dollars — Casual for dollars; avoid in formal writing.
I'm thankful I won 50 bucks the other day...American Movie · 1999 — 第 12 / 19 章 · 4'54" · B1
Mark Watches His Old Footage, Explained：let a day go by
Six years of work sit in a living room, and Mark finally names the thing that has kept the film unfinished: fear of finishing. "You let a day go by and fantasize, and that day slips into years." Around him, friends count their small winnings and relationships come apart.
あらすじ
At Thanksgiving, Mark's friend Mike is asked what he is thankful for and can only list a fifty-dollar win, a ten-dollar win and enough food. Then Mark sits watching footage he shot six years earlier, explaining that finishing the film would bring consequences, and that daydreaming is how days turn into years.
注目の表現
put a smile on my facelook forward towickedconsequences
00:00 / 04:54Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
put a smile on my face
made me happy
Mark credits Mike's visit with lifting him out of a bleak mood.
Your note put a smile on my face after a long week.
このシーンの他の表現
- look forward to
await with pleasure
- wicked
awesome
- consequences
what follows your choice
- fucking
an intensifier, very rude
- walk away
leave and not look back
このシーンのメモ一覧
70 行のセリフに 27 件のメモ
made me happy
Mark credits Mike's visit with lifting him out of a bleak mood.
He came over and put a smile on my face.Wanna swallows the t, and wake up links across.
I didn't even wanna wake up tomorrow morning.await with pleasure
Mark says there was nothing waiting for him, spoken flatly rather than cheerfully.
I had nothing to look forward to.Blend it into one run: look-forward-to.
I had nothing to look forward to.talking nonsense — Joking between friends; not for polite settings.
talking his shit.awesome — Northeastern slang for great; regional.
- That is wicked. - Oh, yeah?iron out the rough parts
but it's got to be smoothed out.at the very least
- You know? But at least I was out-- - You started shooting six years ago?there must be
I think, obviously, there's gotta be some fear...got to — Spoken form of got to; not for writing.
I think, obviously, there's gotta be some fear...proceed to do it
like if you actually go ahead and do it and complete it...allow time to pass unused
You let a day go by and fantasize, and that day slips into years.gradually turn into
You let a day go by and fantasize, and that day slips into years.Link slips into as one phrase.
You let a day go by and fantasize, and that day slips into years.emphatic do: The helping do adds emphasis, insisting the shot really does look good.
That shot does look good. Right there.out of — Casual spelling of out of.
- I'm trying to get outta frame there. - Yeah.keep it running
Keep the camera rolling. Did you just turn off the camera?forget it, drop it
Okay, just never mind, man.switch it off
- Gosh, it's so uncomfortable here. - Did you turn the camera off?inform someone
to let you know what was happening.visit or drop by
Right, and then we're gonna come over by you...noun clause: The what-clause is the object of ended: the thing that was just begun.
You've just ended what we've just begun.need a rest
- You fucking left me. - I needed a break.The d flaps into a, sounding like neede-da.
- You fucking left me. - I needed a break.leave and not look back
The line refuses to let Mark leave the relationship without a fight.
You're not just gonna walk away.relative clause: The clause that lasts describes nothing, meaning nothing endures.
There's nothing that lasts, you know?「Mark Watches His Old Footage」を読み解く
What's really going on
The chapter is obsessed with time and with what people will admit. Asked to be thankful, Mike offers lottery wins and meals, not family or faith—gratitude reduced to whatever got him through the week. Mark is more articulate about his own stall: he stopped shooting because finishing would mean "more consequences to it," and then comes the line the whole film is built around, "You let a day go by and fantasize, and that day slips into years." The editing puts the confession next to a messy shoot with his mother and a phone call about Alyssa and Joan, so the gap between the dream and the daily mess is visible. Nothing here is resolved; it is just named.
Theme
DreamsMark's unfinished film is measured in years he let slip while fantasizing instead of finishing.
HeartbreakThe Alyssa and Joan conflict shows relationships of his own starting and ending as the years pass.
このチャプターで学べること
- A wasted day is framed as a slide into years.
- Look forward to takes a noun or an -ing form.
- Walk away means leaving without fixing anything.
- The closing line refuses to let someone just leave.
発音のポイント
- wanna wake up — Wanna swallows the t, and wake up links across.
- look forward to — Blend it into one run: look-forward-to.
- slips into — Link slips into as one phrase.
- needed a — The d flaps into a, sounding like neede-da.
You let a day go by and fantasize, and that day slips into years.Mark's diagnosis of his own delay: each passive, wishful day quietly stacks up until years have vanished.
You've just ended what we've just begun.A line from a relationship argument—one person accusing the other of killing something that had only just started.
I had nothing to look forward to.The low point Mike describes before a friend's visit: no plan, no hope, nothing expected tomorrow.
There's nothing that lasts, you know?A bleak aside about relationships and projects alike—nothing holds, which is both a complaint and a kind of excuse.
このシーンについての質問
Why did Mark stop shooting Northwestern for six years?
He says fear is the reason: if he actually finished the film, it would have more consequences. As long as it stays unfinished, the dream is safe and the judgment is deferred.
What is Mark's friend Mike thankful for?
Small things: a $50 lottery win, a $10 win, and having food around Thanksgiving. He also mentions Mark visiting and cheering him up when he had nothing to look forward to.
Who are Alyssa and Joan, and why does it matter?
Alyssa is the mother of Mark's children and Joan is his new girlfriend. A phone call notes he is caught between them, and the scene cuts to an argument about what each relationship ended.
Why is Mark arguing with his mother during the shoot?
He is trying to direct her but keeps ending up out of frame or dead-center, and she keeps turning the camera off. It's an ordinary, funny domestic squabble over a shot that won't come right.
American Movie · 全 19 章
すべて見る →
次のチャプター · 第 13 章the ship is sinkingMark Shoots the Last Take of Coven
第 1 章idle handsMark's Twelfth Hour Deadline
第 2 章have something under your beltMark Pitches Northwestern
第 3 章in their right mindFamily Fights Over the Phone Bill
第 4 章ready to rollMark Runs Out of Money
第 5 章kosherMark Pitches Bill for 45 Grand
第 6 章down and outMark Shoots Coven in the Snow
第 7 章the bottom lineMark Pitches 3,000 Units to Bill
第 8 章lessen the blowShooting Coven in the Graveyard
第 9 章go out of their wayMark Lists His Debts
第 10 章have your cake and eat it tooMark Fears Losing His Kids
第 11 章face up toMark Confesses at Thanksgiving Dinner
再生中 · 第 12 章let a day go byMark Watches His Old Footage
第 13 章the ship is sinkingMark Shoots the Last Take of Coven
第 14 章on the moneyMark Records the Film's First Line
第 15 章for the birdsMark Pushes Bill Through 31 Takes
第 16 章just like youMark's Drunken Rant
第 17 章twist your armMark Picks Kenny Up From Jail
第 18 章catharticMark Smashes Cars on Set
第 19 章hot off the pressesMark Finishes the Last Splice第 12 / 19 章 · 残り約 30 分