Sabrina · 1954 — 第 16 / 18 章 · 2'13" · B2

Linus Admits He Was Sending Her Away, Explained:get in the way

Sabrina arrives with the tickets, sure Linus is taking her to Paris. He corrects her flatly: "I wasn't going to take you to Paris. I was going to send you." When she asks why, the answer is business—"You got in the way"—and her sarcasm becomes the only weapon she has left.

あらすじ

Sabrina comes to Linus full of hope, certain the tickets mean a trip to Paris together. Linus tells her the truth: he meant to send her there alone, to keep her out of David's way while the family arranged his marriage. She asks why, and he lists the business reasons without softening any of them.

AccusationsBreakupsConfrontingConfessingCoupleB2mediumamericanClean
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注目の表現

take someone with youI'm afraid notget in the wayinconsiderate of me

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このシーンの表現

get in the way

block or hinder

After listing the marriage and the merger, Linus says Sabrina got in the way, reducing her to an obstacle.

Don't let fear get in the way of your decision.

このシーンの他の表現

  • take someone with you

    bring someone along

  • I'm afraid not

    sorry, but no

  • inconsiderate of me

    how thoughtless of me (sarcastic)

  • ashamed to say

    I admit with embarrassment

  • a farewell note

    a goodbye letter

このシーンのメモ一覧

23 行のセリフに 21 件のメモ

表現 · A2take someone with you

bring someone along

On deck, Sabrina checks that Linus really means to bring her along, and the hope in her voice is plain.

You do want to take me with you, don't you?
文法 · B1do want

emphatic do: The inserted do stresses that the wanting is real, turning a question into a plea.

You do want to take me with you, don't you?
発音don't you

Don't you blurs into doncha, with the t and y merging.

You do want to take me with you, don't you?
表現 · B1mean what you think it means

not what it seems

These don't mean what you think they mean.
表現 · A2too young for someone

not old enough for you

They'll say I'm too young for you, that it'll be an awful scandal, and the market will go down.
表現 · B2an awful scandal

a terrible scandal

They'll say I'm too young for you, that it'll be an awful scandal, and the market will go down.
文法 · B2that it'll be an awful scandal

parallel that-clauses: Three clauses hang off say, with that introducing the middle one to stack consequence on consequence.

They'll say I'm too young for you, that it'll be an awful scandal, and the market will go down.
表現 · A2take someone to a place

bring you to Paris

I wasn't going to take you to Paris. I was going to send you.
発音going to

Both going to phrases reduce to gonna in speech.

I wasn't going to take you to Paris. I was going to send you.
表現 · A2all alone

completely by oneself

- Alone? - Yes. All alone.
表現 · B1an empty cabin

a cabin with no one in it

- But there's a ticket for you. - For an empty cabin.
表現 · B1join someone somewhere

meet me in Paris

- You were joining me in Paris, is that it? - I'm afraid not.
表現 · B1afraid not

sorry, but no

Sabrina asks whether Linus still planned to join her in Paris, and he refuses with a soft, final phrase.

- You were joining me in Paris, is that it? - I'm afraid not.
表現 · B2a plaque on a building

a new nameplate

High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.
表現 · B2get in the way

block or hinder

After listing the marriage and the merger, Linus says Sabrina got in the way, reducing her to an obstacle.

High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.
発音got in the

The t in got often drops, sliding straight into in the.

High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.
表現 · A2waste time

spend so much time uselessly

Such a busy man having to waste so much time just to get me on a boat.
表現 · B1every minute of it

all of it, without exception

I'm ashamed to say I enjoyed every minute of it.
表現 · B2ashamed to say

I admit with embarrassment

Linus admits he enjoyed arranging her departure, wrapping the confession in a phrase of shame.

I'm ashamed to say I enjoyed every minute of it.
表現 · B1a farewell note

a goodbye letter

Sabrina imagines the empty cabin held only a farewell note, dictated by Linus and typed by his secretary.

there would have been a farewell note dictated to and typed by Miss McCardle.
文法 · C1would have been

past modal passive: Would have been describes what would have existed, and the participles show the note was written for him.

there would have been a farewell note dictated to and typed by Miss McCardle.

「Linus Admits He Was Sending Her Away」を読み解く

What's really going on

The scene turns on a single word: send. Sabrina has read the tickets as romance—"Linus Larrabee, Esquire, is taking me to Paris"—and Linus has to correct the whole picture: "I wasn't going to take you to Paris. I was going to send you." It's the coldest version of the truth, and he gives it plainly, without excuses. His reason, when it comes, is worse than cruelty: "High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way." Sabrina doesn't cry or beg. She answers with a dry, wounded politeness—"How inconsiderate of me"—and then begins to wonder what else was staged, down to the farewell note Miss McCardle would have typed. Her sarcasm is the last dignity she has.

Theme

BetrayalThe man Sabrina trusted was quietly removing her, and the truth only surfaces when she finds the tickets.
ClassLinus explains her away as a business obstacle: he lists mergers and plaques, then says, flatly, 'You got in the way.'

このチャプターで学べること

  • Linus lists a merger and a marriage before he names her as the obstacle.
  • Sabrina's politeness is the sharpest thing she says.
  • He confesses he enjoyed arranging her exit.
  • The empty cabin stands for everything he planned without her.

発音のポイント

  • don't you — Don't you blurs into doncha, with the t and y merging.
  • going to — Both going to phrases reduce to gonna in speech.
  • got in the — The t in got often drops, sliding straight into in the.
I wasn't going to take you to Paris. I was going to send you.

The correction that breaks the scene: the tickets weren't a shared trip but a one-way plan to get her out of the way.

High finance, expansion, the marriage, a merger, a new plaque on the Larrabee building. You got in the way.

Linus's answer to 'why': not personal, just business. She was an obstacle between the family and a merger, so she had to be moved.

I'm ashamed to say I enjoyed every minute of it.

Linus admits the one thing the plan didn't account for: he genuinely liked the time he spent deceiving her.

Such a busy man having to waste so much time just to get me on a boat.

Sabrina's sarcasm: she frames her own unmaking as an inconvenience to him, the busier and more important person.

You do want to take me with you, don't you?

Her hopeful question, asked before she knows the truth, that the rest of the scene quietly answers.

このシーンについての質問

What was Linus's plan for Sabrina?

He had booked her a one-way passage to Paris, alone, with an empty cabin, to keep her away from David while the family pushed the Tyson merger through.

Why does Sabrina say 'how inconsiderate of me'?

It's sarcasm. She's mocking Linus's cold business logic by pretending her feelings were the inconvenience—answering his betrayal with dry politeness instead of tears.

What does Linus mean when he says Sabrina got in the way?

She was an obstacle to the family's plans—the merger with the Tysons and David's marriage. Getting rid of her was, to him, a practical business decision.

Does Linus actually care about Sabrina?

The scene suggests he does. He admits, "I'm ashamed to say I enjoyed every minute of it"—the one line that doesn't fit the cold plan he just described.

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