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Some Like It Hot · 1959 — 第 7 / 19 章 · 2'26" · B1

Sugar Climbs Into Daphne's Berth, Explained：in cahoots

Sugar comes to thank Daphne for covering for her: "You're a real pal." What starts as gratitude turns into a late-night berth chat, and Daphne, secretly a man, has to act like one of the girls while Sugar moves closer and offers to warm her freezing feet. The panic is real; the flirtation is entirely one-sided.

あらすじ

In the berth, Sugar wakes Daphne to thank her for covering up and calls her "a real pal." They talk about Sweet Sue and Sugar's ukulele, then Sugar keeps her company and tells a childhood story. When she notices Daphne trembling, she decides she is sick, warms her feet, and Daphne desperately insists, "I'm a girl."

Travel & hotelsComforting a friendThankingComfortingFriendsB1mediumamericanClean
IMDb ↗

注目の表現

cover up for someonea real palstick togetherthe middle of nowhere

00:00 / 02:26
Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生

このシーンの表現

in cahoots

secretly working together

Daphne does not want Sweet Sue to know they are in cahoots.

The two shops were in cahoots on prices.

このシーンの他の表現

  • cover up for someone

    protect someone by hiding it

  • a real pal

    a true friend

  • stick together

    support each other

  • the middle of nowhere

    a very remote place

  • come down with

    start to get sick

このシーンのメモ一覧

43 行のセリフに 25 件のメモ

スラング · A2pal

friend, buddy — Casual and warmer than friend; fine among close people.

You're a real pal.
表現 · B1kick someone off something

force me off

If it wasn't for you, they would have kicked me off the train.
文法 · B2If it wasn't for you

unreal conditional: If it wasn't for you sets up a past result that did not actually happen.

If it wasn't for you, they would have kicked me off the train.
スラング · B2middle of nowhere

a remote place — Casual and often a complaint about distance.

I'd be out in the middle of nowhere, sitting on my ukulele.
表現 · B1anything I can do for you

any way I can help you

If there's ever anything I can do for you...
表現 · B2think of a million things

have many ideas

I can think of a million things.
表現 · A2one of them

one of those

- That's one of 'em. - Shh.
スラング · A2Shh

hush, be quiet — A sound word for hushing; fine anywhere.

- That's one of 'em. - Shh.
スラング · C1in cahoots

secretly allied — Spoken and playful; it implies a secret alliance.

I don't want her to know we're in cahoots.
表現 · B1as long as you like

for as long as you want

You stay here as long as you like.
表現 · B1crowd someone

getting too close

I'm not crowding you, am I?
発音crowding you

Link crowding and you so it sounds like crow-din-ya.

I'm not crowding you, am I?
文法 · B1used to crawl

used to for past habit: Used to plus a verb marks a repeated habit in the past.

When I was a little girl, on cold nights like this, I used to crawl into bed with my sister.
表現 · B1cuddle up

snuggle close

We'd cuddle up under the covers and pretend we were lost in a dark cave and were trying to find our way out.
表現 · B1under the covers

beneath the blankets

We'd cuddle up under the covers and pretend we were lost in a dark cave and were trying to find our way out.
表現 · B1find one's way out

find the exit

We'd cuddle up under the covers and pretend we were lost in a dark cave and were trying to find our way out.
表現 · B1not a thing

nothing at all

Not a thing.
表現 · B1tremble all over

shaking all over

You poor thing. You're trembling all over.
表現 · B2have cold feet

cold toes; cold feet

You've got cold feet.
発音got cold

The t in got collides with cold and nearly disappears.

You've got cold feet.
表現 · A2warm something up

make them warm

- Isn't that ridiculous? - Here. Let me warm them up a little.
発音Isn't that

The t in isn't drops before that, sounding like is-n-that.

- Isn't that better? - Yes.
表現 · B1low resistance

weak immunity

- I'm not that sick. - I've got very low resistance.
文法 · B2if you feel that you're coming down with something

noun clause: Feel that introduces a clause describing what someone senses.

Sugar, if you feel that you're coming down with something, my dear, the best thing in the world is a shot of whiskey.
表現 · A2hold on

wait a moment

- Hold on. - Okay.

