several times
I've seen you a bunch of times coming and going with your head down.All of Us Strangers · 2023 — 第 1 / 15 章 · 2'25" · B1
A stranger at the door introduces himself as Harry, then slides from small talk into an invitation. "I saw you looking at me from the street" is both flirtation and confession, and the easy banter about an empty building makes the ask feel lighter than it is. Adam declines twice; Harry keeps the door open.
Late at night, a neighbour knocks on Adam's door. He introduces himself as Harry, jokes that they are the only two people in the building, and offers a drink. Adam politely declines, and Harry pushes a little further, asking whether he scares him and offering to come in anyway.
注目の表現
copevampires at my doorif I'm not your typemove in
このシーンの表現
trouble at the door
When Harry half-jokingly asks to come in, Adam answers with vampires at my door and keeps the door shut.
There were vampires at my door last night, all charm and whiskey.
to get through it
if I'm not your kind
to move into a place
harmful to trade
a crude intensifier
35 行のセリフに 17 件のメモ
several times
I've seen you a bunch of times coming and going with your head down.moving in and out
I've seen you a bunch of times coming and going with your head down.participle phrase: The -ing phrase describes how he was seen: coming and going with his head down.
I've seen you a bunch of times coming and going with your head down.the only people
We're basically the only ones here.a crude intensifier — A crude intensifier; never in formal settings.
Can you fucking believe that?do not have
I mean they haven't got security guards yet.how do you manage
How do you cope?in the corner of the room
But it's like there's someone in the corner of the room whispering about me.Run someone-in-the together with a weak in the.
But it's like there's someone in the corner of the room whispering about me.don't really want us to
I mean, we can't even open, the windows, but I guess they don't really want us to jump.harmful to trade
Harry jokes that open windows would be bad for business if anyone jumped.
It's bad for business. You know, bodies broken on the concrete.to move into a place
Harry jokes that if bodies hit the concrete, nobody would want to move in.
I mean, who's gonna move in then? (CHUCKLES)the best there is
It's meant to be the best in the world, but I, I couldn't tell you why, so...cannot explain why
It's meant to be the best in the world, but I, I couldn't tell you why, so...be meant to be: Meant to be reports what people say about it, before the speaker admits he cannot explain why.
It's meant to be the best in the world, but I, I couldn't tell you why, so...The t blurs, so it comes out as couldn-tell-ya.
It's meant to be the best in the world, but I, I couldn't tell you why, so...anything else you want
then for whatever else you might want.On the surface it is a lonely man's awkward come-on, but the scene is really about two kinds of isolation meeting. Harry does all the talking, filling the silence with jokes about alarms and empty buildings, and his invitation keeps changing shape: a drink, then company, then sex. The turning point is Adam's flat refusal — "I don't think that's a good idea." Harry immediately checks the damage with "Do I scare you?" and protects himself with "We don't have to do anything if I'm not your type." Every line is a retreat disguised as warmth. Adam's closing image, "There's vampires at my door," reframes a nervous neighbour as a threat, and it tells us more about Adam's fear of closeness than about Harry.
I saw you looking at me from the street.Harry makes the first glance mutual: Adam's look becomes the excuse for the whole visit.
There's vampires at my door.Adam's image for the visitor — not a neighbour but a predator, a sign of how threatening intimacy feels.
One day, it'll be for real, that alarm.A dark joke about how one day the fire alarm will be genuine, matching the unease of the building.
I've seen you a bunch of times coming and going with your head down.Harry reveals he has been watching Adam for a while, which makes the visit flattering and unsettling at once.
He says he lives in the building and saw Adam from the street. He starts with a drink and turns the visit into an offer of company, then sex.
He is describing Harry as a threat. The image turns a lonely neighbour's visit into something predatory, showing how unsafe closeness feels to Adam.
The film doesn't show him as violent here. He reads as lonely and forward; the danger lives in Adam's imagination, and the line makes us feel that anxiety.
Because Harry's offer to come in has become a proposition. Adam isn't hostile; he is guarded, and instead of explaining he simply shuts the invitation down.
No. He declines the drink and the offer to come in, and the guest finally leaves. The visit ends with Adam alone and the door shut.
次のチャプター · 第 2 章over the moonAdam Visits His Parents' Old House
再生中 · 第 1 章vampires at my doorHarry Knocks on Adam's Door
第 2 章over the moonAdam Visits His Parents' Old House
第 3 章not for want of tryingHarry Comes Round to Drink
第 4 章afraid it isAdam Opens Up About His Parents
第 5 章have your cake and eat itAdam Comes Out to His Mum
第 6 章wouldn't know about thatAdam's Mum Recalls His Childhood
第 7 章easier said than doneThe Hot Bath Confession
第 8 章put a name toAdam Feels Like a Stranger at Home
第 9 章grown on meAdam's Dad Apologises for School
第 10 章always on my mindAdam's Christmas with His Parents
第 11 章plot outAdam's Mum Visits Him in Bed
第 12 章tangled up withAdam Tells Harry About His Parents
第 13 章get on with his lifeAdam Returns to His Childhood Home
第 14 章the next best thing toAdam's Parents Tell Him to Let Go
第 15 章get the words outAdam's Parents Say Goodbye at Dinner