one time each month
I have the most divine seamstress. Comes in just once a month.Some Like It Hot · 1959 — 第 5 / 19 章 · 3'24" · B2
On the train to Florida, Daphne gets giddy, rips a fake chest, and the pair meet Sugar, the singer they have just been warned not to chase. Sugar drinks, jokes about being unlucky — "I always get the fuzzy end of the lollipop" — and Joe has to keep his partner from blowing their cover before they even arrive.
Aboard the train to Florida, Joe and Jerry, now Josephine and Daphne, share a berth with the band. Jerry is giddy and keeps slipping — he rips his padded chest, gushes that the ride is "like fallin' into a tub of butter," and falls for Sugar on sight. Joe renames his impulses as a diet: "No pastry, no butter, and no Sugar."
注目の表現
seamstresscut it outfall into a tub of butteron a diet
このシーンの表現
the worst share
Sugar jokes that she always ends up with the fuzzy end of the lollipop, the bad share.
Once again I got the fuzzy end of the lollipop and worked the weekend.
a woman who sews clothes
stop that
smooth and luxurious
eating to lose weight
force someone to leave
61 行のセリフに 25 件のメモ
one time each month
I have the most divine seamstress. Comes in just once a month.stop that — A sharp spoken way to stop someone.
- No. How's it go? - Cut it out, girls.crude language
None of that rough talk.The g in falling drops, then into links on smoothly.
It's like fallin' into a tub of butter.be careful
Watch it, Daphne.shut in
When I was a kid, Joe, I used to have a dream where I was locked up overnight in a pastry shop, and there was goodies all around.treats, snacks — Casual word for treats or desirable things.
When I was a kid, Joe, I used to have a dream where I was locked up overnight in a pastry shop, and there was goodies all around.you idiot — Old-fashioned insult; never say it to someone's face.
- Look, stupe. Listen to me. - Huh?the hand brake
Not there! That's the emergency brake.present perfect: The present perfect stresses a finished act with a result felt now.
Now you've done it. Now you have done it.have it repaired
- Well, you better go get it fixed. - Well, you better come help me.come and assist me
- Well, you better go get it fixed. - Well, you better come help me.the person filling in for
You the replacement for the bass and sax?used to: Used to marks a past state or habit that is no longer true.
- It used to be Sugar Kowalczyk. - Polish?not a great one
Well, I don't have much of a voice, but then this isn't much of a band either.not much of a: Not much of a something means a weak or poor example of it.
Well, I don't have much of a voice, but then this isn't much of a band either.Much of a links into a single unit of sound.
Well, I don't have much of a voice, but then this isn't much of a band either.fleeing
I'm only with 'em because I'm running away.when feeling sad
Only I don't want to. Especially when I'm blue.sad, down — Everyday word for feeling low; not offensive.
Only I don't want to. Especially when I'm blue.that's my usual luck
It's just that I'm the one that gets caught. Story of my life.End of the runs together, with of barely voiced.
I always get the fuzzy end of the lollipop.are my stockings straight
Are my seams straight?see you later
- Well, see you around, girls. - Bye, Sugar.a single mistake
Forget it. One false move, and they'll toss us off the train.The scene is the film's engine disguised as small talk. Two men are hiding in plain sight, and the comedy comes from how badly they fit the roles they have chosen. Jerry does not just wear the disguise; he enjoys it, and his giddiness keeps threatening to expose them. Sugar, meanwhile, is the opposite kind of performance: she has reinvented herself too, changing her name from Kowalczyk to Kane and joking that she is "running away." Her line "I always get the fuzzy end of the lollipop" is self-deprecating, but it is also an invitation to feel sorry for her, and Jerry is already halfway in love. Joe's job is to keep the story straight: "One false move, and they'll toss us off the train." The scene sets up everything — the romance, the risk, and the running gag of willpower versus appetite.
It's like fallin' into a tub of butter.Jerry's giddy way of describing how smooth and comfortable the train ride feels — and a hint that he is enjoying the disguise too much.
I always get the fuzzy end of the lollipop.Sugar's comic self-portrait: she is always the one who gets the bad luck, the version of life with no sweetness left in it.
Well, I don't have much of a voice, but then this isn't much of a band either.Sugar is honest about her talent and, in the same breath, mocking the band; it shows she is not sentimental about the job she is running away inside of.
It's just that I'm the one that gets caught. Story of my life.Sugar's running joke: everyone breaks the rules, but she is the one who pays for it. The tag line turns bad luck into a personal slogan.
I don't want you to think I'm a drinker. I can stop anytime I want to.A classic denial that gives her away; the follow-up line admits she will not stop, especially when she is feeling low.
They are hiding from the mob after witnessing a gangland killing, so they take the only job available, playing bass and sax in an all-girl band heading to Florida.
Sugar is the band's singer and ukulele player. She has changed her name from Kowalczyk to Kane, says she is running away from something, and refuses to explain when asked.
It is his code for restraint. "No pastry, no butter, and no Sugar" means Jerry must not blow their cover or chase the singer; the diet idea lets Joe talk him down without naming what he really fears.
It means always getting the worst deal. Sugar is not literally talking about candy; she is saying that whenever luck is handed out, she ends up with the worthless part.
Constantly. Jerry's ripped padding, his gushing, and his instant crush all risk exposing them, which is why Joe warns that one false move will get them thrown off the train.
次のチャプター · 第 6 章get a load ofJerry's First Night as Daphne
第 1 章up the creekCops Raid the Speakeasy
第 2 章flip your wigJoe and Jerry Decide to Be Girls
第 3 章bump someone offSpats Wipes Out Toothpick Charlie
第 4 章get away with itJoe and Jerry Dress as Women
再生中 · 第 5 章fuzzy end of the lollipopJoe and Jerry Meet Sugar
第 6 章get a load ofJerry's First Night as Daphne
第 7 章in cahootsSugar Climbs Into Daphne's Berth
第 8 章have a thing aboutSugar's Weakness for Sax Players
第 9 章the natives are getting restlessSugar Dreams of a Rich Husband
第 10 章more than you can shake a stick atOsgood Courts Daphne
第 11 章wave a red flagJerry Is Sick of Being a Woman
第 12 章for a larkSugar Meets the Man in Glasses
第 13 章fat chanceSugar Falls for Joe's Millionaire Act
第 14 章leave someone coldJoe Invents a Mental Block
第 15 章get away with somethingJerry Gets Engaged to Osgood
第 16 章be caught deadMulligan Grills Spats at the Convention
第 17 章high financeThe Millionaire Breaks Up With Sugar
第 18 章crawl withMobsters Plot to Kill Little Bonaparte
第 19 章to err is humanSpats Gets a Birthday Cake