standard size
It's just regulation size. We have three like this.Some Like It Hot · 1959 — 第 14 / 19 章 · 5'02" · C1
Alone with Sugar on a borrowed yacht, Joe — posing as the millionaire Shell Oil Junior — cannot seduce her without exposing his lies. So he invents a "mental block": girls "just sort of leave me cold," which makes him harmless. Sugar is moved rather than put off.
On Osgood's yacht, Joe, still pretending to be the millionaire Shell Oil Junior, serves Sugar champagne and cold pheasant. When she worries about being alone with a man, he claims he is harmless because women leave him cold — a self-diagnosed mental block. He then tells a long, sad story about a girl named Nellie who fell into the Grand Canyon.
注目の表現
leave someone coldmental blocktake advantage offall in love
このシーンの表現
fail to interest someone
On the yacht Junior says women leave him cold, stating his indifference offhand.
Horror movies leave me cold.
a psychological block
exploit a chance
start loving someone
give someone a nasty turn
what use is it
100 行のセリフに 23 件のメモ
standard size
It's just regulation size. We have three like this.be decided by
That depends on whether you're coming or going.across from
I mean, normally... normally the aft is on the other side of the stern.Glass of runs together, with a faint v.
- Would you like a glass of champagne? - Love it.room for clothes
And another nice thing about this yacht... lots of closet space.arrange or place
Now, let me see. Where do you suppose the steward set it up?rhetorical question: A negative question here expresses amazement, not a real question.
Isn't it amazing how they get those big fish into those little glass jars?bottoms up
Well, down the hatch, as we say at sea.Link down and the so it sounds like one word.
Well, down the hatch, as we say at sea.exploit a chance
Sugar says some men would take advantage of being alone at sea, naming her fear out loud.
But there are certain men who would try to take advantage of a situation like this.relative clause with who: The who-clause narrows men to the kind who would exploit the moment.
But there are certain men who would try to take advantage of a situation like this.fail to interest someone
On the yacht Junior says women leave him cold, stating his indifference offhand.
They just sort of leave me cold.Sort of often weakens to sorta in fast speech.
They just sort of leave me cold.sexually unresponsive — Clinical and blunt; rude to say to someone's face.
You mean, like frigid?a psychological block
Junior calls his problem a mental block, framing it as a vague condition Sugar can pity.
Well, it's more like, um, a mental block.a total failure — Casual; call a person a washout and it stings.
- Nothing at all? - Complete washout.occasionally
It's just that every now and then, Mother Nature throws somebody a dirty curve.the thing is: It's just that introduces a reason softly, as if excusing yourself.
It's just that every now and then, Mother Nature throws somebody a dirty curve.start loving someone
After his story, Sugar checks whether he can still fall in love; his Not anymore sounds resigned.
- You mean, you can't fall in love? - Not anymore.remove something worn
I took off my glasses. She took off her glasses.what use is it
Junior sighs that his wealth is useless and asks what good it is, showing his emptiness.
Yes. All the money in the world, and what good is it?at such a moment
How can you think about food at a time like this?relative clause: The that-clause describes which books: the ones banned in Boston.
Got a special tutor to read me all those books that were banned in Boston.The scene is one long improvised cover story. Joe is after Sugar, but as Junior he has invented a self he cannot sleep with, so he does the one thing that both keeps her close and keeps her at arm's length: he invents a tragic flaw. Calling himself harmless and blaming a "mental block" turns a refusal into a wound, and Sugar, who has spent the film being used by men, responds with tenderness instead of suspicion. The invented backstory — Nellie, the Grand Canyon, the transfusions — is absurd, but it works because it asks for pity rather than action. Sugar's line "You poor, poor boy" shows the con landing exactly as planned. Even his aside about food — "Mint sauce or cranberries?" — lands as proof that he is too broken to be a threat.
It's just that every now and then, Mother Nature throws somebody a dirty curve.The line that turns Joe's excuse into fate: his problem is not his fault but a cruel trick played by nature, which is exactly what Sugar wants to hear.
Yes. All the money in the world, and what good is it?The rich-boy complaint that makes his story land: money cannot fix him, so Sugar's sympathy matters more than his wealth.
They just sort of leave me cold.The joke at the center of the scene: women do nothing for him, so he is safe to be alone with — a claim he uses to keep Sugar close without touching her.
When I'm with a girl, it does absolutely nothing to me.Joe spells out the invented condition in plain terms, making his lack of desire sound like a medical fact rather than a choice.
Eight hours later, they brought her up by mule.The punchline of his tall tale: the girl he describes losing did not die romantically but was carried off a cliff by mule, which makes the tragedy both sad and ridiculous.
He has to. If Junior makes advances, he risks exposing the whole lie, so he invents a condition that makes him safe to be alone with. It keeps Sugar close emotionally without forcing a physical situation he cannot handle.
Yes. Her reaction, "You poor, poor boy," shows that instead of cooling her interest, the tragedy makes her more tender toward him, which is exactly the effect Joe was aiming for.
Joe makes it up on the spot to explain why he cannot fall in love. The details are absurd, but the sadness is persuasive, and Sugar never thinks to doubt it.
It means cruel fate deals someone a bad break, borrowed from a tricky pitch in baseball. Joe uses it to make his condition sound like bad luck rather than a defect.
次のチャプター · 第 15 章get away with somethingJerry Gets Engaged to Osgood
第 1 章up the creekCops Raid the Speakeasy
第 2 章flip your wigJoe and Jerry Decide to Be Girls
第 3 章bump someone offSpats Wipes Out Toothpick Charlie
第 4 章get away with itJoe and Jerry Dress as Women
第 5 章fuzzy end of the lollipopJoe and Jerry Meet Sugar
第 6 章get a load ofJerry's First Night as Daphne
第 7 章in cahootsSugar Climbs Into Daphne's Berth
第 8 章have a thing aboutSugar's Weakness for Sax Players
第 9 章the natives are getting restlessSugar Dreams of a Rich Husband
第 10 章more than you can shake a stick atOsgood Courts Daphne
第 11 章wave a red flagJerry Is Sick of Being a Woman
第 12 章for a larkSugar Meets the Man in Glasses
第 13 章fat chanceSugar Falls for Joe's Millionaire Act
再生中 · 第 14 章leave someone coldJoe Invents a Mental Block
第 15 章get away with somethingJerry Gets Engaged to Osgood
第 16 章be caught deadMulligan Grills Spats at the Convention
第 17 章high financeThe Millionaire Breaks Up With Sugar
第 18 章crawl withMobsters Plot to Kill Little Bonaparte
第 19 章to err is humanSpats Gets a Birthday Cake