round in a big loop
Finally, we realized they were leading us in a giant circle.The Dawn Wall · 2017 — 第 4 / 24 章 · 3'39" · B2
In the mountains of Kyrgyzstan, six nights into captivity, Tommy and his fellow climbers see their one chance: a lone captor, on terrain they know and he does not. "If we're going to escape, this is the opportunity," the narration says. Tommy pushes the man off the cliff, and immediately falls apart: "I had just killed somebody."
Six nights into being held hostage in Kyrgyzstan, Tommy Caldwell and the other climbers realize their captors have no real plan. When two of them leave and only one stays to guard them, the group decides to act. As they climb a cliff they know well, Tommy pushes the remaining captor off the edge to save their lives, then breaks down over what he has done.
注目の表現
schemetake matters into their own handsbroke downout of sight
このシーンの表現
act yourself instead of waiting
With no help coming, the two men decide to deal with the captor themselves.
Parents who take matters into their own hands often get results.
plot, plan secretly
lose control emotionally
no longer visible
collapse suddenly and heavily
start to take effect
48 行のセリフに 24 件のメモ
round in a big loop
Finally, we realized they were leading us in a giant circle.have a strategy
Like, these guys clearly don't have a plan.The t in don't drops and have a links together.
Like, these guys clearly don't have a plan.filler, like — A spoken filler; avoid it in formal speech.
Like, these guys clearly don't have a plan.escape
Jason and John started to scheme about how we could get away.extremely — Spoken intensifier; rare in formal writing.
I mean, things were getting super desperate.the people holding us
At one point, two of our captors left.held prisoner
On our sixth night of captivity,try to — Casual for try to; keep try to in writing.
the two captors that were remaining with us decided that one of them would go in one direction to try and get some foodThis is links into one sound before the opportunity.
If we're going to escape, this is the opportunity.future in the past: Was going to describes what was about to happen from a past point of view.
As we got to the top, I realized that our opportunity was going to be over.so as to
I had to go and I needed to push this guy off this cliff in order to save our lives.purpose infinitive: In order to introduces the purpose of the action.
I had to go and I needed to push this guy off this cliff in order to save our lives.interpret something as
I took that as that she would be OK with it.two that-clauses: The first that points back to her silence; the second starts the clause after as.
I took that as that she would be OK with it.run up from behind
So I just ran up behind him and I put one hand on his back and grabbed his gun strap.rebound off a surface
We saw him hit a ledge, bounce off of it, and just fall out of sight into the darkness.be unable to believe
I couldn't believe what I had just done.race toward a place
We knew from hiking in earlier where there was a military outpost we could try and run to.The -ed is just a t sound that links into in.
So even on almost no food for six days, adrenaline kicked in.shout at someone
We were greeted by this man yelling at us with this gun.wash over someone
This huge wave of relief came over us.be finished
This horrible situation that we had been in was over.army work uniform
They gave us food and water, military fatigues.The scene is the moral center of Tommy's past, and the film does not soften it. He is not a hero in the moment; he is a terrified young man who has decided that someone else has to die so that he and his friends can live. "I had just killed somebody," he says, and the flatness of the line is what makes it unbearable. His friends rush to absolve him — you are not a bad person, you saved our lives — but he cannot take the comfort. What the film captures is the gap between survival and self-forgiveness: the body runs on adrenaline for four hours to the army outpost, while the mind is still back on the ledge. "The whole world came crashing down on me all at once" is not an exaggeration here; it is the moment his sense of who he is breaks.
I had just killed somebody.The plainest possible statement of the act, said in disbelief: not self-defense rhetoric, just the fact he cannot yet process.
The whole world came crashing down on me all at once.The aftermath in one image: the reality of what he did lands all at once and takes everything with it.
If we're going to escape, this is the opportunity.The tactical reading of the moment: one captor, familiar terrain, and a window that will not stay open.
We were comfortable on the terrain, and he was not.The climbers' edge stated coldly: the mountain is their home ground, and it becomes the weapon.
I couldn't believe what I had just done.Disbelief after the act, the mind rejecting what the hands have already carried out.
So even on almost no food for six days, adrenaline kicked in.The body overriding exhaustion: six days of near-starvation does not stop the surge that gets them moving.
They were ready to take matters into their own hands.The decision to stop waiting for rescue or a plan, and to force an outcome themselves.
He and the other climbers believed it was the only chance to escape. With one guard left and terrain they knew better than he did, they decided to act before the moment passed.
The film presents it as a life-or-death choice, not a simple one. The group believed the alternative was staying captive, and Tommy is shown agonizing before it and shattered after.
After the escape they ran for hours through the dark valley to a military outpost they had seen on the way in, where the Kyrgyz army took them in and later flew them out.
It means to stop waiting for someone else to fix a situation and act directly. Here it describes the climbers deciding to force their own escape.
次のチャプター · 第 5 章on the verge ofTommy Caldwell Attempts the Dawn Wall
第 1 章larger than lifeTommy's Father Toughens Him Up
第 2 章head over heelsTommy Caldwell Wins Snowbird
第 3 章sitting ducksClimbers Taken Hostage in Kyrgyzstan
再生中 · 第 4 章take matters into their own handsTommy Pushes a Captor Off the Cliff
第 5 章on the verge ofTommy Caldwell Attempts the Dawn Wall
第 6 章get back on that horseLife on the Dawn Wall
第 7 章fire someone upTommy Caldwell Cuts Off His Finger
第 8 章grow apartTommy Becomes Mr. El Cap
第 9 章throw yourself intoTommy Climbs Through His Divorce
第 10 章pull for someoneDay Three on the Dawn Wall
第 11 章a far cry fromIce Missiles Hit the Dawn Wall
第 12 章go on faithTommy Tests His New Partner
第 13 章take a tollYears of Grinding on the Wall
第 14 章beat your head against a wallTommy Chooses the Wall Over Love
第 15 章flip the switchTommy Attempts the Great Traverse
第 16 章come togetherTommy Sends Pitch 15
第 17 章momentumThe World Watches Tommy Climb
第 18 章wears you downTommy Climbs in a Circle
第 19 章a new set of eyesTommy Solves the Ridiculous Loop
第 20 章throw in the towelKevin Falls Short on Pitch 15
第 21 章envisionTommy Reaches Wino Tower
第 22 章hold someone backTommy Waits for Kevin
第 23 章the moment of truthBecca and Fitz Arrive at El Cap
第 24 章no way in hellKevin Catches Tommy on the Dawn Wall