be responsible for a death
that you had blood on your hands.Witness for the Prosecution · 1957 — 第 23 / 27 章 · 4'38" · B2
After Christine's testimony, Vole breaks down in the dock — "God, it's like a nightmare" — while Wilfrid tells his nurse the jury believed her. Then a stranger phones at night: she claims to hold "the goods" on the German wife and offers to sell them at Euston Station. Told it is a wild-goose chase, Wilfrid goes anyway.
The trial over for the day, Vole collapses in the dock, calling the whole thing a nightmare. Back home, Wilfrid and his nurse discuss the case: the jury liked Vole but did not believe him, and they believed the wife. A late-night call brings a stranger who claims to have evidence about Christine and wants money for it. Wilfrid calls it a wild-goose chase, then heads to Euston Station.
注目の表現
on the standopen-and-shutat stakeentitled to
このシーンの表現
a pointless search
Sir Wilfrid calls the call nonsense and says he is too old and sick for a wild-goose chase.
That tip turned out to be a wild-goose chase.
testifying in court
simple and clear-cut
at risk
having the right to
breathing with difficulty
71 行のセリフに 25 件のメモ
be responsible for a death
that you had blood on your hands.make something seem true
But you make it sound as though I did. I can hear it myself.simile: It's like introduces a simile; like is a preposition followed by a noun.
God, it's like a nightmare. Some ghastly, horrible dream.simple and clear-cut
Mayhew doubts the jury will take long, since the case looks open-and-shut.
Not on this case, I'm afraid. It seems too open-and-shut.testifying in court
Mayhew says he watched Frau Helm testify and saw that the jury disliked her.
I watched when Frau Helm was on the stand. They didn't like her.contrast clause: The but-clause sets liking against belief, capturing the jury's split feeling.
No, but they believed her. They liked Leonard Vole but they didn't believe him.someone's hidden plan
The only question is why. What's her game? What is she up to? What?at risk
Sir Wilfrid refuses to rest, saying his client's life is at stake and nothing else counts.
My client's life is at stake. That's all that matters... his life.having the right to
Sir Wilfrid insists his client deserves his best effort, however ill he feels.
He's entitled to the best that I can do.conditional clause: The if-clause states what may fail, and the main clause gives the fallback.
If I can't stand up to make my final appeal for him, I'll make it sitting down.breathing with difficulty
Sir Wilfrid jokes that if he gets short of breath he will take a pill, or the whole box.
If I become short of breath I'll take a pill, or two pills, or all of them and the box too.conditional clause: A first conditional: if it happens, will follows, with a casual list after.
If I become short of breath I'll take a pill, or two pills, or all of them and the box too.an old man — London slang, teasing; not for polite use.
- Well, yes, it is. - Let me talk to the old geezer.The h in him is dropped, leaving 'im.
- Who is this speaking, please? - Never you mind. Let me talk to 'im.what someone wants
I'm afraid that's impossible. What is the nature of your business?hold evidence against someone
I've got the goods on her and it's for sale.a familiar term of address — Old London speech; warm or cheeky depending on tone.
Well, hello, ducky.in writing
She insists she is not making it up, because she has it in black and white.
I'm not just saying. I've got it in black and white.Link at the far end into one smooth run.
I'm at the buffet at Euston Station at the far end of the bar.the inside information
If you want the lowdown on that German bag, get yourself here.a slur for a German woman — A derogatory slur; do not repeat it.
If you want the lowdown on that German bag, get yourself here.no way — Casual refusal; too loose for formal talk.
Uh-uh. Not on the phone.a lot of something
You'd better get on over here, and bring plenty of money.a pointless search
Sir Wilfrid calls the call nonsense and says he is too old and sick for a wild-goose chase.
I'm too old and too sick to go on a wild-goose chase.Where do you blurs into one quick unit.
Euston Station, where do you think?Two things are happening at once. In court, Vole's last shred of dignity is gone: "God, it's like a nightmare. Some ghastly, horrible dream." Out of court, Wilfrid is already doing what he does best — reading the jury like an instrument. "No, but they believed her. They liked Leonard Vole but they didn't believe him," he says, and the distinction is the whole case in one line. He is certain Christine lied, but not why, and the uncertainty keeps him from resting. The phone call offers an answer in the form of a shady deal, and his refusal to be sensible — going after it despite his health — is the same stubbornness that makes him a great barrister.
No, but they believed her. They liked Leonard Vole but they didn't believe him.Wilfrid's summary of the jury: charm is not enough. They warm to Vole as a person yet accept the wife's story, which is bad news for the defence.
My client's life is at stake. That's all that matters... his life.His answer to the nurse's warnings: nothing, not even his own health, can take priority over keeping Vole alive.
If I can't stand up to make my final appeal for him, I'll make it sitting down.A stubborn, half-humorous promise: he will give the closing speech for Vole no matter how weak he is.
God, it's like a nightmare. Some ghastly, horrible dream.Vole's outburst as the evidence turns against him — the moment the confident defendant breaks in front of the court.
The jury liked Vole but did not believe him, and they believed Christine's testimony. Wilfrid says the case looks too open-and-shut, and the travel agency detail makes it worse.
The woman claims to have documentary evidence about Christine and will sell it. Although he calls it a wild-goose chase, he cannot ignore any chance to help his client.
She says she has the goods on Christine, the German wife — the lowdown on her past — and she has it in black and white, meaning written proof she is willing to sell.
He insists that until the trial is over he is still a barrister, and his client's life is at stake. He jokes that if he cannot stand to make the appeal, he will make it sitting.
She watched Christine on the stand and says the jury did not like her. Wilfrid corrects her: they did not like her, but they believed her, and that is what matters.
次のチャプター · 第 24 章on the slySir Wilfrid Buys the Letters
第 1 章put it in mothballsSir Wilfrid Goes Home
第 2 章when her back is turnedSir Wilfrid Hides Cigars in His Cane
第 3 章circumstantial evidenceVole Tries to Hire Sir Wilfrid
第 4 章in the hands ofLeonard Tells Sir Wilfrid His Story
第 5 章not cricketHow Vole Met Mrs French
第 6 章a hot potatoLeonard Recounts the Night of the Murder
第 7 章with flying coloursInspector Hearne Arrests Leonard
第 8 章call it what you likeChristine Vole Meets the Lawyers
第 9 章a way with womenChristine and the Green Socks
第 10 章worships the ground I walk onChristine Denies She's His Wife
第 11 章on the chance thatWilfrid Photographs Vole in Prison
第 12 章gave someone ideasLeonard Meets Christine in Hamburg
第 13 章clutching at a razor bladeVole Tells How He Married Christine
第 14 章to a pointLeonard Vole Pleads Not Guilty
第 15 章take someone by surpriseHearne Testifies About the Prints
第 16 章account forThe Bloodstained Jacket in Court
第 17 章hither and thitherJanet McKenzie Takes the Stand
第 18 章a scheming rascalWilfrid Cross-Examines the Housekeeper
第 19 章an accomplice toChristine Testifies Against Vole
第 20 章a chronic and habitual liarMyers Destroys Christine on the Stand
第 21 章shed new light onSir Wilfrid Calls Leonard Vole
第 22 章establish an alibiMyers Cross-Examines Leonard Vole
再生中 · 第 23 章wild-goose chaseThe Call About the German Wife
第 24 章on the slySir Wilfrid Buys the Letters
第 25 章a pack of liesSir Wilfrid's Blue Letter Trap
第 26 章dispose ofVole Is Found Not Guilty
第 27 章call someone namesChristine Reveals Leonard Was Guilty