start making coffee
Margaret welcomes Sabrina home and offers to put the coffee on, the easy talk of family.
I'll put some coffee on. Will you come to the kitchen, Sabrina?Sabrina · 1954 — 第 7 / 18 章 · 2'45" · B1
Sabrina comes home from Paris transformed, and David immediately asks her out. Her father won't let the fantasy stand: "David is engaged," and "Nothing has changed." Sabrina answers with the line that gives the scene its name: "The moon's reaching for me."
Sabrina returns to the Larrabee house after years in Paris, no longer the awkward chauffeur's daughter. David, the playboy son, flirts and plans a night on the town with her. Then her father Thomas sits her down: David is engaged, nothing has changed, and she is still reaching for the moon.
注目の表現
reach for the moonget marriedscrawnynothing has changed
このシーンの表現
aim for the impossible
Her father says she is still the chauffeur's daughter, still reaching for the moon, and he means it kindly.
It's fine to reach for the moon, but keep your feet on the ground.
wed
very thin and bony
nothing is different
it sounds wrong
a party for someone's return
48 行のセリフに 26 件のメモ
start making coffee
Margaret welcomes Sabrina home and offers to put the coffee on, the easy talk of family.
I'll put some coffee on. Will you come to the kitchen, Sabrina?right when
As soon as I've opened my bags, Margaret.meet up again
Look, as old neighbours, I think the two of us should have a reunion.what about
- It's only fair. - How about tonight?have a night out
- All right. - Good. We'll go out on the town.rate highly
I guess you wouldn't think so much of it after Paris.provided that
Well, I don't mind, David, as long as you're there.Link as long as you're into one run, with you're reduced to yər.
Well, I don't mind, David, as long as you're there.a party for someone's return
Sabrina thinks the party is for her return and happily calls it a homecoming party.
David, this couldn't be nicer. A homecoming party.relative clause: The who-clause describes the girl, and used to marks a habit she had long ago.
Would you have recognised her, that scrawny little kid who used to whip around corners every time she saw us coming,time clause: Every time she saw us coming works like whenever, introducing a repeated past scene.
Would you have recognised her, that scrawny little kid who used to whip around corners every time she saw us coming,painfully thin — Blunt and unflattering; not for strangers' faces.
Would you have recognised her, that scrawny little kid who used to whip around corners every time she saw us coming,dart around — Casual and vivid; usually for quick, sudden movement.
Would you have recognised her, that scrawny little kid who used to whip around corners every time she saw us coming,just wait until
Wait till you see what I brought you from Paris.ought to have said
Sabrina, I know I should have mentioned it in my last letter...should have done: Should have mentioned means he ought to have said it but did not, and he knows it.
Sabrina, I know I should have mentioned it in my last letter...Should have weakens to should-uv, with the have almost swallowed.
Sabrina, I know I should have mentioned it in my last letter...loud and tacky — Slightly negative about colour or style; use with care.
And here. Aren't they gaudy?wed
The father tells Sabrina that David is engaged, saying it flatly, as another door closing.
Sabrina, David is engaged. He's getting married again.a day away from work
And this is for you to wear on your day off.it sounds wrong
Sabrina shrugs that David is not married yet, and her father says he does not like the sound of it.
I don't like that. I don't like the sound of it.all is different now
But don't you see, Father? Everything has changed.nothing is different
She says everything has changed; her father answers that nothing has, and he will not budge.
Nothing has changed.aim for the impossible
Her father says she is still the chauffeur's daughter, still reaching for the moon, and he means it kindly.
He's still David Larrabee, and you're still the chauffeur's daughter, and you're still reaching for the moon.adverb still: Still sits after be and before the main verb, and three of them leave no room for change.
He's still David Larrabee, and you're still the chauffeur's daughter, and you're still reaching for the moon.Chauffeur's keeps its French stress, and daughter takes the beat.
He's still David Larrabee, and you're still the chauffeur's daughter, and you're still reaching for the moon.The whole scene is built around the gap between how Sabrina looks and how the household sees her. David's flirting proves the transformation is real on the outside—he's suddenly interested in the girl he ignored for years. Her father's reaction proves it changes nothing on the inside: "He's still David Larrabee, and you're still the chauffeur's daughter, and you're still reaching for the moon." Sabrina doesn't argue with the facts; she rewrites the metaphor. "The moon's reaching for me," she answers, which is either the bravest line in the film or the most self-deluded—and the movie lets both readings sit there.
But don't you see, Father? Everything has changed.Sabrina insists her years in Paris changed who she is, so old rules about who she can love no longer apply.
No, Father. The moon's reaching for me.Her reply flips the family's metaphor: she isn't chasing something impossible—she believes it's coming to her.
He's still David Larrabee, and you're still the chauffeur's daughter, and you're still reaching for the moon.The father lays out the class math he thinks can't change: the name, the job, and the hopeless distance between them.
I don't like that. I don't like the sound of it.The father hears something off in her calm tone—she's not over David at all, and he can tell the trouble is coming.
Sabrina, David is engaged. He's getting married again.The father delivers the news plainly, hoping it will end her hopes before she gets hurt again.
Well, I don't mind, David, as long as you're there.Sabrina's answer to David: she doesn't care about the dull party or the family crowd, only that he's beside her.
He's not being cruel—he's protecting her. In his view she's still the chauffeur's daughter and David is still a Larrabee, so her love can only end in hurt.
No. She says everything has changed and insists the moon is reaching for her. Whether she's right is left open—the movie keeps her confidence intact for the ending.
She's come back from Paris looking completely different. The same girl he never noticed is now someone he flirts with and asks out the same day.
With surprise and teasing. They point out the scrawny kid she used to be and joke about her legs, before her father pulls the mood down with the news about David.
次のチャプター · 第 8 章knock something for a loopFather Confronts David Over Sabrina
第 1 章a good thingLinus Saves Sabrina in the Garage
第 2 章all in the wristLinus Reads Sabrina's Letters
第 3 章lost your touchSabrina's Soufflé Gives Her Away
第 4 章reaching for the moonSabrina Confides in the Baron
第 5 章wheels are in motionDavid Confronts Linus Over the Merger
第 6 章could've swornDavid Flirts With a Stranger
再生中 · 第 7 章reach for the moonSabrina Says the Moon Reaches Back
第 8 章knock something for a loopFather Confronts David Over Sabrina
第 9 章buy someone offLinus Brings Sabrina Champagne
第 10 章see her for the treeLinus Visits David in Bed
第 11 章blot outLinus Opens Up to Sabrina
第 12 章dispense withFairchild Draws the Class Line
第 13 章make a new person out of youLinus Reveals His Escape Plan
第 14 章a big stinkDavid Moves In on Sabrina
第 15 章make a fool of myselfSabrina Cooks Dinner in Linus's Office
第 16 章get in the wayLinus Admits He Was Sending Her Away
第 17 章add two and two togetherLinus Changes All the Plans
第 18 章if it's any consolationSabrina Says Goodbye to Her Father