Luca · 2021 — Chapter 5 of 9 · 3'13" · B1

Luca and Alberto's Dinner with Massimo, Explained: Money is tight

It looks like a friendly dinner — Giulia brings two friends home and her father Massimo serves pasta. Underneath, everyone is tense: the boys can't say where they're really from, and when talk turns to the race and its entry fee, "I can't sell what I don't have" shuts the door until they offer to work.

What happens

Giulia brings Luca and Alberto to her father Massimo's house for dinner in Portorosso. Massimo is a fisherman with a big knife, and the boys are secretly sea monsters, so they try to act casual. Over pasta he asks where they're from and why they came; when the race and its entry fee come up, Massimo says money is tight, and the boys offer to work on his boat.

Family dinnersParents & kidsPersuadingBargainingParent & childB1slowother-accentClean
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Listen for

do the talkingput you to workwhat got into himact casual

00:00 / 03:13
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Phrase of the scene

do the talking

to be the one who speaks for the group

朱莉娅带两个朋友回家吃饭,进门先让阿尔贝托别出声,由她来应付爸爸。

You hold the map; I will do the talking at the gate.

Also in this scene

  • put you to work

    to set someone to a task

  • what got into him

    a question about a sudden strange mood

  • act casual

    to behave as if nothing unusual is happening

Everything marked in this scene

25 notes across 60 lines

Phrase · A2the entry feeAll right, just let me do the talking and act casual.
Phrase · B2do the talking

to be the one who speaks for the group

-some friends for dinner. -(BOTH GASP)
Phrase · B1act casual

to behave as if nothing unusual is happening

-some friends for dinner. -(BOTH GASP)
Phrase · B2do well with something-some friends for dinner. -(BOTH GASP)
Sounddo the talking

liaison

-some friends for dinner. -(BOTH GASP)
Grammar · B1doesn't do well with

negative of do well with

-Is there enough for four? -(KNIFE CHOPS)
Phrase · B1pretend to do somethingEveryone in Portorosso pretends to believe in sea monsters.
Grammar · B1pretends to believe in

pretend plus infinitive

-(LUCA GASPS) -Huh? (YELLS)
Phrase · B2what brings you to somewhereAnd what brings you to Portorosso?
Phrase · B2funny you should askFunny you should ask.
SoundFunny you should ask

liaison

Yeah.
Phrase · B1worry about somethingUh, you know what? Don't worry about it.
Phrase · B1get upsetYou get so upset.
Phrase · B2money is tightThere's also the entry fee. Money is tight.
Phrase · B2work double shiftsI'll work double shifts at the pescheria. Whatever you need.
Slang · A2per favoreI can't sell what I don't have.
Phrase · A2excuse meUm, excuse me?
Grammar · B1I'll work double shifts

will for a promise

Um, excuse me?
Phrase · A2lots of somethingOh, we? We know lots of fish.
Phrase · B2put someone to work

to set someone to a task

You want to work? I'll put you to work.
Grammar · B2put you to work

put someone to work

Machiavelli! (SHUSHES) Don't you...
Soundput you to work

elision

Machiavelli! (SHUSHES) Don't you...
Phrase · A2be sorry about somethingI'm so sorry about the cat.
Phrase · B2what got into someone

a question about a sudden strange mood

I don't know what got into him.
Phrase · B1head back to somewhereIt's fine. We're gonna head back to, uh...

Luca and Alberto's Dinner with Massimo, explained

What's really going on

The dinner is a test the boys are failing quietly. Massimo is warm on the surface — he cooks, he offers a room at the end — but everything around him is a fisherman's livelihood: knives, the pescheria, "What I need is more fish in my net." Luca and Alberto are in his house because they need something from him, yet they can barely answer a simple question about where they're from, and the only cover story they have is borrowed from Giulia. The scene also plants its central bargain: the race is expensive, the family is broke, and the boys' real advantage — being fish — is exactly what they can't reveal. "You want to work? I'll put you to work" sounds generous, but it turns them into labor before it turns them into friends.

Theme

SecretsThe boys must hide what they are at the very dinner that could help them, turning a friendly meal into a performance.
MoneyA child's dream of the race meets a fisherman's tight budget, and the scene settles it with labor instead of cash.

Listen for

  • do the talking — liaison
  • Funny you should ask — liaison
  • put you to work — elision
I can't sell what I don't have.

The father's way of saying no to the entry fee: if the fish aren't there to sell, there's no money for the race.

What I need is more fish in my net.

His real ask: not extra hours at the shop but more catch. The boat, not the counter, is where money comes from.

Everyone in Portorosso pretends to believe in sea monsters.

A line about the town's fake sea-monster photo — it winks at the secret the boys are hiding right at the table.

He doesn't do well with fear.

A warning dropped before they walk in: someone nearby panics when scared, which sets up the boys' terror around the fisherman and his knife.

Questions about this scene

Why won't Massimo let Giulia enter the race?

He says money is tight and he can't sell what he doesn't have — the fish aren't coming in, so he can't afford the entry fee or another season of watching her get crushed.

Does Massimo know Luca and Alberto are sea monsters?

Not yet. He only sees two boys who claim to know fish, and by the end he hires them onto his boat — the audience knows far more than he does.

Why do Luca and Alberto offer to work instead of just leaving?

The race is their way to win a Vespa and stay on land; with no money, working the boat is the only way to earn the entry fee.

What is a pescheria?

It's a fish shop, the family business Giulia offers to work double shifts at. The film keeps the Italian word rather than translating it.

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