the same section of the climb
We climb all day into the night, trying the same pitch until we both do it.The Dawn Wall · 2017 — 第 6 / 24 章 · 3'24" · B2
Days on the wall are a grind: climb the same pitch until both men make it, haul hundreds of pounds of gear, sleep in a portaledge, eat when you can. "It's just grabbing razor blades," Tommy says of the rock. The film cuts from that routine to the harder work of healing after Kyrgyzstan, where climbing becomes the way back.
On the Dawn Wall, Tommy and Kevin spend all day repeating the same pitch until both of them complete it, then haul up their gear, set up portaledges and force down some food. The routine ends only to restart harder the next day. The scene also follows the aftermath of Kyrgyzstan: Beth is traumatized, Tommy cannot sleep, and climbing becomes the way both of them recover.
注目の表現
a man possessedhaul upgag downmore of the same
このシーンの表現
get back up after a fall
Looking back on Kyrgyzstan, Tommy describes his cure: do not dwell, remount and start climbing again.
You have to get back on that horse after a loss.
driven like someone possessed
pull something heavy upward
force yourself to swallow food
the same thing all over again
everything went badly wrong
48 行のセリフに 25 件のメモ
the same section of the climb
We climb all day into the night, trying the same pitch until we both do it.stay level with others
And I'm just trying to keep up.mate; bro — Casual address among friends; not for formal settings.
Yeah, that was awesome, dude.great; amazing — Everyday praise; fine with friends, loose at work.
Yeah, that was awesome, dude.The t in didn't often drops before fall.
Thank God I didn't fall.when the day is over; ultimately
When you're trying a big wall like this, the work does not end once the climbing is done at the end of the day.put something together
You've got to haul up hundreds of pounds of gear, set up portaledges...have got to: You've got to marks obligation the way must does, but it sounds more spoken.
You've got to haul up hundreds of pounds of gear, set up portaledges...Got to blurs into gotta in fast speech.
You've got to haul up hundreds of pounds of gear, set up portaledges...fairly flat
This seems pretty good. Pretty flat, even, I would say.superlative with ever: The superlative plus ever stretches the claim to the absolute limit.
This is the hardest thing you could ever do on your fingers, climbing this route.wrap something with tape
I tape up any wounds with Neosporin for healing.fixated on something
Getting pretty obsessed with my lips.sleep a little
Then you've got to hope you can get a little sleep.More of the runs together, with of almost swallowed.
The next day is going to be more of the same, but harder.take in what happened
we're trying to absorb what had happened.passive infinitive: The passive infinitive shows separation is done to her, not chosen by her.
I did not want to be separated from Tommy at that point.for the past ten years
We hadn't been to church in ten years.past perfect: The past perfect sets the gap before another past moment; in ten years measures how long.
We hadn't been to church in ten years.handle something
I think my way of dealing with it was you just get back on that horse and go climb again.Kind of often reduces to kinda.
Part of me was feeling kind of empowered.crap; damn — A swear for venting or emphasis; never in polite company.
I was like, when the shit really hit the fan, I was able to do what needed to be done to get us out of there.back in a good rhythm
Tommy jumped right back into climbing, and slowly we got back into our groove.rhythm; groove — Casual talk about getting back to a good rhythm.
Tommy jumped right back into climbing, and slowly we got back into our groove.increasingly hard
Trying to climb harder and harder routes.The wall section is about routine as survival: the same pitch, the same pain, the same tiny meals, repeated until it stops being a challenge and becomes a life. "It's just grabbing razor blades," Tommy says of the holds, and the flatness of the line tells you how normal the suffering has become. Then the film turns to what happened after Kyrgyzstan, and the real subject appears. Beth is traumatized, Tommy cannot sleep, and neither of them knows how to process a night they survived. Their answer is not to talk it through but to return to the thing they know: church, a therapist, and above all climbing. "This has always been my safe place, my way to deal with life," Tommy says, and the wall stops being a stunt and becomes a coping mechanism. The chapter connects the grind and the healing into one idea: he climbs because it is the only language that makes sense of being alive.
Tommy is just a man possessed.A description of Tommy on the wall: not merely focused but seized by something, climbing as if driven by a force outside himself.
It's just grabbing razor blades.The rock is so sharp that every hold cuts. The line makes the route's cruelty physical and immediate.
This has always been my safe place, my way to deal with life.Climbing reframed as refuge: not an escape from life but the only place Tommy knows how to cope with it.
I think my way of dealing with it was you just get back on that horse and go climb again.Tommy's answer to trauma is action, not reflection: when you fall, you remount and keep going.
Tommy jumped right back into climbing, and slowly we got back into our groove.The recovery described as a return to an old rhythm, with climbing leading and ordinary life following behind.
The next day is going to be more of the same, but harder.The wall's exhausting logic stated plainly: there is no finish line, only the same day again at a higher difficulty.
Once the climbing for the day is done, they still have to haul up hundreds of pounds of gear, set up their portaledges, and force down some food before trying to sleep.
The holds are extremely sharp. Tommy compares the rock to grabbing razor blades, and says he tapes his wounds and reapplies ointment twice a night.
He goes back to climbing. He describes the wall as his safe place and his way of dealing with life, and says his method was simply to get back on the horse and climb again.
Yes. The scene follows her trauma and the couple's recovery, including church and therapy, as she and Tommy try to absorb what happened.
次のチャプター · 第 7 章fire someone upTommy Caldwell Cuts Off His Finger
第 1 章larger than lifeTommy's Father Toughens Him Up
第 2 章head over heelsTommy Caldwell Wins Snowbird
第 3 章sitting ducksClimbers Taken Hostage in Kyrgyzstan
第 4 章take matters into their own handsTommy Pushes a Captor Off the Cliff
第 5 章on the verge ofTommy Caldwell Attempts the Dawn Wall
再生中 · 第 6 章get back on that horseLife on the Dawn Wall
第 7 章fire someone upTommy Caldwell Cuts Off His Finger
第 8 章grow apartTommy Becomes Mr. El Cap
第 9 章throw yourself intoTommy Climbs Through His Divorce
第 10 章pull for someoneDay Three on the Dawn Wall
第 11 章a far cry fromIce Missiles Hit the Dawn Wall
第 12 章go on faithTommy Tests His New Partner
第 13 章take a tollYears of Grinding on the Wall
第 14 章beat your head against a wallTommy Chooses the Wall Over Love
第 15 章flip the switchTommy Attempts the Great Traverse
第 16 章come togetherTommy Sends Pitch 15
第 17 章momentumThe World Watches Tommy Climb
第 18 章wears you downTommy Climbs in a Circle
第 19 章a new set of eyesTommy Solves the Ridiculous Loop
第 20 章throw in the towelKevin Falls Short on Pitch 15
第 21 章envisionTommy Reaches Wino Tower
第 22 章hold someone backTommy Waits for Kevin
第 23 章the moment of truthBecca and Fitz Arrive at El Cap
第 24 章no way in hellKevin Catches Tommy on the Dawn Wall