a lovely person
Oh, thank you, Daphne. Isn't she a sweetheart?Some Like It Hot · 1959 — 第 10 / 19 章 · 5'01" · B2
At the Florida hotel the girls find a lobby full of millionaires, and one of them, Osgood, promptly falls for Daphne. He admires her ankle, hints at his divorces, and invites her out; she tries to shake him, telling him, "You're barking up the wrong fish"—a joking twist on the usual saying.
The band lands at a Florida hotel packed with wealthy older men. Osgood Fielding III introduces himself to Daphne, compliments her ankle, and tells her about his many marriages and his yacht back home. She deflects him with a joke about fishing, but he insists on driving her around the park—and later a bellhop tries the same move.
注目の表現
more than you can shake a stick atHelp yourselfkeep scorebarking up the wrong fish
このシーンの表現
far too many to count
The girls scan the hotel lobby full of rich old men and joke that the millionaires are beyond counting.
There are more coffee shops here than you can shake a stick at.
go ahead, take some
track the count carefully
pursuing the wrong person
escape with no trouble
a ridiculous idea
91 行のセリフに 32 件のメモ
a lovely person
Oh, thank you, Daphne. Isn't she a sweetheart?wow — A dated, playful exclamation; only in light company.
Zowie!far too many to count
The girls scan the hotel lobby full of rich old men and joke that the millionaires are beyond counting.
More millionaires than you can shake a stick at.go ahead, take some
Osgood asks if he may join them, and the answer Help yourself is polite but a little distant.
- May I? - Help yourself.cleft sentence: The if-clause sets up suspense, and it's delivers the one thing he really means.
If there's one thing I admire, it's a girl with a shapely ankle.new young people
Certainly is delightful having young blood around here.a fair amount of
As a matter of fact, it's cost my family quite a bit of money.put money into
Oh, you invest in shows?track the count carefully
When asked to be exact about his many marriages, Osgood jokes that Mama is keeping score.
- You're not sure? - Mama is keeping score.send someone away
So, this year, when the George White Scandals opened, she packed me off to Florida.The d in packed nearly vanishes before me, blurring into pack-me.
So, this year, when the George White Scandals opened, she packed me off to Florida.fishing far out at sea
deep-sea fishing.stop fishing for it
Well, pull in your reel, Mr. Fielding.Pull in your runs together, sounding almost like pull-in-yer.
Well, pull in your reel, Mr. Fielding.alternative question: The or-question asks him to choose between two ways of playing.
Fascinating. Do you use a bow, or do you just pluck it?want to make a bet
- You must be quite a girl. - Wanna bet?end a couple or affair
- But Mama broke it up. - Why?escape with no trouble
Daphne tries to slip away when the car stops, but Osgood refuses to let her go that easily.
You don't get off that easy.a ridiculous idea
When the bellboy grumbles about the room list, a friend jokes by dragging in the one-legged jockey again.
Well, what did you expect, a one-legged jockey?meet each other often
But don't worry about it, Sugar. We'll see a lot of each other.a contemptible man — A slang put-down for a rotten man; keep it casual.
What a heel he was.have none left
They were out of potato salad, so I brought coleslaw.never mind
Forget it, Sugar. Forget saxophone players.sweetheart, gal — Old-timey and now risky; do not use it with strangers.
- And that one too. - Okay, doll.when you think about it
Ah, forget it, doll. After all, you work here, and I work here.store secretly
The bellboy brags to a girl that he works nights and has hidden a bottle of gin for when things go quiet.
Well, I'm workin' the night shift, and I got a bottle of gin stashed away, and when there's a lull...time clause: The when-clause marks the quiet moment that would trigger his plan.
Well, I'm workin' the night shift, and I got a bottle of gin stashed away, and when there's a lull...too young for it
Don't you think you're a little young for that, sonny?son, young man — An older person's term for a young man, faintly patronising.