「Sugar Climbs Into Daphne's Berth」を読み解く

What's really going on

The scene plays on a joke the audience is in on and Sugar is not. Daphne is a man in disguise, fully aware that any wrong move exposes both partners, while Sugar treats him as a girlfriend she can confide in. Her gratitude is genuine — "You're a real pal" — and her willingness to get close is exactly what makes the situation dangerous. Daphne keeps performing femininity while trying not to be noticed: "I just thought that us girls should stick together." Sugar's childhood story about cuddling in bed with her sister is meant as warmth between women; for Daphne it is a minefield. The famous payoff, "I'm a girl, I'm a girl," is the character reminding himself of the role as much as lying to her.

Theme

IdentityDaphne's whole night is an act: every friendly gesture from Sugar tests whether Jerry can keep being a woman.
DeceptionSugar's thanks are sincere, but the friendship she is building rests on a disguise that would collapse the moment she sees through it.

このチャプターで学べること

  • A small kindness turns into real closeness here.
  • Daphne's panic shows through even as he plays the friend.
  • The childhood memory makes the cramped bed feel safe.

発音のポイント

  • crowding you — Link crowding and you so it sounds like crow-din-ya.
  • got cold — The t in got collides with cold and nearly disappears.
  • Isn't that — The t in isn't drops before that, sounding like is-n-that.
I'd be out in the middle of nowhere, sitting on my ukulele.

Sugar's comic way of saying she would have been thrown off the train in the middle of nowhere, with nothing but her instrument to sit on.

We'd cuddle up under the covers and pretend we were lost in a dark cave and were trying to find our way out.

Sugar's cozy childhood memory, offered as innocent girl talk; for Daphne, sharing a bed is the exact situation the disguise cannot survive.

I don't want her to know we're in cahoots.

Daphne wants their alliance kept quiet: if Sweet Sue sees the two of them scheming together, both could be in trouble.

Sugar, if you feel that you're coming down with something, my dear, the best thing in the world is a shot of whiskey.

Daphne invents a cold remedy on the spot to keep Sugar from leaving — the excuse that turns the scene into a late-night drink.

- What'd you say? - I'm a very sick girl.

Caught muttering 'I'm a girl' to himself, Jerry instantly covers with a different line; the quick lie is the comedy of the whole disguise.

このシーンについての質問

Why does Sugar come to Daphne's berth?

To thank her. Daphne covered for Sugar with Sweet Sue, and Sugar says that without her help she would have been kicked off the train and stranded.

What is Daphne so afraid of?

Being exposed. Every close moment with Sugar risks revealing that Jerry is a man, so he panics when she notices him trembling, touches his forehead, and offers to warm his feet.

What does "in cahoots" mean?

It means secretly working together, usually toward something others should not know about. Daphne uses it about the two of them teaming up, not wanting Sweet Sue to suspect an alliance.

Why does Daphne suggest whiskey?

To stop Sugar from leaving. When Sugar says she should go before she catches something, Daphne claims a shot of whiskey is the best cure and says she knows where to get one.

お熱いのがお好き · 全 19 章

すべて見る →
次のチャプター · 第 8 章have a thing aboutSugar's Weakness for Sax Players
第 1 章up the creekCops Raid the Speakeasy第 2 章flip your wigJoe and Jerry Decide to Be Girls第 3 章bump someone offSpats Wipes Out Toothpick Charlie第 4 章get away with itJoe and Jerry Dress as Women第 5 章fuzzy end of the lollipopJoe and Jerry Meet Sugar第 6 章get a load ofJerry's First Night as Daphne再生中 · 第 7 章in cahootsSugar Climbs Into Daphne's Berth第 8 章have a thing aboutSugar's Weakness for Sax Players第 9 章the natives are getting restlessSugar Dreams of a Rich Husband第 10 章more than you can shake a stick atOsgood Courts Daphne第 11 章wave a red flagJerry Is Sick of Being a Woman第 12 章for a larkSugar Meets the Man in Glasses第 13 章fat chanceSugar Falls for Joe's Millionaire Act第 14 章leave someone coldJoe Invents a Mental Block第 15 章get away with somethingJerry Gets Engaged to Osgood第 16 章be caught deadMulligan Grills Spats at the Convention第 17 章high financeThe Millionaire Breaks Up With Sugar第 18 章crawl withMobsters Plot to Kill Little Bonaparte第 19 章to err is humanSpats Gets a Birthday Cake
第 7 / 19 章 · 残り約 49 分