a polite request
Would you mind, madam? Your hat.Witness for the Prosecution · 1957 — 第 5 / 27 章 · 3'42" · B2
On the stand, Vole recalls how he first met the woman he is accused of murdering: an afternoon at the pictures and a lonely widow who invited him home for tea. "She seemed to be very lonely, had no friends whatsoever," he says, and the kind detail doubles as his defence — he had no idea she was rich.
It is Vole's flashback testimony: he meets Mrs French at a cinema, where the two sit in the cheap seats and chat about the Jesse James film. Afterwards she invites him home for tea. He brings her a centrifugal eggbeater as a gift and gets on well with her. From then on he visits about once or twice a week, and she keeps a bottle of sherry for him.
注目の表現
not cricketshoot his way outpolished offcompliments of
このシーンの表現
not fair play
Watching Jesse James walk into an ambush, Mrs French protests that it is not at all cricket.
It's not cricket to read someone's private messages.
escape by shooting
finished something off
given free by someone
came along with the antiques
very Scottish, old usage
54 行のセリフに 27 件のメモ
a polite request
Would you mind, madam? Your hat.someone is to blame
It's your fault, you know. You chose it yourself.if you want to
- May I? - Sure, if you like.such a nuisance
Thank you. It's such a bother taking it off and putting it back on again.guide someone into a trap
That chap is Jesse James. They've led him into an ambush. It's not at all cricket.present perfect: The present perfect marks a completed action whose result matters right now.
That chap is Jesse James. They've led him into an ambush. It's not at all cricket.Link not at all into no-ta-tall.
That chap is Jesse James. They've led him into an ambush. It's not at all cricket.a man, a fellow — British and familiar; too casual for formal speech.
That chap is Jesse James. They've led him into an ambush. It's not at all cricket.go to the cinema
- I've seen it. I got to the movies a lot. - You do?the cinema — American for the cinema; British speakers often say the cinema.
- I've seen it. I got to the movies a lot. - You do?nowhere to go
I get restless so I go out. Then I find I've no place to go so I go to the movies.The v in I've is faint and no place links together.
I get restless so I go out. Then I find I've no place to go so I go to the movies.the least expensive seats
No. Absolutely not. We were sitting in the cheap seats.none at all
All I knew was she seemed to be very lonely, had no friends whatsoever.subject clause: The clause All I knew is the subject, and that is left out before the second clause.
All I knew was she seemed to be very lonely, had no friends whatsoever.finished something off
Vole breezes past the film's ending, saying they finally polished off Jesse James.
Well, they finally polished off Jesse James,relative clause with superlative: The relative clause I have ever seen attaches to the superlative to mean the most ... I have known.
I think it's the most fascinating thing I've ever seen. Janet, come and look.beat cream until thick
It's specific gravity, but it whips cream too.light a fire
It's a bit chilly in here, isn't it? Shall we have a fire?not, in dialect spelling — A dialect spelling of not; write not in formal text.
- That'd be fine. - We've no' got any.the reason is simply that
Do sit down. Don't mind Janet, Mr Vole. It's just that she's terribly Scotch.Stress the first syllable of terribly and give Scotch full weight.
Do sit down. Don't mind Janet, Mr Vole. It's just that she's terribly Scotch.sense of something
I feel like Christmas, somehow.one or two times weekly
After that I saw her once or twice a week. She always kept a bottle of sherry for me.Once or twice runs together, with once sliding into or.
After that I saw her once or twice a week. She always kept a bottle of sherry for me.pay attention to sound
We'd talk, play canasta, listen to gramophone records, Gilbert and Sullivan mostly.participle phrase: The two participles describe her state without a full relative clause.