Don't you think you're a little young for that, sonny?'Em is them with the th dropped, a very common spoken form.
That's the way I like 'em... big and sassy.bold and cheeky — A slang compliment for someone bold and mouthy.
That's the way I like 'em... big and sassy.send someone away
Oh, and, uh, get rid of your roommate.The scene plays Daphne's disguise as a magnet for the wrong attention. Osgood isn't a threat; he's lonely, polite, and completely convinced, which makes his pursuit funnier the harder Daphne pushes back. Her best line, "You're barking up the wrong fish," is a botched version of a common idiom, and it lands because Osgood really has been talking about deep-sea fishing. Meanwhile Josephine is coaching Sugar away from her old weakness—"Forget it, Sugar. Forget saxophone players"—and toward a rich husband, while the bellhop's clumsy pass proves the disguise works on everyone. The irony is baked in: the more successfully the men flirt, the more dangerous the situation gets.
More millionaires than you can shake a stick at.The girls sizing up the hotel: there are so many rich men that counting them is pointless, and the line turns the lobby into a buffet of prospects.
If there's one thing I admire, it's a girl with a shapely ankle.Osgood's opening move—a flattering but oddly specific compliment that shows how harmless and eccentric he is.
You're barking up the wrong fish.Daphne's botched version of "barking up the wrong tree," meaning he's pursuing the wrong person. The slip to "fish" is funny because Osgood was just talking about fishing.
I've been married seven or eight times.Osgood says it casually, as if it were an ordinary fact, which is the joke: his wealth and charm come with a long, vague marital history.
Fascinating. Do you use a bow, or do you just pluck it?Osgood's sincere curiosity about how Daphne plays the bass—he's genuinely interested, and the question lands as both polite and slightly suggestive.
He's a wealthy eccentric who chases showgirls and actresses, and Daphne is new, pretty, and willing to joke with him. He isn't suspicious by nature, which is exactly why the disguise holds.
It's a slip on "barking up the wrong tree," meaning he's chasing the wrong person. It's funnier because Osgood had just been describing his yacht and deep-sea fishing, so the mistake almost sounds intentional.
Mostly she's being polite to avoid a scene. She accepts a little help and small talk, then dodges his dinner invitation and tries to walk away, though he keeps following her.
To give up saxophone players and aim for a rich young husband instead. She promises Sugar will meet a millionaire, and it's clearly a setup for a plan of her own.
Because the disguise convinces him completely. He treats Daphne as a fellow hotel employee, offers to share hidden gin after his shift, and then invites himself into her room.
次のチャプター · 第 11 章wave a red flagJerry Is Sick of Being a Woman
第 1 章up the creekCops Raid the Speakeasy
第 2 章flip your wigJoe and Jerry Decide to Be Girls
第 3 章bump someone offSpats Wipes Out Toothpick Charlie
第 4 章get away with itJoe and Jerry Dress as Women
第 5 章fuzzy end of the lollipopJoe and Jerry Meet Sugar
第 6 章get a load ofJerry's First Night as Daphne
第 7 章in cahootsSugar Climbs Into Daphne's Berth
第 8 章have a thing aboutSugar's Weakness for Sax Players
第 9 章the natives are getting restlessSugar Dreams of a Rich Husband
再生中 · 第 10 章more than you can shake a stick atOsgood Courts Daphne
第 11 章wave a red flagJerry Is Sick of Being a Woman
第 12 章for a larkSugar Meets the Man in Glasses
第 13 章fat chanceSugar Falls for Joe's Millionaire Act
第 14 章leave someone coldJoe Invents a Mental Block
第 15 章get away with somethingJerry Gets Engaged to Osgood
第 16 章be caught deadMulligan Grills Spats at the Convention
第 17 章high financeThe Millionaire Breaks Up With Sugar
第 18 章crawl withMobsters Plot to Kill Little Bonaparte
第 19 章to err is humanSpats Gets a Birthday Cake