bring someone along
On deck, Sabrina checks that Linus really means to bring her along, and the hope in her voice is plain.
You do want to take me with you, don't you?Sabrina · 1954 — 第 16 / 18 章 · 2'13" · B2
Sabrina arrives with the tickets, sure Linus is taking her to Paris. He corrects her flatly: "I wasn't going to take you to Paris. I was going to send you." When she asks why, the answer is business—"You got in the way"—and her sarcasm becomes the only weapon she has left.
Sabrina comes to Linus full of hope, certain the tickets mean a trip to Paris together. Linus tells her the truth: he meant to send her there alone, to keep her out of David's way while the family arranged his marriage. She asks why, and he lists the business reasons without softening any of them.
注目の表現
take someone with youI'm afraid notget in the wayinconsiderate of me
このシーンの表現
block or hinder
After listing the marriage and the merger, Linus says Sabrina got in the way, reducing her to an obstacle.
Don't let fear get in the way of your decision.
bring someone along
sorry, but no
how thoughtless of me (sarcastic)
I admit with embarrassment
a goodbye letter
23 行のセリフに 21 件のメモ
bring someone along
On deck, Sabrina checks that Linus really means to bring her along, and the hope in her voice is plain.
You do want to take me with you, don't you?emphatic do: The inserted do stresses that the wanting is real, turning a question into a plea.
You do want to take me with you, don't you?Don't you blurs into doncha, with the t and y merging.
You do want to take me with you, don't you?not what it seems
These don't mean what you think they mean.not old enough for you
They'll say I'm too young for you, that it'll be an awful scandal, and the market will go down.a terrible scandal
They'll say I'm too young for you, that it'll be an awful scandal, and the market will go down.parallel that-clauses: Three clauses hang off say, with that introducing the middle one to stack consequence on consequence.
They'll say I'm too young for you, that it'll be an awful scandal, and the market will go down.bring you to Paris
I wasn't going to take you to Paris. I was going to send you.Both going to phrases reduce to gonna in speech.
I wasn't going to take you to Paris. I was going to send you.completely by oneself
- Alone? - Yes. All alone.a cabin with no one in it
- But there's a ticket for you. - For an empty cabin.meet me in Paris
- You were joining me in Paris, is that it? - I'm afraid not.sorry, but no
Sabrina asks whether Linus still planned to join her in Paris, and he refuses with a soft, final phrase.
- You were joining me in Paris, is that it? - I'm afraid not.a new nameplate
High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.block or hinder
After listing the marriage and the merger, Linus says Sabrina got in the way, reducing her to an obstacle.
High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.The t in got often drops, sliding straight into in the.
High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.spend so much time uselessly
Such a busy man having to waste so much time just to get me on a boat.all of it, without exception
I'm ashamed to say I enjoyed every minute of it.I admit with embarrassment
Linus admits he enjoyed arranging her departure, wrapping the confession in a phrase of shame.
I'm ashamed to say I enjoyed every minute of it.a goodbye letter
Sabrina imagines the empty cabin held only a farewell note, dictated by Linus and typed by his secretary.
there would have been a farewell note dictated to and typed by Miss McCardle.past modal passive: Would have been describes what would have existed, and the participles show the note was written for him.
there would have been a farewell note dictated to and typed by Miss McCardle.The scene turns on a single word: send. Sabrina has read the tickets as romance—"Linus Larrabee, Esquire, is taking me to Paris"—and Linus has to correct the whole picture: "I wasn't going to take you to Paris. I was going to send you." It's the coldest version of the truth, and he gives it plainly, without excuses. His reason, when it comes, is worse than cruelty: "High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way." Sabrina doesn't cry or beg. She answers with a dry, wounded politeness—"How inconsiderate of me"—and then begins to wonder what else was staged, down to the farewell note Miss McCardle would have typed. Her sarcasm is the last dignity she has.
I wasn't going to take you to Paris. I was going to send you.The correction that breaks the scene: the tickets weren't a shared trip but a one-way plan to get her out of the way.
High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.Linus's answer to 'why': not personal, just business. She was an obstacle between the family and a merger, so she had to be moved.
I'm ashamed to say I enjoyed every minute of it.Linus admits the one thing the plan didn't account for: he genuinely liked the time he spent deceiving her.
Such a busy man having to waste so much time just to get me on a boat.Sabrina's sarcasm: she frames her own unmaking as an inconvenience to him, the busier and more important person.
You do want to take me with you, don't you?Her hopeful question, asked before she knows the truth, that the rest of the scene quietly answers.
He had booked her a one-way passage to Paris, alone, with an empty cabin, to keep her away from David while the family pushed the Tyson merger through.
It's sarcasm. She's mocking Linus's cold business logic by pretending her feelings were the inconvenience—answering his betrayal with dry politeness instead of tears.
She was an obstacle to the family's plans—the merger with the Tysons and David's marriage. Getting rid of her was, to him, a practical business decision.
The scene suggests he does. He admits, "I'm ashamed to say I enjoyed every minute of it"—the one line that doesn't fit the cold plan he just described.
次のチャプター · 第 17 章add two and two togetherLinus Changes All the Plans
第 1 章a good thingLinus Saves Sabrina in the Garage
第 2 章all in the wristLinus Reads Sabrina's Letters
第 3 章lost your touchSabrina's Soufflé Gives Her Away
第 4 章reaching for the moonSabrina Confides in the Baron
第 5 章wheels are in motionDavid Confronts Linus Over the Merger
第 6 章could've swornDavid Flirts With a Stranger
第 7 章reach for the moonSabrina Says the Moon Reaches Back
第 8 章knock something for a loopFather Confronts David Over Sabrina
第 9 章buy someone offLinus Brings Sabrina Champagne
第 10 章see her for the treeLinus Visits David in Bed
第 11 章blot outLinus Opens Up to Sabrina
第 12 章dispense withFairchild Draws the Class Line
第 13 章make a new person out of youLinus Reveals His Escape Plan
第 14 章a big stinkDavid Moves In on Sabrina
第 15 章make a fool of myselfSabrina Cooks Dinner in Linus's Office
再生中 · 第 16 章get in the wayLinus Admits He Was Sending Her Away
第 17 章add two and two togetherLinus Changes All the Plans
第 18 章if it's any consolationSabrina Says Goodbye to Her Father