It's so weird to think of her now, lying in that living room, murdered.On the surface this is a sweet story about a lonely widow and a kind young man. Underneath it is Vole carefully building his defence: every warm detail is also evidence that he had no motive. "At this time you had no idea that Mrs French was well-off?" comes the question, and his answer is the whole point — "No. Absolutely not. We were sitting in the cheap seats." He stresses she "had no friends whatsoever," which explains why a rich widow would pour her affection and her silver onto a stranger. He even gifts her an eggbeater, presenting himself as a harmless inventor rather than a fortune hunter. The scene ends on his quiet line, "It's so weird to think of her now, lying in that living room, murdered" — grief, or a performance of it, that the film deliberately leaves open.
That chap is Jesse James. They've led him into an ambush. It's not at all cricket.Mrs French reacts to the film as if it were real: ambushing a man is unfair play. "Not cricket" is the old British way of saying something isn't fair or decent.
I get restless so I go out. Then I find I've no place to go so I go to the movies.Mrs French explains her routine: loneliness drives her out of the house, and the cinema is the one place that will have her.
It's so weird to think of her now, lying in that living room, murdered.Vole's voice turns from fond memory to the image of her corpse. It can read as real grief, or as a line rehearsed for the jury.
I assure you she's been moved by now. To leave her would be unfeeling, unlawful, and unsanitary.Wilfrid answers Vole's sentiment with black humour: a dead body cannot simply be left in a living room, whatever anyone happens to feel.
To show he had no idea Mrs French was wealthy. If he had been a fortune hunter, the cheap seats prove he met her as an ordinary stranger, not as a rich target.
Yes. Vole says she "had no friends whatsoever," went to the movies to pass the time, and lived with only her housekeeper Janet. That loneliness explains why she welcomed a young stranger so warmly.
An old British phrase meaning unfair or dishonourable. Mrs French uses it about the ambush in the Jesse James film, but it carries the sense that someone has broken the rules of decent play.
Mrs French's Scottish housekeeper. She is stern, dislikes visitors in her kitchen, and is the one who later finds Mrs French dead and becomes a witness.
Yes. He is the inventor, manufacturer and sole distributor, so he presents it as a gift. That scene makes him look generous and harmless rather than like a man chasing her money.
次のチャプター · 第 6 章a hot potatoLeonard Recounts the Night of the Murder
第 1 章put it in mothballsSir Wilfrid Goes Home
第 2 章when her back is turnedSir Wilfrid Hides Cigars in His Cane
第 3 章circumstantial evidenceVole Tries to Hire Sir Wilfrid
第 4 章in the hands ofLeonard Tells Sir Wilfrid His Story
再生中 · 第 5 章not cricketHow Vole Met Mrs French
第 6 章a hot potatoLeonard Recounts the Night of the Murder
第 7 章with flying coloursInspector Hearne Arrests Leonard
第 8 章call it what you likeChristine Vole Meets the Lawyers
第 9 章a way with womenChristine and the Green Socks
第 10 章worships the ground I walk onChristine Denies She's His Wife
第 11 章on the chance thatWilfrid Photographs Vole in Prison
第 12 章gave someone ideasLeonard Meets Christine in Hamburg
第 13 章clutching at a razor bladeVole Tells How He Married Christine
第 14 章to a pointLeonard Vole Pleads Not Guilty
第 15 章take someone by surpriseHearne Testifies About the Prints
第 16 章account forThe Bloodstained Jacket in Court
第 17 章hither and thitherJanet McKenzie Takes the Stand
第 18 章a scheming rascalWilfrid Cross-Examines the Housekeeper
第 19 章an accomplice toChristine Testifies Against Vole
第 20 章a chronic and habitual liarMyers Destroys Christine on the Stand
第 21 章shed new light onSir Wilfrid Calls Leonard Vole
第 22 章establish an alibiMyers Cross-Examines Leonard Vole
第 23 章wild-goose chaseThe Call About the German Wife
第 24 章on the slySir Wilfrid Buys the Letters
第 25 章a pack of liesSir Wilfrid's Blue Letter Trap
第 26 章dispose ofVole Is Found Not Guilty
第 27 章call someone namesChristine Reveals Leonard Was Guilty