The Dawn Wall · 2017 — 第 4 / 24 章 · 3'39" · B2

Tommy Pushes a Captor Off the Cliff, Explained:take matters into their own hands

In the mountains of Kyrgyzstan, six nights into captivity, Tommy and his fellow climbers see their one chance: a lone captor, on terrain they know and he does not. "If we're going to escape, this is the opportunity," the narration says. Tommy pushes the man off the cliff, and immediately falls apart: "I had just killed somebody."

あらすじ

Six nights into being held hostage in Kyrgyzstan, Tommy Caldwell and the other climbers realize their captors have no real plan. When two of them leave and only one stays to guard them, the group decides to act. As they climb a cliff they know well, Tommy pushes the remaining captor off the edge to save their lives, then breaks down over what he has done.

StorytellingConfessingComfortingFriendsB2fastamericanClean
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注目の表現

schemetake matters into their own handsbroke downout of sight

00:00 / 03:39
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このシーンの表現

take matters into their own hands

act yourself instead of waiting

With no help coming, the two men decide to deal with the captor themselves.

Parents who take matters into their own hands often get results.

このシーンの他の表現

  • scheme

    plot, plan secretly

  • broke down

    lose control emotionally

  • out of sight

    no longer visible

  • come crashing down

    collapse suddenly and heavily

  • kick in

    start to take effect

このシーンのメモ一覧

48 行のセリフに 24 件のメモ

表現 · B1in a circle

round in a big loop

Finally, we realized they were leading us in a giant circle.
表現 · A2have a plan

have a strategy

Like, these guys clearly don't have a plan.
発音don't have a plan

The t in don't drops and have a links together.

Like, these guys clearly don't have a plan.
スラング · A2Like

filler, like — A spoken filler; avoid it in formal speech.

Like, these guys clearly don't have a plan.
表現 · A2get away

escape

Jason and John started to scheme about how we could get away.
スラング · A2super

extremely — Spoken intensifier; rare in formal writing.

I mean, things were getting super desperate.
表現 · B2our captors

the people holding us

At one point, two of our captors left.
表現 · B2in captivity

held prisoner

On our sixth night of captivity,
スラング · A2try and

try to — Casual for try to; keep try to in writing.

the two captors that were remaining with us decided that one of them would go in one direction to try and get some food
発音this is the opportunity

This is links into one sound before the opportunity.

If we're going to escape, this is the opportunity.
文法 · B2our opportunity was going to be over

future in the past: Was going to describes what was about to happen from a past point of view.

As we got to the top, I realized that our opportunity was going to be over.
表現 · B1in order to do something

so as to

I had to go and I needed to push this guy off this cliff in order to save our lives.
文法 · B1in order to save our lives

purpose infinitive: In order to introduces the purpose of the action.

I had to go and I needed to push this guy off this cliff in order to save our lives.
表現 · B2take something as something

interpret something as

I took that as that she would be OK with it.
文法 · C1I took that as that she would be OK with it

two that-clauses: The first that points back to her silence; the second starts the clause after as.

I took that as that she would be OK with it.
表現 · B1run up behind someone

run up from behind

So I just ran up behind him and I put one hand on his back and grabbed his gun strap.
表現 · B1bounce off something

rebound off a surface

We saw him hit a ledge, bounce off of it, and just fall out of sight into the darkness.
表現 · A2can't believe

be unable to believe

I couldn't believe what I had just done.
表現 · A2run to somewhere

race toward a place

We knew from hiking in earlier where there was a military outpost we could try and run to.
発音kicked in

The -ed is just a t sound that links into in.

So even on almost no food for six days, adrenaline kicked in.
表現 · A2yell at someone

shout at someone

We were greeted by this man yelling at us with this gun.
表現 · B1come over someone

wash over someone

This huge wave of relief came over us.
表現 · A2be over

be finished

This horrible situation that we had been in was over.
表現 · B2military fatigues

army work uniform

They gave us food and water, military fatigues.

「Tommy Pushes a Captor Off the Cliff」を読み解く

What's really going on

The scene is the moral center of Tommy's past, and the film does not soften it. He is not a hero in the moment; he is a terrified young man who has decided that someone else has to die so that he and his friends can live. "I had just killed somebody," he says, and the flatness of the line is what makes it unbearable. His friends rush to absolve him — you are not a bad person, you saved our lives — but he cannot take the comfort. What the film captures is the gap between survival and self-forgiveness: the body runs on adrenaline for four hours to the army outpost, while the mind is still back on the ledge. "The whole world came crashing down on me all at once" is not an exaggeration here; it is the moment his sense of who he is breaks.

Theme

SurvivalCornered and out of options, Tommy kills a captor to escape, and the film refuses to make the choice easy.
GuiltThe escape succeeds, but Tommy breaks down over what he did, and being told he saved lives does not lift it.

このチャプターで学べること

  • Familiar ground becomes a weapon when it is your only edge.
  • Silence can look like consent when a decision is unbearable.
  • Adrenaline ignores six days without food.
  • Relief arrives as a wave after the worst is over.

発音のポイント

  • don't have a plan — The t in don't drops and have a links together.
  • this is the opportunity — This is links into one sound before the opportunity.
  • kicked in — The -ed is just a t sound that links into in.
I had just killed somebody.

The plainest possible statement of the act, said in disbelief: not self-defense rhetoric, just the fact he cannot yet process.

The whole world came crashing down on me all at once.

The aftermath in one image: the reality of what he did lands all at once and takes everything with it.

If we're going to escape, this is the opportunity.

The tactical reading of the moment: one captor, familiar terrain, and a window that will not stay open.

We were comfortable on the terrain, and he was not.

The climbers' edge stated coldly: the mountain is their home ground, and it becomes the weapon.

I couldn't believe what I had just done.

Disbelief after the act, the mind rejecting what the hands have already carried out.

So even on almost no food for six days, adrenaline kicked in.

The body overriding exhaustion: six days of near-starvation does not stop the surge that gets them moving.

They were ready to take matters into their own hands.

The decision to stop waiting for rescue or a plan, and to force an outcome themselves.

このシーンについての質問

Why did Tommy push the captor off the cliff?

He and the other climbers believed it was the only chance to escape. With one guard left and terrain they knew better than he did, they decided to act before the moment passed.

Did Tommy have to kill the captor?

The film presents it as a life-or-death choice, not a simple one. The group believed the alternative was staying captive, and Tommy is shown agonizing before it and shattered after.

How did the climbers get rescued?

After the escape they ran for hours through the dark valley to a military outpost they had seen on the way in, where the Kyrgyz army took them in and later flew them out.

What does 'take matters into their own hands' mean?

It means to stop waiting for someone else to fix a situation and act directly. Here it describes the climbers deciding to force their own escape.

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