be able to come
- Isn't he coming? - No. I don't think he'll be able to make it.Sabrina · 1954 — 第 9 / 18 章 · 3'26" · B2
David stands Sabrina up and sends his brother Linus up with the champagne instead. The two turn the family's plan into a joke about a Viennese operetta, but Sabrina's confession is real: "And I want him. I've been in love with him all my life."
When David can't make their date, Linus arrives at Sabrina's place with the champagne in his brother's place. Over drinks they trade barbs about how they always meet under strange circumstances. Sabrina says she has loved David her whole life, while Linus hides what his visit is really for.
注目の表現
buy someone offmake it worthwhilejust one of those thingsset in
このシーンの表現
pay someone to go away
Sabrina casts herself as the waitress in an operetta and waits to see if Linus is here to pay her off.
They tried to buy her off with a cheque.
make it worth doing
an unavoidable mishap
begin and persist
with wild energy
strange situations
45 行のセリフに 25 件のメモ
be able to come
- Isn't he coming? - No. I don't think he'll be able to make it.become trapped
- What happened? - He got stuck.bring it out to serve
Shall I serve it up there, or will you come down?Link meet and under, with under reduced to əndər.
We do meet under the most peculiar circumstances, Sabrina.search for
Either you're under eight cars looking for a missing spark plug, or you're perched up here, umpiring a tennis match between two players who aren't there.sitting high up
Either you're under eight cars looking for a missing spark plug, or you're perched up here, umpiring a tennis match between two players who aren't there.either ... or: Either ... or pairs two alternatives, here two ways he keeps running into her.
Either you're under eight cars looking for a missing spark plug, or you're perched up here, umpiring a tennis match between two players who aren't there.adult and mature
You look lovely, Sabrina, and very grown-up.return to
- I'd better get back to the party. - And leave me here alone?since clause: With since, the present perfect marks what has not happened from that past point until now.
I don't know what you did to him, but I haven't seen him in such a state since he was kicked in the head by a polo pony at Old Westbury.totally forgotten
He's completely forgotten he's engaged. He wants you.deeply loving someone
And I want him. I've been in love with him all my life.for one's whole life
And I want him. I've been in love with him all my life.Run love with him together, with him reduced to ɪm.
And I want him. I've been in love with him all my life.and that ends it
Well, there goes the engagement.as if
It's as though a window had been thrown open and a lovely breeze swept through this stuffy old house.push wide open
It's as though a window had been thrown open and a lovely breeze swept through this stuffy old house.as though clause: The past perfect after as though marks an imagined comparison rather than a real event.
It's as though a window had been thrown open and a lovely breeze swept through this stuffy old house.Of the weakens to əv-thə and slips past quickly.
Even though the breeze comes from the general direction of the garage?in place of
I'm sorry it isn't David here instead of me, but it's all in the family.handle someone
Sabrina says she assumed the family sent Linus to deal with her, naming the real purpose of the visit.
I was sure you'd been sent by the family to deal with me.well done, girl — An easy word of praise, mostly for children or juniors.
Good girl. Hey, how does this operetta end?with wild energy
Sabrina invents a loud operetta ending: the cast escapes to America singing with wild energy.
I guess they run away to America on a zeppelin with everybody singing like mad.stacked prepositional phrases: Two prepositional phrases stack up to show direction and means without any linking verb.
I guess they run away to America on a zeppelin with everybody singing like mad.with wild energy — Casual and emphatic; keep it out of formal writing.
I guess they run away to America on a zeppelin with everybody singing like mad.The scene runs on two levels at once. On the surface it's a charming chat between a rich family's son and the chauffeur's daughter, full of jokes about Viennese operettas and prime ministers sent to buy a waitress off. Underneath, Sabrina is being managed: she admits she was sure the family had sent someone "to deal with me," and she isn't wrong—Linus is there to steer her away from David. Her confession lands plainly: "And I want him. I've been in love with him all my life." When Linus calls her feeling a fresh breeze through a stuffy old house, he's mocking and meaning it at the same time. He came to do a job and starts to fall for her.
And I want him. I've been in love with him all my life.Sabrina states her feelings outright, with no coyness: this isn't a crush, and she's not interested in being talked out of it.
It's as though a window had been thrown open and a lovely breeze swept through this stuffy old house.Linus's image for what Sabrina brings: fresh air and life into a rigid, wealthy household that has gone stale.
Either you're under eight cars looking for a missing spark plug, or you're perched up here, umpiring a tennis match between two players who aren't there.Linus teases Sabrina by cataloguing their odd meetings: first she was gassed in the garage, now she's alone refereeing an empty court.
Even though the breeze comes from the general direction of the garage?Sabrina's dry reply, needling the family's snobbery: any good she brings is still dismissed as coming from the help's quarters.
Tonight I wanted it to be me.Sabrina admits the evening was meant to fix one old wound: the memory of David dancing that song with someone else, not her.
We do meet under the most peculiar circumstances, Sabrina.Linus's opening line: a polite way of saying their encounters have been strange, and a hint that this one is stranger still.
David is delayed, so Linus goes in his place with the champagne. But he's also there for the family—Sabrina guesses she's being handled, "sent by the family to deal with me."
She says so plainly—"I've been in love with him all my life." It's not a passing crush; the whole evening was arranged around finally being the one he dances with.
Sabrina pictures the family's plan as an old operetta plot: a prince loves a waitress, and the prime minister is sent to buy her off. Linus plays along and asks how it ends.
Officially, yes—he's the family's problem-solver. But the scene shows him softening fast, calling her a breeze through the house and staying to talk instead of leaving.
次のチャプター · 第 10 章see her for the treeLinus Visits David in Bed
第 1 章a good thingLinus Saves Sabrina in the Garage
第 2 章all in the wristLinus Reads Sabrina's Letters
第 3 章lost your touchSabrina's Soufflé Gives Her Away
第 4 章reaching for the moonSabrina Confides in the Baron
第 5 章wheels are in motionDavid Confronts Linus Over the Merger
第 6 章could've swornDavid Flirts With a Stranger
第 7 章reach for the moonSabrina Says the Moon Reaches Back
第 8 章knock something for a loopFather Confronts David Over Sabrina
再生中 · 第 9 章buy someone offLinus Brings Sabrina Champagne
第 10 章see her for the treeLinus Visits David in Bed
第 11 章blot outLinus Opens Up to Sabrina
第 12 章dispense withFairchild Draws the Class Line
第 13 章make a new person out of youLinus Reveals His Escape Plan
第 14 章a big stinkDavid Moves In on Sabrina
第 15 章make a fool of myselfSabrina Cooks Dinner in Linus's Office
第 16 章get in the wayLinus Admits He Was Sending Her Away
第 17 章add two and two togetherLinus Changes All the Plans
第 18 章if it's any consolationSabrina Says Goodbye to Her Father