a small skill
Just a small knack, like juggling three oranges.Sabrina · 1954 — 第 13 / 18 章 · 2'26" · B2
Linus finally tells someone his plan. Looking out at the French Line pier, he asks Sabrina, "Can you keep a secret?" — then explains that the Liberté sails Thursday and he'll be on it, done with buttons and secretaries. What sounds like a midlife escape becomes a confession when he wonders whether Paris can give him what he actually wants.
Linus calls Sabrina to the window and swears her to secrecy. He points across the water to the Liberté, which sails for France on Thursday — he's going to be on it. He's tired of buttons, secretaries, and the office, and he's breaking out. Later, in Paris, he describes the perfect first day: real rain and a taxi through the Bois.
注目の表現
keep a secretsick ofbreak out ofmake a new person out of you
このシーンの表現
transform you completely
Linus pitches Paris to Sabrina like a product, promising a new person or double her money back.
A year abroad can make a new person out of you.
not tell anyone
tired of
escape from
genuine and real
chestnut trees
32 行のセリフに 22 件のメモ
a small skill
Just a small knack, like juggling three oranges.hypothetical suppose: Suppose plus a past tense sets up a hypothetical the other speaker echoes with did.
- Suppose you dropped one? - Suppose I did.at the far end of
What's at the end of a million? Zero, zero, zero. Nothing.not tell anyone
Linus asks Sabrina whether she can keep a secret, and the question draws her in.
- Can you keep a secret? - Secret?tired of
Linus pours out years of boredom: sick of buttons, secretaries, and the office.
I'm sick of pushing buttons, sick of secretaries, sick of this office.The k in sick slides into of, so the pair runs together.
I'm sick of pushing buttons, sick of secretaries, sick of this office.escape from
I'm breaking out of here, Sabrina. I'm running away.Let the ng of breaking flow straight into out.
I'm breaking out of here, Sabrina. I'm running away.from then until now
- Good for you. - I've been thinking about Paris ever since you mentioned it. It's all your fault, Sabrina.since-clause: Ever since takes a past clause, and the main verb stays in the present perfect.
- Good for you. - I've been thinking about Paris ever since you mentioned it. It's all your fault, Sabrina.glad to hear it — A light spoken way to cheer someone on; too casual for formal settings.
- Good for you. - I've been thinking about Paris ever since you mentioned it. It's all your fault, Sabrina.transform someone
It'll make a new person out of you, I guarantee or double your money back.a money-back guarantee — A mock sales pitch; fun between friends, out of place in real business.
It'll make a new person out of you, I guarantee or double your money back.as people often put it
- Ready, Sabrina? - Tout de suite, as they say in Paris.right away — A French phrase borrowed for playful effect; skip it with people who won't get it.
- Ready, Sabrina? - Tout de suite, as they say in Paris.drop someone's name
I used your brother's name at the Colony.the earliest time
This is what you do on your very first day in Paris.genuine and real
Linus describes the first day in Paris: find real rain, not a drizzle but honest-to-goodness rain.
You get yourself some rain, not just a drizzle but honest-to-goodness rain.get oneself someone
Then you find yourself someone really nice and drive her through the Bois de Boulogne in a taxi.That's is rushed and light; the stress lands on when.
The rain's very important, because that's when Paris smells its sweetest.order something for oneself
You're very clever, Linus, and very rich. You can order yourself some rain.reflexive indirect object: A reflexive pronoun stands in for for oneself as the indirect object of order.
You're very clever, Linus, and very rich. You can order yourself some rain.The scene looks like a man announcing a trip; it plays as a man admitting he's stuck. Linus has everything — "You can order yourself some rain," Sabrina teases — yet his list of grievances is telling: "I'm sick of pushing buttons, sick of secretaries, sick of this office." Running away to Paris is the one thing he can't buy his way through, because, as he says, "But can I find myself someone really nice?" That question is the real subject. Sabrina, who came back from Paris changed, becomes both the reason and the mirror: she knows what the city can do, and she's the thing Linus can't simply order up. His escape plan and his loneliness turn out to be the same story.
I'm sick of pushing buttons, sick of secretaries, sick of this office.Linus lists what he's tired of: the routines, the staff, the office itself. The triple repetition of "sick of" makes it sound less like a complaint and more like a breaking point.
I'm breaking out of here, Sabrina. I'm running away.The plan stated plainly: he's leaving the office and the life built around it. "Breaking out" carries a hint of prison, which is how the job has come to feel.
It'll make a new person out of you, I guarantee or double your money back.Sabrina's promise about Paris — it will remake him — delivered like a sales pitch, complete with a mock money-back guarantee. The joke hides how much she means it.
The rain's very important, because that's when Paris smells its sweetest.Travel advice that doubles as longing: rain is what releases the smell of the city. For Linus, Paris is something to be felt, not merely visited.
But can I find myself someone really nice?The turn from escape to need. He could order rain and a taxi, but a person who truly fits can't be arranged — the line that makes the scene about loneliness, not travel.
He's exhausted by the office and the routine of business. Paris, which changed Sabrina, represents a life he chose and then lost — he wants to see if he can get it back.
That he's booked passage on the Liberté and is leaving. He tells her before anyone else, which is why the request — "Can you keep a secret?" — matters as much as the plan.
He says it playfully: ever since she talked about Paris, he can't stop thinking about it. Her stories planted the idea, so "It's all your fault, Sabrina" is a compliment in disguise.
That money can arrange almost everything — rain, taxis, trips — but not love. When Sabrina says he can order himself some rain, he answers that finding someone really nice isn't so easy.
She says she's glad he's going, then immediately doubts herself — "Or am I?" The line suggests she's not sure whether she's happy for him or worried about losing him.
次のチャプター · 第 14 章a big stinkDavid Moves In on Sabrina
第 1 章a good thingLinus Saves Sabrina in the Garage
第 2 章all in the wristLinus Reads Sabrina's Letters
第 3 章lost your touchSabrina's Soufflé Gives Her Away
第 4 章reaching for the moonSabrina Confides in the Baron
第 5 章wheels are in motionDavid Confronts Linus Over the Merger
第 6 章could've swornDavid Flirts With a Stranger
第 7 章reach for the moonSabrina Says the Moon Reaches Back
第 8 章knock something for a loopFather Confronts David Over Sabrina
第 9 章buy someone offLinus Brings Sabrina Champagne
第 10 章see her for the treeLinus Visits David in Bed
第 11 章blot outLinus Opens Up to Sabrina
第 12 章dispense withFairchild Draws the Class Line
再生中 · 第 13 章make a new person out of youLinus Reveals His Escape Plan
第 14 章a big stinkDavid Moves In on Sabrina
第 15 章make a fool of myselfSabrina Cooks Dinner in Linus's Office
第 16 章get in the wayLinus Admits He Was Sending Her Away
第 17 章add two and two togetherLinus Changes All the Plans
第 18 章if it's any consolationSabrina Says Goodbye to Her Father