Some Like It Hot · 1959 — 第 5 / 19 章 · 3'24" · B2

Joe and Jerry Meet Sugar, Explained:fuzzy end of the lollipop

On the train to Florida, Daphne gets giddy, rips a fake chest, and the pair meet Sugar, the singer they have just been warned not to chase. Sugar drinks, jokes about being unlucky — "I always get the fuzzy end of the lollipop" — and Joe has to keep his partner from blowing their cover before they even arrive.

あらすじ

Aboard the train to Florida, Joe and Jerry, now Josephine and Daphne, share a berth with the band. Jerry is giddy and keeps slipping — he rips his padded chest, gushes that the ride is "like fallin' into a tub of butter," and falls for Sugar on sight. Joe renames his impulses as a diet: "No pastry, no butter, and no Sugar."

Travel & hotelsSmall talkSmall talkComplainingStrangersB2fastamericanClean
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注目の表現

seamstresscut it outfall into a tub of butteron a diet

00:00 / 03:24
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このシーンの表現

fuzzy end of the lollipop

the worst share

Sugar jokes that she always ends up with the fuzzy end of the lollipop, the bad share.

Once again I got the fuzzy end of the lollipop and worked the weekend.

このシーンの他の表現

  • seamstress

    a woman who sews clothes

  • cut it out

    stop that

  • fall into a tub of butter

    smooth and luxurious

  • on a diet

    eating to lose weight

  • kick someone out of

    force someone to leave

このシーンのメモ一覧

61 行のセリフに 25 件のメモ

表現 · A2once a month

one time each month

I have the most divine seamstress. Comes in just once a month.
スラング · B2Cut it out

stop that — A sharp spoken way to stop someone.

- No. How's it go? - Cut it out, girls.
表現 · B1rough talk

crude language

None of that rough talk.
発音fallin' into

The g in falling drops, then into links on smoothly.

It's like fallin' into a tub of butter.
表現 · A2watch it

be careful

Watch it, Daphne.
表現 · B1lock someone up

shut in

When I was a kid, Joe, I used to have a dream where I was locked up overnight in a pastry shop, and there was goodies all around.
スラング · B1goodies

treats, snacks — Casual word for treats or desirable things.

When I was a kid, Joe, I used to have a dream where I was locked up overnight in a pastry shop, and there was goodies all around.
スラング · B2stupe

you idiot — Old-fashioned insult; never say it to someone's face.

- Look, stupe. Listen to me. - Huh?
表現 · B1the emergency brake

the hand brake

Not there! That's the emergency brake.
文法 · B2you've done it

present perfect: The present perfect stresses a finished act with a result felt now.

Now you've done it. Now you have done it.
表現 · B1get something fixed

have it repaired

- Well, you better go get it fixed. - Well, you better come help me.
表現 · A2come help someone

come and assist me

- Well, you better go get it fixed. - Well, you better come help me.
表現 · B2the replacement for someone

the person filling in for

You the replacement for the bass and sax?
文法 · B1used to be

used to: Used to marks a past state or habit that is no longer true.

- It used to be Sugar Kowalczyk. - Polish?
表現 · B1not much of a something

not a great one

Well, I don't have much of a voice, but then this isn't much of a band either.
文法 · B2don't have much of a voice

not much of a: Not much of a something means a weak or poor example of it.

Well, I don't have much of a voice, but then this isn't much of a band either.
発音much of a

Much of a links into a single unit of sound.

Well, I don't have much of a voice, but then this isn't much of a band either.
表現 · A2run away

fleeing

I'm only with 'em because I'm running away.
表現 · B1be blue

when feeling sad

Only I don't want to. Especially when I'm blue.
スラング · B1blue

sad, down — Everyday word for feeling low; not offensive.

Only I don't want to. Especially when I'm blue.
表現 · B2story of my life

that's my usual luck

It's just that I'm the one that gets caught. Story of my life.
発音end of the

End of the runs together, with of barely voiced.

I always get the fuzzy end of the lollipop.
表現 · B1are my seams straight

are my stockings straight

Are my seams straight?
表現 · A2see you around

see you later

- Well, see you around, girls. - Bye, Sugar.
表現 · B2one false move

a single mistake

Forget it. One false move, and they'll toss us off the train.

「Joe and Jerry Meet Sugar」を読み解く

What's really going on

The scene is the film's engine disguised as small talk. Two men are hiding in plain sight, and the comedy comes from how badly they fit the roles they have chosen. Jerry does not just wear the disguise; he enjoys it, and his giddiness keeps threatening to expose them. Sugar, meanwhile, is the opposite kind of performance: she has reinvented herself too, changing her name from Kowalczyk to Kane and joking that she is "running away." Her line "I always get the fuzzy end of the lollipop" is self-deprecating, but it is also an invitation to feel sorry for her, and Jerry is already halfway in love. Joe's job is to keep the story straight: "One false move, and they'll toss us off the train." The scene sets up everything — the romance, the risk, and the running gag of willpower versus appetite.

Theme

IdentityJoe and Jerry are playing women to stay alive, and every slip — a torn chest, a stray line — risks exposing who they really are.
RomanceSugar is the woman Joe and Jerry were warned to avoid, and the scene spends its energy letting them fall for her anyway.

このチャプターで学べること

  • Sugar wins the scene by making bad luck sound charming.
  • A rain check turns refusal into politeness.
  • The butter line shows comfort as a guilty pleasure.

発音のポイント

  • fallin' into — The g in falling drops, then into links on smoothly.
  • much of a — Much of a links into a single unit of sound.
  • end of the — End of the runs together, with of barely voiced.
It's like fallin' into a tub of butter.

Jerry's giddy way of describing how smooth and comfortable the train ride feels — and a hint that he is enjoying the disguise too much.

I always get the fuzzy end of the lollipop.

Sugar's comic self-portrait: she is always the one who gets the bad luck, the version of life with no sweetness left in it.

Well, I don't have much of a voice, but then this isn't much of a band either.

Sugar is honest about her talent and, in the same breath, mocking the band; it shows she is not sentimental about the job she is running away inside of.

It's just that I'm the one that gets caught. Story of my life.

Sugar's running joke: everyone breaks the rules, but she is the one who pays for it. The tag line turns bad luck into a personal slogan.

I don't want you to think I'm a drinker. I can stop anytime I want to.

A classic denial that gives her away; the follow-up line admits she will not stop, especially when she is feeling low.

このシーンについての質問

Why are Joe and Jerry on the train dressed as women?

They are hiding from the mob after witnessing a gangland killing, so they take the only job available, playing bass and sax in an all-girl band heading to Florida.

Who is Sugar and why is she on the run?

Sugar is the band's singer and ukulele player. She has changed her name from Kowalczyk to Kane, says she is running away from something, and refuses to explain when asked.

Why does Joe keep telling Jerry about a diet?

It is his code for restraint. "No pastry, no butter, and no Sugar" means Jerry must not blow their cover or chase the singer; the diet idea lets Joe talk him down without naming what he really fears.

What does "fuzzy end of the lollipop" mean?

It means always getting the worst deal. Sugar is not literally talking about candy; she is saying that whenever luck is handed out, she ends up with the worthless part.

Are Joe and Jerry in danger of being found out?

Constantly. Jerry's ripped padding, his gushing, and his instant crush all risk exposing them, which is why Joe warns that one false move will get them thrown off the train.

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