the sunset.Link walked off into as one run without a pause.
so she walked off into the sunset.a casual address — Familiar emphasis, not aimed at anyone in particular.
and Alyssa came over, man.treats something as life itself
He lives for movies, making movies.shoot a major film
Always dreaming that someday he will make a big movie.an advance of some amount
To the 25! Wow. A gain of 40 yards.The t in get is often dropped, so it sounds like ge-settled.
You get settled now.be owned by someone
You're ours. You belong to us.Weak to links belong and us into one smooth phrase.
You're ours. You belong to us.the camera was recording
When the original dialogue recording while the camera was running...time clause: While sets the recording as happening at the same time as the camera running.
When the original dialogue recording while the camera was running...extra unwanted sound
Mark explains why lines are re-recorded: camera hum and room sound count as extraneous noise that spoils the take.
is not good enough because of camera noise or extraneous noise...the final detailed edit
Every scene has been edited. Right now I'm just fine-cutting.remain there all night
Tomorrow I'm going in and staying the whole day, staying overnight. Boom.and that's it — A punchy closer for when a plan lands.
Tomorrow I'm going in and staying the whole day, staying overnight. Boom.The last shot of Coven should be a triumph, and instead Mark is sitting by himself. The scene makes his loneliness explicit and then lets him name it: he says it's strange "to do the last shot of the film" alone, and recalls the moment Alyssa reappeared and ruined a relationship that was just beginning. He even borrows a friend's line, "so she walked off into the sunset," as if his life were a movie he is narrating. Around him, the family voices are split between admiration and doubt, asking whether a man with no money can ever finish a big film, and answering that they don't think so. The quiet achievement of the day is undercut by the feeling that everyone he cares about has already gone.
When I run this Bolex, that'll be the last take of Coven.The practical line that marks the end of years of work: the moment he turns the camera on, the film's final piece is done.
You know the ship is sinking when that happens.A wry observation borrowed from sports: once things start breaking down this way, you can tell the whole effort is going under.
You're ours. You belong to us.One of the film's own lines, spoken on set, which doubles as the family's tangled feeling of owning Mark's life and work.
It costs money, and where is he getting any money from?The blunt question behind all the dreaming: without money, the family doubts the big movie will ever get made.
It closes years of work on Coven, and he has to finish it alone. The end of the film also makes him think about the relationships and people he lost along the way.
It's a figurative way of saying a situation is going under. The line lands during football footage, where a big play signals a team in trouble—and it echoes how Mark's own project is unraveling.
They admire that he lives for movies, but they point out that films cost money and Mark has none. When asked whether he'll ever make a big movie, the answer is 'I don't think so.'
She is the mother of Mark's children and was part of the relationship that fell apart. Mark recalls that things were going well until she came over, and says the situation left him humiliated.
次のチャプター · 第 14 章on the moneyMark Records the Film's First Line
第 1 章idle handsMark's Twelfth Hour Deadline
第 2 章have something under your beltMark Pitches Northwestern
第 3 章in their right mindFamily Fights Over the Phone Bill
第 4 章ready to rollMark Runs Out of Money
第 5 章kosherMark Pitches Bill for 45 Grand
第 6 章down and outMark Shoots Coven in the Snow
第 7 章the bottom lineMark Pitches 3,000 Units to Bill
第 8 章lessen the blowShooting Coven in the Graveyard
第 9 章go out of their wayMark Lists His Debts
第 10 章have your cake and eat it tooMark Fears Losing His Kids
第 11 章face up toMark Confesses at Thanksgiving Dinner
第 12 章let a day go byMark Watches His Old Footage
再生中 · 第 13 章the ship is sinkingMark Shoots the Last Take of Coven
第 14 章on the moneyMark Records the Film's First Line
第 15 章for the birdsMark Pushes Bill Through 31 Takes
第 16 章just like youMark's Drunken Rant
第 17 章twist your armMark Picks Kenny Up From Jail
第 18 章catharticMark Smashes Cars on Set
第 19 章hot off the pressesMark Finishes the Last Splice